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A Gaze through the Veil:

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In conclusion <strong>the</strong> fundamentalist regime of <strong>the</strong> Islamic Republic and <strong>the</strong> restrictions itenforces is a very complex and structured system. The power <strong>the</strong> government holdson <strong>the</strong> citizens and artists of Iran is excessive, to force <strong>the</strong>se values and religiousideals on a society and to try and censor and control <strong>the</strong>ir actions and in many ways<strong>the</strong> thoughts of <strong>the</strong> people is difficult to comprehend. The division that exists betweeninterior and exterior space, between private and public spheres is astounding, thisdual-life is now rooted in <strong>the</strong> Iranian culture and will continue to exist while <strong>the</strong>fundamentalist regime has power.In <strong>the</strong> outside world women wear <strong>the</strong> chador. In <strong>the</strong> outsideworld, art, whe<strong>the</strong>r painting or poetry, is communicated<strong>through</strong> a veil of abstraction as artists attempt to elude <strong>the</strong>critical eye of censors. (Callamard, 2006)As I expressed in this <strong>the</strong>sis <strong>the</strong>se restrictions are a lot more controlling on women,Shirin Neshat emphasises <strong>the</strong> restriction on dress and actions in her Women of Allahseries, but this work displays <strong>the</strong> restrictions but it emphasises that <strong>the</strong>se women arepowerful and rebellious.***Still finishing conclusion****

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