April-2013 - Department of Information, Govt. of Karnataka

April-2013 - Department of Information, Govt. of Karnataka April-2013 - Department of Information, Govt. of Karnataka

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Annual Subscription ` 50.00 only<strong>Karnataka</strong>March <strong>of</strong>APRIL <strong>2013</strong>Ambedkar- The Crusader


C O N T E N T SMarch <strong>of</strong><strong>Karnataka</strong>Volume-50 Issue-4 Page-28 <strong>April</strong> <strong>2013</strong>Editor- in -ChiefN R VishukumarEditorial Advisory PanelN BhrungeeshK Gopala GowdaEditorT C JagadambaPublished byThe Director <strong>of</strong> <strong>Information</strong>#17, “Vartha Soudha”Bhagawan Mahaveer Road(Infantry Road) Bangalore- 560 001Phone : 080- 22028012, 22028046Printed at:LAVANYA MUDRANANo. 79, 9th Cross, 5th Main Road,T.R. Mill Compound, ChamarajpetBangalore- 560 018Phone : 080- 26610563, M: 98454 10347e-mail :march<strong>of</strong>karnataka@gmail.comwww.<strong>Karnataka</strong>varthe.orgAnnual Subscription` 50.00 onlySubscription amount may be sentthrough D.D., drawn in favour <strong>of</strong>The Director, <strong>Department</strong> <strong>of</strong><strong>Information</strong> Bangalore- 560001Views expressed in the articles are notnecessarily those <strong>of</strong> the GovernmentMARCH OF KARNATAKAPageNo.481214162426Cover StoryAmbedkar and hisinfluence on KannadaliteratureS SrinivasIndigenous Cattle``Malnad Gidda’’ getsNational Breed StatusC V RaghavendraraoBasaveshwara Statuein the historic city <strong>of</strong>LondonT C JagadambaSpectacular templeat KubaturM N Sundar raj“URU” –FolkDeities <strong>of</strong> Coastal<strong>Karnataka</strong>B M ChandrasekharaiahRestoration <strong>of</strong> anancient temple atHosagundaPramod MelligattiPick A PearlIrpu Falls


Ambedkar andhis influenceon KannadaliteratureAmbedkar was a jurist, politicalstatesman, social reformer, activist,educationalist and journalist. Ambedkarserved as the first Law Minister inIndependent India and was the chiefarchitect <strong>of</strong> India’s constitution.S SrinivasMarch <strong>of</strong><strong>Karnataka</strong>APRIL <strong>2013</strong>4


The first Cabinet <strong>of</strong> Independent IndiaBharatha Ratna Dr. B.R.Ambedkar(1891-1956.A.D.) was one among thegreatest thinkers which modern India hasproduced. He spoke and worked for thecause <strong>of</strong> the exploited, the voiceless andthe defenseless. Ambedkar was a jurist,political statesman, social reformer,activist, educationalist and journalist.As a corollary to his call for the dalithsto educate, organize and agitate for theirrights, he started several newspaperslike Mooknayak and Bahishkrit Bharath.He also founded the Independent LabourParty. Ambedkar served as the first LawMinister in Independent India and wasthe chief architect <strong>of</strong> India’s constitution.In his capacity as the Chairman <strong>of</strong> theConstitution Drafting Committee, hesaw that the new constitution guaranteedcivil liberties, social and economicrights for women and end all forms <strong>of</strong>social and religious discrimination.Ambedkar wrote more than 50 bookson various subjects like history,economics, sociology, anthropology,religion, politics and governance. Thespeeches and writings <strong>of</strong> Ambedkar onvarious issues concerning the society<strong>of</strong> the period in which he lived runsinto several volumes and have beentranslated into several Indian languageincluding Kannada.The rich history <strong>of</strong> Kannadaliterature has always adopted a propeople,humanistic view <strong>of</strong> life.Way back in 12th century A.D., thevachanakaras raised their voice againstdiscrimination based on caste. The firstdalith poet <strong>of</strong> that period was MadaraChennaiah. Three centuries later thecomposers <strong>of</strong> dasa sahitya exposed thehypocrisy prevailing in the society.5 <strong>Karnataka</strong>March <strong>of</strong>APRIL <strong>2013</strong>


