Hyakujo: The Everest of Zen, with Basho's Haikus - Oshorajneesh.com
Hyakujo: The Everest of Zen, with Basho's Haikus - Oshorajneesh.com Hyakujo: The Everest of Zen, with Basho's Haikus - Oshorajneesh.com
CHAPTER 1. THE LANGUAGE OF SUDDENNESSis okay, but about yourself, never ask a question. Rather, look within from where the question isarising, and in a single moment, the great enlightenment is possible.NO SOONER WERE THESE WORDS SPOKEN THAN HYAKUJO RECEIVED A GREATILLUMINATION AND RECOGNIZED HIS OWN NO-MIND. BESIDE HIMSELF WITH JOY, HEBOWED IN DEEP GRATITUDE.HYAKUJO SPENT THE NEXT SIX YEARS IN ATTENDANCE UPON MA TZU. BUT AS TAO-CHIH,HIS FIRST TEACHER, WAS GROWING OLD, HE WANTED TO RETURN TO LOOK AFTER HIM.BEFORE HYAKUJO LEFT MA TZU, HE WENT TO PAY HIS FINAL TRIBUTE TO HIM.SEEING HIM COMING, MA TZU RAISED HIS HORSE WHISK STRAIGHT UP. HYAKUJO ASKED,”ARE YOU IN THE USE OF IT, OR APART FROM THE USE?”MA TZU HUNG THE HORSE WHISK ON THE CORNER OF HIS CHAIR. AFTER A MINUTE ORSO, HE ASKED HYAKUJO, ”HENCE FORWARD, HOW DO YOU OPEN THOSE TWO LEAVES OFYOUR MOUTH TO WORK FOR OTHERS?”AT THIS, HYAKUJO TOOK THE HORSE WHISK AND RAISED IT STRAIGHT UP.MA TZU SAID, ”ARE YOU IN THE USE OF IT, OR APART FROM IT?”HYAKUJO HUNG THE HORSE WHISK ON THE CORNER OF THE CHAIR.JUST AT THAT MOMENT, A GREAT ROAR, LIKE HUNDREDS OF THUNDERBOLTS FALLING,RAINED ON HYAKUJO’S HEAD. MA TZU HAD GIVEN HIM A SHOUT WHICH, IT IS SAID,DEAFENED HIM FOR THREE DAYS.For three days he could not hear anything else. What has transpired in this dialogue when Ma Tzuasked, ”Are you in the use of it, or apart from it?” The same question both have asked each other.First Hyakujo has asked, and the meaning should be understood clearly. The meaning is: are you awitness while you are using it? or do you become one with it and forget your witnessing?When Ma Tzu asked, Hyakujo did the same, exactly as Ma Tzu has done. He hung the horse whiskon the corner of the chair showing that ”I am also a witness; I am no longer the horse whisk. I amno object, I am always a subject and a witness.”Satisfied, Hyakujo gave a tremendous roar of joy that a disciple had ripened, that a disciple hadarrived home, that a disciple’s blindness had disappeared. But the roar was such: LIKE HUNDREDSOF THUNDERBOLTS FALLING, RAINED ON HYAKUJO’S HEAD. MA TZU HAD GIVEN A SHOUTWHICH, IT IS SAID, DEAFENED HYAKUJO FOR THREE DAYS.This was a great roar of tremendous joy, of welcoming Hyakujo, that ”after all, you have arrived.”A haiku by Basho:I CLAP MY HANDSHyakujo: The Everest of Zen, with Basho’s Haikus8Osho
CHAPTER 1. THE LANGUAGE OF SUDDENNESSAND WITH THE ECHOESIT BEGINS THE DAWN –THE SUMMER MOON.Basho is one of the greatest poets of the world, but he has written only haikus – very symbolicbut very miraculous, very simple but very mysterious. They are all to be understood throughvisualization, because Zen does not believe in words. Visualize and perhaps you may have someunderstanding. ”I clap my hands and with the echoes” – in the mountains – ”it begins the dawn –the summer moon.”The summer moon is still hanging and the sun is going to rise. And I have clapped my hands, andthe echoes are still resounding in the mountains. It is just a painting in words. A haiku has to beunderstood – a painting in words, not only a poetry in words – and it has to be visualized. Justvisualize yourself surrounded by mountains. And you...(OSHO CLAPS HIS HANDS.)... clap yourhands. The mountains go on echoing and the summer moon is still there and the dawn has come.The sun will be arising soon.Why should he write these small haikus? He used to live by the side of a lake surrounded bymountains, meditating in utter silence. Once in a while he would open his eyes and whatever hewould see, he would note down. These haikus are not out of the mind. These haikus are reflectionsin a mirror, in a no-mind. In a silent heart the summer moon, the dawn very close and he claps hishands, and all the mountains resound with echoes.A meditator, according to Basho, will go on searching deep within himself, but that does not meanthat he should lose contact with the outside world. Once in a while he should open his eyes. With allhis emptiness he should mirror the outside