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Fishing from the earliest times - Blog

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32386 FISH IN OFFERINGS. AUGURIES, ETC.<strong>from</strong> <strong>the</strong> grave (some<strong>times</strong> cited as an instance of necromancy)," <strong>the</strong> place where was <strong>the</strong> worm that devoured, and where allwas cloaked in dust." *The Hymn of <strong>the</strong> Descent of Ishtarinto Hell goes far<strong>the</strong>r :" To <strong>the</strong> land whence none return, <strong>the</strong> place of darkness,To <strong>the</strong> house wherein he who enters is excluded <strong>from</strong> <strong>the</strong> light,To <strong>the</strong> place where dust is <strong>the</strong>ir bread and mud <strong>the</strong>ir food."The very curious bronze of <strong>the</strong> Le Clerq collection in Paris,in which ichthyic garments and gods of <strong>the</strong> under-world,Arallu, occur, must be my excuse for this too lengthy and almostfishless digression on <strong>the</strong> Babylonian dead. It shows severalfigures, two clad in garments of <strong>the</strong> form of a fish, with <strong>the</strong>irscales very visible.Two explanations of <strong>the</strong> bronze have been offered. Thefirst, hi<strong>the</strong>rto generally accepted, suggests that <strong>the</strong> figuresare representations of <strong>the</strong> gods of <strong>the</strong> under-world, or of <strong>the</strong>dead waiting on a sick person, toge<strong>the</strong>r with some demons of<strong>the</strong> under-world and two priests wearing fishlike raiment.My friend Professor Langdon has furnished me with ano<strong>the</strong>rexplanation, more detailed and more interesting.This so-called representation of a scene in <strong>the</strong> lower world<strong>from</strong> a bronze talisman has been misunderstood. The obversehas three registers.In <strong>the</strong> upper register are depicted <strong>the</strong> sevendevils, all with animal heads, in attitude of ferocious attackupon a human soul. The middle register represents a sick manwho is supposed to be possessed by <strong>the</strong> seven devils. He liesupon a bed. At his head and feet stand two priests eacharrayed to appear like fish : <strong>the</strong>se are symbolic of Ea, god of <strong>the</strong>sea and patron of all magic. They clo<strong>the</strong>d <strong>the</strong>mselves in a^ Gilgamesh here learns how infinitely better is <strong>the</strong> condition of those towhom <strong>the</strong> rites of burial have been paid, compared with that of those whohave been unburied. K. F. Harper, Assyrian and Babylonian Literature(New York, 1901), 363 ff.'^The Hebrew conception of Sheol coincides in regarding it as " a land whencenone return," Job vii. 9-10 ; as " a place of darkness," Job x. 21-22 ;as a place of " dust," Psalm xxx. 9, and Job xvii. 16.' Priests dressed as fish or with some fish-like raiments often attend <strong>the</strong>Sacred Tree (see Ward, op. cit., Nos. 687, 688, 689). These are held by some tobe genii of <strong>the</strong> deep. In Ward, No. 690, two fish-men are guarding <strong>the</strong> Tree ofLife.

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