In modern timesKannada literaturewas influenced byvarious literarymovementslike navodaya,pragatipara, navya,bandaya and dalith<strong>of</strong> which the lasttwo movementswere influencedby the thoughts <strong>of</strong>Ambedkar.Birth <strong>of</strong> DalithaSahityaThe socialawakening among thedowntrodden people<strong>of</strong> <strong>Karnataka</strong> sawthe birth <strong>of</strong> DalithaSahitya, whereintheir thoughts,opinions, views onvarious issues wasput into writing.This happened inthe year 1979 whichincidentally was alsothe year in whichprogressive thinkersand writers started thebandaya movementwhich questioned thestatus quo <strong>of</strong> the thentraditional society.The same year thefirst conference <strong>of</strong>Dalith writers andartists took place atBhadravathi. In thegenre called bandayaand dalith literature,the main theme isAmbedkar’s idealism<strong>of</strong> building a societybased on liberty,equality and whereone leads a life withdignity and selfrespect.


The writers <strong>of</strong> the dalitha movement were inspiredby Ambedkar’s philosophy and made use <strong>of</strong> differentforms <strong>of</strong> literature like poems, stories, plays, essays,etc., to express their pain and passion, anguish andaspiration, and dreams and disappointments. Forthe first time the subaltern class found literature as ameans to express their suppressed voice.A new breed <strong>of</strong> writers like Dr. Siddhalingiah,Devanur Mahadeva, Aravinda Maalagathi, Dr.V.Munivenkatappa, B.T.Lalitha Naik, MogalliGanesh, Chenanna Valikar, Dr.L.Hanumanthiah,to name a few came up with their fierce writingpicturing the ordeals faced by the people belongingto the lower strata <strong>of</strong> the society. The bandaya/dalithasahitya movement was a revolt against the system,norms, convention and belief system <strong>of</strong> the traditionalsociety. Though the bandaya/dalitha sahityamovement were influenced by Ambedkar’s thought<strong>of</strong> liberty, equality and fraternity there is a differencebetween the bandaya and dalitha movements.The writers <strong>of</strong> bandaya movement subscribe toMarxist ideology and their aim is to fight againstinequalities prevailing in the society. The writers <strong>of</strong>this movement are progressive in outlook and belongto all caste and communities. On the other hand thewriters <strong>of</strong> the dalitha movement are influenced by theideals <strong>of</strong> Ambedkar and their aim is to fight againstthe caste system in general and untouchability inparticular. Being a dalith meant not only economicand political deprivation but also social ostracism. Inthis movement we find daliths who write about theirpain, ordeal and humiliation which they underwentfor being born as daliths.Enrichment <strong>of</strong> Kannada LiteratureThe writers <strong>of</strong> the bandaya/dalitha movementstarted to evaluate the values which the societyupholds or follows based on it fulfilling certainparameters like whether it is universal, humanisticand rational in its approach. The dalitha literarymovement gave rise to dalith consciousness and alsosensitized the society at large about the plight <strong>of</strong>daliths and the need to address it. Kannada literaturewas enriched with new content, dialect, style <strong>of</strong>writing and also exposed to the culture and customs<strong>of</strong> the daliths. The movement also reflected theaspiration <strong>of</strong> the laboring classes, the landless andthe socially deprived. The dalitha literary movementintroduced many new writers with new outlook andapproach into Kannada literary scene. MoKThe writers <strong>of</strong> the dalithamovement were inspiredby Ambedkar’s philosophyand made use <strong>of</strong> differentforms <strong>of</strong> literature likepoems, stories, plays, essays,etc., to express their painand passion, anguish andaspiration and dreams anddisappointments.7 <strong>Karnataka</strong>March <strong>of</strong>APRIL <strong>2013</strong>


Indigenous Cattle“Malnad Gidda’’gets National Breed StatusC V Raghavendra RaoThe famous dwarf variety <strong>of</strong> nativecattle found through out Malnadregion, considered rare cattle folk forits strength to withstand harsh climaticconditions <strong>of</strong> the hilly terrain <strong>of</strong>Western Ghats have been recognizedby National Bureau <strong>of</strong> GeneticResources <strong>of</strong> ICAR as a registeredbreed variety <strong>of</strong> the country.Malnad Gidda a short structureddwarf cattle breed plying a pivotal rolein socio-economic status <strong>of</strong> farmers <strong>of</strong>the region spread over in Shimoga,Chikmaglur, Udupi, Mangalore and inNorth Canara districts are accountedto be around 10 lakhs to 12 lakhsin number and are found to be indeclining trend.March <strong>of</strong><strong>Karnataka</strong>APRIL <strong>2013</strong>8


