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Fishing from the earliest times - Blog

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smomus—AD mosellam 195rate, no opsophagist or o<strong>the</strong>r author notices <strong>the</strong> fish. Theirsilence is natural ; <strong>the</strong> high temperature of <strong>the</strong> water forbidsits frequenting <strong>the</strong> Mediterranean or its inflowing rivers. ^The length of <strong>the</strong> whole poem (483 lines) prevents entirequotation, although <strong>the</strong> touch and movement all through displa}'fully <strong>the</strong> instinct and feeHng for sport.Pictures of <strong>the</strong> scenery along <strong>the</strong> banks of <strong>the</strong> Moselle arefollowed by <strong>the</strong> enumeration and characterisation of <strong>the</strong> fishin its waters rendered after <strong>the</strong> manner of <strong>the</strong> didactic epic.The poem furnishes a lively description of <strong>the</strong> fishermen of<strong>the</strong> Moselle, made <strong>from</strong> actual observation. Men in boatsdrag nets in mid-stream ; men watch <strong>the</strong> corks of little nets inshallower water ; men perched on banks or on rocks armedwith rods scan <strong>the</strong> floats bobbing on <strong>the</strong> water, or jerk in <strong>the</strong>prey. But we search for fly-fishing in vain." And now, where <strong>the</strong> bank gives easy access, a host of\spoilers are searching all <strong>the</strong> waters. 2 Alas ! poor fish, illsheltered by thine inmost stream ! One of <strong>the</strong>m trails hiswet fines far out in mid-river, and sweeps off <strong>the</strong> shoals caughtin his knotty seine ;where <strong>the</strong> stream gUdes with placid course,ano<strong>the</strong>r spreads his drag-nets buoyed on <strong>the</strong>ir cork-floats." A third, leaning over <strong>the</strong> waters beneath <strong>the</strong> rock, lowers<strong>the</strong> arching top of his supple rod, as he casts <strong>the</strong> hooks shea<strong>the</strong>din deadly baits. The unwary rovers of <strong>the</strong> deep rush on <strong>the</strong>mwith gaping mouth—too late, <strong>the</strong>ir wide jaws feel throughand through <strong>the</strong> stings of <strong>the</strong> hidden barb—<strong>the</strong>y wri<strong>the</strong>—<strong>the</strong>surface tells <strong>the</strong> tale, and <strong>the</strong> rod ducks to <strong>the</strong> jerky twitchof <strong>the</strong> quivering horse-hair. Enough—with one whizzingstroke <strong>the</strong> boy snatches his prey slant-wise <strong>from</strong> <strong>the</strong> water ;* Salmon appear but infrequently in representations, but Plate 8 inC. W. King's Roman Antiquities at Lydney Park, Gloucestershire, London,1879, shows in colours a mosaic dedicated to <strong>the</strong> god Nodons by FlavinsSenilis, an officer in command of <strong>the</strong> fleet stationed off <strong>the</strong> Severn : thismosaic includes a number of salmon. King, ib. Plate 13, 2, is a diadem of beatenbronze representing a fisherman with a pointed cap in <strong>the</strong> act of hookingwith undoubtedly a tight hne a fine salmon : cf. A. B. Cook's discussion of<strong>the</strong>se finds in Folk-Lore, 1906, XVI. 37 ff. Nodons was in fact, like Nuada, afish god, indeed a Celtic understudy for Neptune. If salmon figure little inrepresentations, <strong>the</strong>y bulk large in laws, and in commissariats for campaigns,e.g. 3000 dried salmon were ordered by Edw. II. in his war with Bruce.^ From Professor R. C. Jebbs' Translation, p. 176 (line 240 ff.).

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