Sometimes the word means 'repent'. When I am talking about sin and I use theword 'repent', it means 'repent'. When I am talking about God calling you, thenthe word 'repent' means 'answer', it means 'responsibility'. God has asked -- youanswer. And when I say that the kingdom is at hand, the word means 'return'.All three meanings are there. The word is not one-dimensional; it is threedimensional.All the old languages are three-dimensional. Modern languages areone-dimensional, because our insistence is not on poetry but on prose.Our insistence is not on multi-meaningfulness, but exactness. The word shouldbe exact: it should only mean one thing so that there is no confusion. And that'sgood. If you are writing about science the language has to be exact, otherwiseconfusion is possible.It happened in the Second World War: The American general wrote a letter to theemperor of Japan before Hiroshima and Nagasaki. The letter was in English andthen it was translated into Japanese which is more poetic, more flowery -- andone word means many things.A certain word was translated in a certain way. It could have been translated insome other way also; it depended on the translator. Now they have beeninquiring about it, and they have <strong>com</strong>e to the conclusion that if it had beentranslated in the other way that was also possible, there would have been noHiroshima and no Nagasaki.The American general meant something else, but the way it was translated it wasfelt to be an insult. The Japanese emperor simply declined to answer it; it was tooinsulting. And Nagasaki and Hiroshima happened, the atom bomb had to bethrown.If the emperor had replied to it, then there would have been no need forHiroshima and Nagasaki. Just one word translated in a different way and onelakh people died within minutes, within seconds. Very costly -- just a singleword. Words can be dangerous.In politics, in science, in economics, in history, words should be linear, onedimensional.But if the whole language be<strong>com</strong>es one-dimensional, then religionwill suffer very much, poetry will suffer very much, romance will suffer verymuch. For poetry a word should be multi-dimensional, it should mean manythings, so that the poetry has a depth and you can go on and on and on.That's the beauty of old books. <strong>You</strong> can go on reading the Gita every day, youcan go on reading the gospels every day, and every day you can <strong>com</strong>e upon anew and fresh meaning. <strong>You</strong> may have read the same passage a thousand timesand it never occurred to you before that this can be the meaning. But thismorning it occurred, you were in a different mood. <strong>You</strong> were happy, flowing -- anew meaning arises. Another day you are not so happy, not so flowing, and themeaning changes. The meaning changes according to you, according to yourmood and climate.<strong>You</strong> carry an inner climate that goes on changing just like the outer climate. Haveyou watched it? Sometimes you are sad and you look at the moon and the moon<strong>Come</strong> <strong>Follow</strong> <strong>To</strong> <strong>You</strong> <strong>Vol</strong> 1Osho
looks sad, very sad. <strong>You</strong> are sad and a fragrance <strong>com</strong>es from the garden and itseems very sad. <strong>You</strong> look at the flowers: rather than making you happy, theymake you heavy.Then in another moment you are happy, alive, flowing, smiling -- the samefragrance <strong>com</strong>es and surrounds you, dances around you, and makes youtremendously happy. The same flower... and when you see it opening,something opens in you also. The same moon, and you cannot believe how muchsilence and how much beauty descends on you.There is a deep participation: you be<strong>com</strong>e partners in some deep mystery. But itdepends on you. The moon is the same, the flower is the same -- it depends onyou.Old languages are very flowing. In Sanskrit there are words.... One word canhave twelve meanings. <strong>You</strong> can go on playing with it and it will reveal manythings to you. It will change with you, it will always adjust to you. That's whygreat works of classical literature are eternal. They are never exhausted.But today's newspaper will be worthless tomorrow, because it has no vitality ofmeaning. It simply says what it means; it has nothing more in it. <strong>To</strong>morrow youwill look foolish reading it. It is ordinary prose; it gives you information but ithas no depth, it is flat.Two thousand years have passed since Jesus spoke and his words are still asalive and fresh as ever. They are never going to be old. They don't age, theyremain fresh and young. What is their secret?The secret is that they mean so many things that you can always find a new doorin them. It is not a one-room apartment. Jesus says, "My God's house has manymansions." There are many doors, and there are always new treasures to berevealed, to be discovered. <strong>You</strong> never <strong>com</strong>e on the old landscape again. It has acertain infinity.That's why I go on changing. Yes, whenever I feel, I change the meaning. But thatis the way Jesus himself has done it.In translating the Hebrew Bible into English, much has been lost. In translatingthe Gita into modern languages, much has been lost. In translating the Koran, thewhole beauty is gone because the Koran is a poetry. It is something to be sung, itis something you should dance with. It is not prose. Prose is not the way ofreligion; poetry is the way.Remember this always and don't get confined. Jesus is vast and the English Bibleis very small. I can understand the resistance of old people that their booksshould not be translated. It has a deep significance.<strong>You</strong> can translate prose, there is no trouble. If you want to translate a book on thetheory of relativity into any language, it may be difficult, but the difficulty is notthe same as it is with the Bible, the Gita or the Koran. It can be translated:nothing will be lost; it has no poetry in it.But when you translate poetry, much will be lost because each language has itsown rhythm and each language has its own ways of expression. Each language<strong>Come</strong> <strong>Follow</strong> <strong>To</strong> <strong>You</strong> <strong>Vol</strong> 1Osho
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Come Follow To You, Vol 1Reflection
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Hence I have chosen to talk on Chri
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Christ rose high. Jews had been wai
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you assert so silently that even yo
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enlightened. You are full of light
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him. Buddha was born a Hindu: Hindu
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can become flesh, it can be uttered
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painted, more and more personalitie
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These two lawgivers have created th
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Come Follow To You, Vol 1Chapter #2
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Ramakrishna functioned more freely
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And if you love me I know that you
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That's the problem. You ask, "Why d
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And when God happens, everything ha
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cannot easily become an atheist and
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Suddenly his whole science disappea
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The enemies asked, "Why have you co
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Come Follow To You, Vol 1Chapter #3
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REPENT: FOR THE KINGDOM OF HEAVEN I
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What are you doing -- repenting? Yo
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If you repent, conversion happens.
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So first let God descend in you. Th
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the innermost revolution that he wa
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In the last days of his life, befor
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Jesus is peace, silence. He is not
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so direct, God is very indirect. He
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Come Follow To You, Vol 1Chapter #4
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ody may be there, tremendously beau
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an old man, uneducated but wise thr
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oats together and they are moving i
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you are taking a bath, the answer c
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Watch people who think of committin
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toes, it will not go to your whole
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And unless it is an experience, it
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why I insist: drop a little out of
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Come Follow To You, Vol 1Chapter #5
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If I can get it down and look at it
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