According to experts owingto extensive cross breedingprograms adopted in the countryand due to use <strong>of</strong> excessivechemical manure to producefodder, the native cattle breedpopulation has decreasedconsiderably over the years andsome breeds are facing extinction.The breed is mainly rearedby farmers for milk and manure.Excellent endurance and diseaseresistance capacity and capacityto withstand extreme climate<strong>of</strong> the region are considered asstrong features <strong>of</strong> this indigenouscattle breed.9 <strong>Karnataka</strong>March <strong>of</strong>APRIL <strong>2013</strong>


With a body weight less than 100kilo they have become inseparablepart <strong>of</strong> farm community yielding0.5 to 4 liters <strong>of</strong> milk per dayand helping to provide abundantmanure to farmers for adoptingorganic farming.Hitherto due to lack <strong>of</strong> properinformation and study this breedwas not included in the list <strong>of</strong>recognized cattle breed in India.Considering its importance andneed to develop these cattle folk<strong>Karnataka</strong> <strong>Govt</strong>. had allocatedduring 2009 budget a sum <strong>of</strong> twocrores to establish a research onMalenad Gidda at Sagar.The work was entrustedto KLDA (<strong>Karnataka</strong> livestock development agency) anindependent body. The resultshelped to develop a strongdemand for its conservationand development the studyhighlighted. The Morpho-Metric traits, reproductiveperformances Systematic geneticimprovement program, measuresfor conservation and strategies toimprove population <strong>of</strong> the breed.The national bureau <strong>of</strong> geneticresources (NBGR) after examiningthe need and importance accordeda rare honor <strong>of</strong> approving nationalbreed status to Malnad GiddaThe national body also hasapproved the demand byproviding a breed accessionnumber to the cattle. These cattlespecies are considered as secondhighest in the state.According to Pr<strong>of</strong>. K PRamesh, senior scientist <strong>of</strong>southern campus <strong>of</strong> NationalDairy research institute, Adugodiat Bangalore, the rare honor toMalenad Gidda is an importantmilestone in conserving anddeveloping these rare indigenouscattle <strong>of</strong> the region.Enthused by the rare honorto their pet cattle, villagersand farmers <strong>of</strong> entire Malenadregion have hailed the decisionand urged the govt. to establishthe proposed research institute atSagar immediately.The state govt. has earmarkeda sum <strong>of</strong> two crores in the budgetfor establishment <strong>of</strong> a separateresearch unit to be developed bycollege <strong>of</strong> veterinary sciencesShimoga. Few institutions andNGO in the state have taken upvoluntary initiative to conservelocal cattle breeds by arrangingGO-Shalas and their protection.MoKMarch <strong>of</strong><strong>Karnataka</strong>APRIL <strong>2013</strong>10


11 <strong>Karnataka</strong>March <strong>of</strong>APRIL <strong>2013</strong>


The Speaker <strong>of</strong> the British Parliament Rt Hon John Bercow was presented with a replica <strong>of</strong> Basaveshwara Statue in the WestministerParliament Standing from left to right Mr Baba Kalyani, chairman <strong>of</strong> Bharat Forge, Lambeth Councillor and Former Mayor DrNeeraj Patil, Speaker John Bercow, Keith Vaz MP for Leicester, Mrs Patil and Mr David Marks <strong>of</strong> the designer <strong>of</strong> London Eye.Basaveshwara Statuein the historic city <strong>of</strong> LondonT C JagadambaMarch <strong>of</strong><strong>Karnataka</strong>APRIL <strong>2013</strong>12Britain’s Secretary <strong>of</strong> State for Culture Media and Sport hasapproved the planning permission to erect the statue <strong>of</strong> Basaveshwarain the London Borough <strong>of</strong> Lambeth.The Former Mayor <strong>of</strong> The London Borough <strong>of</strong> Lambeth CouncillorDr Neeraj Patil thanked the Speaker <strong>of</strong> the British Parliament forgranting the planning permission to erect the statue at the AlbertEmbankment.


