CHAPTER 3. IN SEARCH OF A LOST TREASUREHe said, ”On the front seat there was nobody, so I could not ask. You need somebody to ask; theseat was empty...”<strong>The</strong> wife said, ”I will not interfere in your matters. You are simply either a philosopher or insane.”Both mean the same.Another haiku by Basho:THE CRESCENT MOON –THE EASTERN SKY IS DARK,AND THE SOUND OF A BELL.He depicts in words. Without any colors he makes paintings. ”<strong>The</strong> crescent moon – the eastern skyis dark, and the sound <strong>of</strong> a bell.” You can almost hear the sound <strong>of</strong> a bell. <strong>The</strong>se are his moments <strong>of</strong>meditation. When he opens his eyes once in a while, he sees something: ”<strong>The</strong> crescent moon – theeastern sky is dark, and the sound <strong>of</strong> a bell” – just fragments out <strong>of</strong> a meditative mind. <strong>The</strong>y don’tsay much, they simply depict a situation. Very visual – you can see it, you can hear it. Basho is veryearth bound.Question 1Maneesha has asked:BELOVED OSHO,ALTHOUGH BASHO’S HAIKUS ARE EXQUISITE, THEY MOSTLY TEND TO BE A BITMELANCHOLY.I HAVE ALWAYS ASSOCIATED ENLIGHTENMENT WITH LEVITY, IF NOT ECSTASY –ALTHOUGH IS SEEMS THAT KRISHNAMURTI DIDN’T EXTRACT MUCH ENJOYMENT FROMHIS ENLIGHTENMENT.WAS BASHO ENLIGHTENED?Maneesha, every enlightened being expresses himself in his own unique way. Basho certainlyseems to be a little melancholy, but his sadness is not your sadness. Your sadness is a repressedanger. You may not have thought about it. You be<strong>com</strong>e sad in a situation where you cannot expressyour anger.For example, a husband and wife sitting together are always sad for the simple reason that they areangry at each other. <strong>The</strong> wife thinks, ”What kind <strong>of</strong> idiot have I got?” And the man is thinking, ”Howto escape from here? Some excuse...”Anger suppressed be<strong>com</strong>es sadness, but this is not the sadness <strong>of</strong> Basho. Basho is sad, certainly,and his sadness also has a beauty. Your sadness is ugly. His sadness is about the whole world, it<strong>Hyakujo</strong>: <strong>The</strong> <strong>Everest</strong> <strong>of</strong> <strong>Zen</strong>, <strong>with</strong> Basho’s <strong>Haikus</strong> 46 Osho
CHAPTER 3. IN SEARCH OF A LOST TREASUREhas nothing to do <strong>with</strong> himself. It is the sadness <strong>of</strong> a man who knows how easy and how close yourbuddhahood is – and you are running here and there unnecessarily. <strong>The</strong> whole world is fighting,violent, angry... All this energy can transform their being into buddhas.Basho’s sadness is out <strong>of</strong> his <strong>com</strong>passion, it has nothing to do <strong>with</strong> anger. But your observation thathe seems to be a little sad in his haikus is right. He has to be. He is sad for you. He is sad for all<strong>of</strong> humanity. He is sad for all those who will follow him, because he knows the truth. It is so close –just <strong>with</strong>in your grasp – and still you don’t raise your hand. That makes him sad. His sadness has abeauty and a splendor.As far as Krishnamurti, he was sad out <strong>of</strong> anger. But again it was a different anger from your anger.Things are so subtle.... He was angry as to why people could not understand him. He is so clear,so rational, why can people not understand him? He used to beat his head in front <strong>of</strong> assembliessaying, ”You have been listening to me for forty years, fifty years, and I look at your faces and I feelimmensely sad.”He suffered for almost fifty years <strong>with</strong> migraine, <strong>with</strong> so deep migraines that he has written in hisdairies that sometimes he wanted to hit his head against the walls. <strong>The</strong> migraine had nothing to do<strong>with</strong> his physiology, it was because he was talking to people, giving interviews, private interviewsfrom morning until night, and nobody was showing the light in their eyes that they had understoodhim.You cannot blame him for his anger – although that is a very special case. As I have told you, everyenlightened person encounters the world in his own unique way. Krishnamurti lived long – ninetyyears – and even at the last moment, he was angry. At the last moment he said, ”I have wasted mywhole life running around the world telling people, and they thought that it was an entertainment. Iwas talking about enlightenment, and they used to gather as if it was a circus.”His anger is out <strong>of</strong> his <strong>com</strong>passion, but it is a very strange kind <strong>of</strong> conversion <strong>of</strong> <strong>com</strong>passion. Hewas so insistent that you should understand what he was saying, and this made him angry.He was against sannyasins, he was against me. He wanted to see me, and sent a message to me.We both were in Bombay.I said, ”I don’t think there is any point. I am in absolute disagreement <strong>with</strong> him, and he is in absolutedisagreement <strong>with</strong> me, so why unnecessarily waste my time and make him angry? He may hit hishead on the wall, and unnecessarily I will be blamed for it.”But I used to send my sannyasins to sit in the front row in orange clothes <strong>with</strong> malas. That wasenough! He would <strong>com</strong>e, and as he would look around, he would <strong>com</strong>pletely forget what the subjectmatter was that he was going to talk about. He would immediately start talking against me, andbe<strong>com</strong>e so angry, saying, ”I cannot understand why these sannyasins are sitting in front <strong>of</strong> me. I amagainst these robes, I am against sannyas.”And I told my people that when he be<strong>com</strong>es angry, laugh, don’t bother. That makes him more angry.And my sannyasins were all over the world, wherever he was speaking.<strong>Hyakujo</strong>: <strong>The</strong> <strong>Everest</strong> <strong>of</strong> <strong>Zen</strong>, <strong>with</strong> Basho’s <strong>Haikus</strong> 47 Osho