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Fishing from the earliest times - Blog

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SALMO CYA^/CC/S—DAPHNIS AND CHLOE 139The Fisherman, by <strong>the</strong> same author, bears no relationshipto <strong>the</strong> Mimes, or Idylls,It takes its title <strong>from</strong> a scene in which<strong>the</strong> author sits on a parapet of <strong>the</strong> Acropolis equipped with <strong>the</strong>rod of a Piraean fisherman. His bait of gold and figs attractsa swarm of brilliantly coloured fish, Salmo Cynicus} Flat SolePlateship, and o<strong>the</strong>r philosophers clad in scales.The Romances, <strong>the</strong> last prose at <strong>times</strong> instinct with <strong>the</strong>genius of ancient Greece, bequeath us many fisherfolk. Thefamous pastoral Daphnis and Chloe, by Longus, introduces apretty picture and illustrates <strong>the</strong> old contrast between <strong>the</strong>idyllic life of shepherds and <strong>the</strong> sordid lot of <strong>the</strong>ir fishingneighbours.Daphnis sits with Chloe on a hill near <strong>the</strong> sea ;" while at<strong>the</strong>ir meal, which, however, consisted more of kisses than offood, a fisher boat is seen proceeding along <strong>the</strong> coast." Thecrew, carrying freshly caught fish to a rich man in <strong>the</strong> city," dip <strong>the</strong>ir oars, doing what sailors usually do to beguile <strong>the</strong>irtoil—<strong>the</strong> boatswain sings a sea-song, and <strong>the</strong> rest join in chorusat stated intervals."As <strong>the</strong> boat reaches some hollow or crescent-shaped bay,<strong>the</strong> echo of <strong>the</strong>ir song floats up. This only incites Daphnis,who understands <strong>the</strong> echo, " to store up some of <strong>the</strong> strains inbut Chloe,his memory that he may play <strong>the</strong>m on his pipes,who wots not that such things can be, turns in pretty bewildermentto <strong>the</strong> boat, to <strong>the</strong> sea, and to <strong>the</strong> woods."The Aethiopica, by Heliodorus of Emesa, has been termed,perhaps with exaggeration, <strong>the</strong> most elaborate picture of apiscatory kind in ancient Greek.The influence of Theocritusis strongly suggested by <strong>the</strong> imagery incidental to <strong>the</strong> descriptionof <strong>the</strong> cabin, <strong>the</strong> tackle, and <strong>the</strong> boat, as well as by <strong>the</strong>delineation of <strong>the</strong> character of Tjnrrhenus, aged, sea-worn,wretchedly poor, yet content with his lot and hospitable to<strong>the</strong> stranger. 2^ Such in Fowler's Translation, V. 48, is <strong>the</strong> rendering of kvwv, which isquite wrong for two reasons. First, kvuv is almost certainly our dogfish orits cousin. Cf. Aristotle N. H., VI. 118. Second, <strong>the</strong> salmon is not found inGreek waters, and so could not be fished for <strong>from</strong> <strong>the</strong> Acropolis. Cf. infra.Chapter XIII.» Heliod., Aethiop., 5, 18. Cf, Hajl, op. cit., 1914.L

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