A replica statue <strong>of</strong> Basaveshwara waspresented to the Speaker <strong>of</strong> the House <strong>of</strong>Commons the Rt Hon John Bercow MP in theHistoric thousand-year-old Westminster Hall <strong>of</strong>the Parliament on 21st January <strong>2013</strong> at to markthe final step in Basaveshwara’s statue beingbuilt. It will now happen.Also present at this event were the Chairmanand Managing Director <strong>of</strong> Bharat Forge Mr.Baba Kalyani and the designer <strong>of</strong> the LondonEye Mr. David Marks.Dr Patil said that this project is aboutpaying tribute to the pioneer <strong>of</strong> World’s largestdemocracy in front <strong>of</strong> the world’s oldestdemocracy. The event was organised by thelongest serving British Parliamentarian <strong>of</strong> Indianorigin the Rt Hon Keith Vaz MP.The Speaker RT Hon John Bercow said, it’samazing and extraordinary that Basaveshwarapr<strong>of</strong>essed, espoused campaigned and advocatedgenuine democracy, human rights, genderequality way back in the 12th century evenbefore anyone in United Kingdom had eventhought about it.Basaveshwara was a 12th centuryphilosopher, statesman and a Kannada poet whoopposed the caste system in the Indian subcontinentwho served as a Prime Minister in theKaluchari kingdom.He was undoubtedly one <strong>of</strong> the pioneers <strong>of</strong> theWorld’s largest democracy who created a modelParliament called “The Anubhava Mantapa” inSouth India that not only had equal proportion <strong>of</strong>men & women but also had representatives fromall socio-economic backgrounds.In the year 2002, The Hon Prime Minister <strong>of</strong>India Dr Manmohan Singh unveiled a statue <strong>of</strong>Basaveshwara in the Indian Parliament.Earlier in March 2012 the London Borough <strong>of</strong>Lambeth had approved the planning applicationto erect the statue along the Albert Embankment.As per the planning regulations <strong>of</strong> UnitedKingdom and The Statue act <strong>of</strong> Britain 1854, anapproval from the Secretary <strong>of</strong> State for Culture,Media and Sports was mandatory in order toerect the statue <strong>of</strong> Basaveshwara in the historiccity <strong>of</strong> London.Tribute toBasaveshwaraby the speaker <strong>of</strong>British Parliament“ Its amazing and extraordinarythat Basaveshwara pr<strong>of</strong>essed,espoused campaigned andadvocated genuine democracy,human rights, gender equalityway back in the 12th centuryeven before anyone in UnitedKingdom had even thoughtabout it”.Speaker British parliament-RT Hon John Bercow.Dr Neeraj PatilThe man behind all this success is Dr NeerajPatil, who hails from Kamalapura town <strong>of</strong> GulbergaDistrict.Though he settled decade back in Londonhis heart always beats for <strong>Karnataka</strong>.This proud NRIis our real cultural ambassador. Dr Patil made us toremember the popular lines <strong>of</strong> our great poet ku vempu -------------ellaadaru iru entaadaru iruendendigu nee kannadavaagirukannada govina o muddinakarukannada tanavondiddare nee nammage kalpataruThe message <strong>of</strong> the poem is - No matter whereyou are or how you are, remember that you are aKannadiga and respect Kannada and <strong>Karnataka</strong>Mathe (mother). Dr patil through his deeds hasreally fulfilled the wishes <strong>of</strong> our great poet. MoK13 <strong>Karnataka</strong>March <strong>of</strong>APRIL <strong>2013</strong>


Spectaculartemple atKubaturM N Sundar RajPhoto: Jinaraja HegdeMarch <strong>of</strong><strong>Karnataka</strong>APRIL <strong>2013</strong>14


