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Fishing from the earliest times - Blog

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THE NET OF ENLIL 359This is to be found in what till lately has been held to be afine representation * of Ningirsu, <strong>the</strong> god of <strong>the</strong> SumerianTelloh or Babylonian Lagash, triumphing over his enemies.The Net full of prisoners symbolises <strong>the</strong> capture of <strong>the</strong>enemies of <strong>the</strong> city. To indicate <strong>the</strong> impossibiUty of escape" a prisoner who has thrust his head out(Jastrow continues),of one of <strong>the</strong> meshes is being beaten back by a weapon in <strong>the</strong>hands of <strong>the</strong> god." 2 King fur<strong>the</strong>r elaborates <strong>the</strong> scene ;" The god grasps in his right hand a heavy mace which he letsfall upon <strong>the</strong> Net in front of him containing captives, whosebodies may be seen writhing and struggling like fish in <strong>the</strong>broad meshes. On <strong>the</strong> relief, <strong>the</strong> cords of <strong>the</strong> Net are symmetricallyarranged : <strong>the</strong> rounded corners at <strong>the</strong> top show it as aNet formed of ropes and cordage." ^ But later Sumerianscholars deny that Ningirsu has anything to do with <strong>the</strong> Netor even figures in <strong>the</strong> scene. On <strong>the</strong> Stele des Vaufours <strong>the</strong>person represented is not a god, but a king, Eannatum, withcaptured soldiers enclosed in <strong>the</strong> Net {Shusgal). What ismore, <strong>the</strong> king in <strong>the</strong> accompanying inscription, not onlydesignates <strong>the</strong> Net as that ofEnlil, <strong>the</strong> earth god, but also ofNinharsag, <strong>the</strong> mo<strong>the</strong>r goddess, of Enki, <strong>the</strong> water god, ofSiu, <strong>the</strong> moon god, and of Shamash, <strong>the</strong> sun god. All <strong>the</strong>greater gods were supposed to carry nets : Ningirsu mustcertainly have possessed one, but nei<strong>the</strong>r he or i<strong>the</strong>re.are depicted1 See Planche I. of Restitution de la Stile des Vautouvs, by Leon Heuzey.2 Civilisation of Babylonia and Assyria (Philadelphia, I9i5)i P- 387-3 A History of Siimer and Akkad, op. cit. (1910), p. 131. The scene isshown in <strong>the</strong> Plate which fronts this section.

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