world. Those reflections are collected in these haikus.They don’t mean anything, they simply depict a picture.Question 1Maneesha has asked:BELOVED OSHO,MANY DISCIPLES HAVE DEDICATED BOOKS TO THEIR MASTER OUT OF LOVE ANDGRATITUDE. BUT CHARACTERISTICALLY, YOU HAVE TURNED TRADITION ON ITS HEAD BYDEDICATING TWO OF YOUR DISCOURSE SERIES TO SPECIFIC DISCIPLES.HAS ANY MASTER LOVED HIS DISCIPLES AS MUCH AS YOU SEEM TO LOVE US?Maneesha, when I see you all, I don’t see you the way you see yourself. I simply see possiblebuddhas. No master has dedicated his books to his disciples, because no master has that claritywhich can see the future in the present, which can see the rose in the seed. I can see. So whenI introduce you as buddhas, it is not symbolic, I mean it. It is not only love, but also respect. Myown understanding is: unless a master respects the disciple, he does not deserve respect from thedisciple. It is a communication, it is a give-and-take, it is a communion.Hyakujo: The Everest of Zen, with Basho’s Haikus9Osho
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CHAPTER 1. THE LANGUAGE OF SUDDENNESSAND WITH THE ECHOESIT BEGINS THE DAWN –THE SUMMER MOON.Basho is one <strong>of</strong> the greatest poets <strong>of</strong> the world, but he has written only haikus – very symbolicbut very miraculous, very simple but very mysterious. <strong>The</strong>y are all to be understood throughvisualization, because <strong>Zen</strong> does not believe in words. Visualize and perhaps you may have someunderstanding. ”I clap my hands and <strong>with</strong> the echoes” – in the mountains – ”it begins the dawn –the summer moon.”<strong>The</strong> summer moon is still hanging and the sun is going to rise. And I have clapped my hands, andthe echoes are still resounding in the mountains. It is just a painting in words. A haiku has to beunderstood – a painting in words, not only a poetry in words – and it has to be visualized. Justvisualize yourself surrounded by mountains. And you...(OSHO CLAPS HIS HANDS.)... clap yourhands. <strong>The</strong> mountains go on echoing and the summer moon is still there and the dawn has <strong>com</strong>e.<strong>The</strong> sun will be arising soon.Why should he write these small haikus? He used to live by the side <strong>of</strong> a lake surrounded bymountains, meditating in utter silence. Once in a while he would open his eyes and whatever hewould see, he would note down. <strong>The</strong>se haikus are not out <strong>of</strong> the mind. <strong>The</strong>se haikus are reflectionsin a mirror, in a no-mind. In a silent heart the summer moon, the dawn very close and he claps hishands, and all the mountains resound <strong>with</strong> echoes.A meditator, according to Basho, will go on searching deep <strong>with</strong>in himself, but that does not meanthat he should lose contact <strong>with</strong> the outside world. Once in a while he should open his eyes. With allhis emptiness he should mirror the outside world. Those reflections are collected in these haikus.<strong>The</strong>y don’t mean anything, they simply depict a picture.Question 1Maneesha has asked:BELOVED OSHO,MANY DISCIPLES HAVE DEDICATED BOOKS TO THEIR MASTER OUT OF LOVE ANDGRATITUDE. BUT CHARACTERISTICALLY, YOU HAVE TURNED TRADITION ON ITS HEAD BYDEDICATING TWO OF YOUR DISCOURSE SERIES TO SPECIFIC DISCIPLES.HAS ANY MASTER LOVED HIS DISCIPLES AS MUCH AS YOU SEEM TO LOVE US?Maneesha, when I see you all, I don’t see you the way you see yourself. I simply see possiblebuddhas. No master has dedicated his books to his disciples, because no master has that claritywhich can see the future in the present, which can see the rose in the seed. I can see. So whenI introduce you as buddhas, it is not symbolic, I mean it. It is not only love, but also respect. Myown understanding is: unless a master respects the disciple, he does not deserve respect from thedisciple. It is a <strong>com</strong>munication, it is a give-and-take, it is a <strong>com</strong>munion.<strong>Hyakujo</strong>: <strong>The</strong> <strong>Everest</strong> <strong>of</strong> <strong>Zen</strong>, <strong>with</strong> Basho’s <strong>Haikus</strong>9Osho