The enigma and the charm <strong>of</strong> our land continueto catch the imagination <strong>of</strong> many and attract tourists<strong>of</strong>fering something to ponder for every one. Shimogais dotted with many such temples. The most prominentamong them is the grand Kythabheswara temple atKubatur in Sorab taluk. It is believed that Kubatur wasa famous Kuntalanadu <strong>of</strong> legendary Chandrahasa.The rich architectural beauty <strong>of</strong> the temple attractsevery body. It was built in 1070 A.D. by KalyanChalukyas. The place once was the famous place andwell-known learning centre and a hub <strong>of</strong> activity forpeople from various walks <strong>of</strong> life such as musicians,sculptors, artists and scholars. Kubatur and Kotipuraare having historical importance with old monuments.This place was flourished from 9th to 16 centuryA.D. A stone inscription depicts that the place wascalled as ‘Sundarapura’ or the town <strong>of</strong> beauty. Theshrine <strong>of</strong> Rameswar was built by Rastrakuta kings.Fascinating Bhuvaneswari plate, beautifullycarved round pillars, idol <strong>of</strong> nataraja, Ashtadikpalas, a Navarnga with seven Godesses, astatue <strong>of</strong> Mahishamardhini, Nandi Mandapas arehoused in this temple premises. There are manystone inscriptions <strong>of</strong> bravery(Veeragallu) whichdepicts the heroic acts <strong>of</strong> the soldiers who died inthe wars.This place was once a centre <strong>of</strong> Jainism.Here Queen Malavadevi wife <strong>of</strong> KadambaKing Keerthivarman built Parswanatha temple.It is an example for Trikuta style, where thetemple has three sanctum sanctorum, in whichChandranatha,Shirasanatha and Parswanatha idolwere installed. Among the three idols the image<strong>of</strong> Parswanatha is rich in architectural beauty.It is about 5ft.hight with five hooded serpent onthe head, beautifully carved. Maiden, Yaksha andYakshis and other icons are an example for theelegance and craftsmanship reflected in the stonecarvings.The village has patronized to other templeslike Vishista Chintamani Nrasimha, Vinayaka,Anjaneya, Someswara and Myalreswara. Some<strong>of</strong> the temples are renovated. Once this place hasAgrahara and a centre <strong>of</strong> learning. There is atemple <strong>of</strong> Dyavmma, a village deity.Besides the vast number <strong>of</strong> inscriptionson its walls and the finest images whichare unique and worth seeing. KotipurKytabheswara temple built during thereign <strong>of</strong> great Kalyana Chalukyasin 1070 A.D. is one <strong>of</strong> the prizedarchitectural gems. The Shivlingaat the Sanctum sanctoruminvokes Bhakti among thevisitors. The Navarang locatedon the outer corridor has fiftybeautifully carved PillarsHow to get thereKubatur is in SorabTaluk near Anavatti andhas a good motorable roadfrom Shimoga. Plenty <strong>of</strong>busses are available. MoK13 15 <strong>Karnataka</strong>March <strong>of</strong>NOVEMBER APRIL 2012 <strong>2013</strong>


“URU”Folk Deities <strong>of</strong> Coastal<strong>Karnataka</strong>B M ChandrasekharaiahPhoto: YajnaThere is one religious field in wood carving as in terracotta, the folkdeities one comes across them all over the coastal <strong>Karnataka</strong>, somein abstract and some in quaint and even grotesque. Unusually largecollections <strong>of</strong> them are to be found in ancient temples in the forests <strong>of</strong>Dakshina Kannada and Uttara Kannada districts and Udupi district <strong>of</strong><strong>Karnataka</strong>, need special mention. The oldest specimen amongst them isestimated to be about 800 years old and latest about 300 years. Theseare built up around a special cult called “Bhootha”, literally spirit <strong>of</strong> thedead.March <strong>of</strong><strong>Karnataka</strong>APRIL <strong>2013</strong>16


Their Chief characteristic is theirfolk abstract style, immense size, somefigures rise up to 20 feet and the widerange <strong>of</strong> animals including the bull,horse, cat, hen, tiger and elephant inactual life size, usually bold modeling,elegant body lines, startling expressivefaces and the intricately carvedornamentation. The pantheon consists<strong>of</strong> local deities like ‘Masti’ and herhusband ‘Ghattika’, usually installed onthe village outskirts facing each otherand a host <strong>of</strong> other feminine deities,painted red for worship.Round about the region are craftsmenwho normally do the classical style <strong>of</strong>carving, but who can also still producethese strange figures which seem likefrom another world! The significantthing about this work is that it bearsno likeness to any carving done eitherin <strong>Karnataka</strong> or anywhere else in India.According to some experts it bears someresemblance to Nepalese wood carvingrather a moot point!17 <strong>Karnataka</strong>March <strong>of</strong>APRIL <strong>2013</strong>


