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A Gaze through the Veil:

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Fig 10: Shirin Neshat, Fervor, Still from Video Installation, 2000.In this piece Neshat shows <strong>the</strong> restrictions imposed on both men and women.Contrasting to ‘Rapture’ and ‘Turbulent’ she addresses on issue that effects bothsexes. In this installation, two screens are placed side by side creating a “mirroredeffect.” (Macdonald, 2004, p.16) By doing this she illustrates that both sexes areunder <strong>the</strong> same restrictions and effected equally by his strict policy.She once again contrasts spaces by using <strong>the</strong> desert and a man-made environment. In<strong>the</strong> desert <strong>the</strong> couple exchange glances, aware of <strong>the</strong> rules but allowing temptation totake hold, but in <strong>the</strong> public space <strong>the</strong>y are aware of <strong>the</strong>ir wrong doing and areashamed, <strong>the</strong>y are unable to make eye contact as <strong>the</strong> curtain blocks <strong>the</strong>ir view. Doesthis curtain symbolize <strong>the</strong> barrier that <strong>the</strong> Islamic policy and society imposes? “Neshatcaptures <strong>the</strong> tension between human nature and cultural codes. She contrasts <strong>the</strong>simplicity and openness of <strong>the</strong> natural landscape where <strong>the</strong> couple initially meet and<strong>the</strong> claustrophobic atmosphere of <strong>the</strong> public lecture.” (Tenaglia, 2002, p.7)

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