Makkikattu, a tiny hamlet in Shiriyaravillage (near Barkur, which was theCapital <strong>of</strong> Tulunadu during VijayanagarTimes) in Udupi district is famous for itscollection <strong>of</strong> impressive painted woodensculptures ranging from 2 to 20 feet inheight and representing a host <strong>of</strong> deities.Really, they have interesting tales tonarrate!These icons were called ‘Uru’ in localdialect as they were arranged in a hallcalled ‘Urushale’. There are about 171wooden icons. On every Sankramana <strong>of</strong>the month a trance rite takes place hereand the annual festival is held in themonth <strong>of</strong> February or March on the dayon Sankramana.One <strong>of</strong> the most striking images inMakkikattu shrine is that <strong>of</strong> unicorn.The human body carries the head <strong>of</strong> abull with a single horn. The motif <strong>of</strong>the unicorn bull has been found in therelics <strong>of</strong> Harappa and Mohenjodaro <strong>of</strong>the Indus civilization. The Babyloniancivilization is also associated with theunicorn, which however is a horse witha single horn. It is believed that placeswith the symbols <strong>of</strong> unicorn are speciallyconsecrated and auspicious.These wooden icons represent thevanquished soldiers, horses, bulls,elephants <strong>of</strong> the Keladi Kingdom. Therulers <strong>of</strong> Keladi marched to seize thewealth <strong>of</strong> Barkur. When the Keladiarmy camped near Mekkikattu beforethe battle, the Barkur Chief who was thegreat devotee <strong>of</strong> Shiva, sensing troubleinvoked Nandikeshwara to protect hisKingdom with his super natural powers,immediately dumbness and immobilityoverpowered the Keladi soldiers. Thenthe army Chiefs consulted astrologersand they were advised to compensatethe loss caused to soldiers. Finally theplace was restored to normalcy. Tocommemorate this event, the Kingpresented wooden icons to the Shrine.A local legend goes that the sageJambukeshwara had his hermitageat Mekkikattu and he is said to haveconducted many sacrifices hereand also set up shrines dedicated tothe Pramathaganas <strong>of</strong> Shiva. SageJambukeshwara installed Okkodu(unicorn) Nandikeshwara havinga human body and head <strong>of</strong> a Bull -the vehicle <strong>of</strong> Lord Eshwara as theguardian spirit to protect the placefrom evil powers. Also, he establishedthe Bhootas in this place to safeguardthe sanctity <strong>of</strong> the place. The presidingdeity (Bhoota) <strong>of</strong> this temple is calledSri Nandikeswara or Akasha Nandi.It is interesting to note that thewooden icons <strong>of</strong> Mekkikattu shrinedisplay the influence <strong>of</strong> all religions <strong>of</strong>the region, i.e., Shaiva, Nathapantha,Jaina and Vaishnava faith. Theidols <strong>of</strong> Nandi, Nandikeshwara,Okkodu Nandi, Akasha Nandi andPanchamukha Nandi are symbols <strong>of</strong>Shaiva cult. The Jogi or Jogi purusha,March <strong>of</strong><strong>Karnataka</strong>APRIL <strong>2013</strong>18


The oldest specimen amongstthem is estimated to be about 800years old and latest about 300years. These are built up arounda special cult called “Bhootha”,literally spirit <strong>of</strong> the dead.and Lakula Danda are relatedto the Natha cult. Yakshi,Yakshiamma, Shaktiammacorrespond to the Jaina faith.Vaishnava faith has beenrepresented by the VaishnavaNandi and Garuda. Thereare also icons related to thevillage deities <strong>of</strong> the localtribes Chikku, Marluchikku,Abbaga, Dharaga, twinsister motif, Halasara Timma(Hunter’s deity).The tallest among theBhootas ‘Khecharahuta’ isabout 20 feet in height withfierce look, broad eyes, longtusks, unproportioned handsand legs. He is adorned witha long headgear and fourhands with a naked sword inone and another with a bloodshedding severed head.Another Bhoota ‘Trisira’,the three headed monster isdreadful, painted with deepred colour and fitted withdifferent weapons.Nearby to Mekkikattu,there is a temple dedicatedto Durgaparameshwarimounted on a PachamukhiNandi, i.e., a five headedbull. It is believed that theplace was accustomed withmother cult. MoK19 <strong>Karnataka</strong>March <strong>of</strong>APRIL <strong>2013</strong>


Justice Sri D H Wagela took Oath as Chief Justice High Court <strong>of</strong> <strong>Karnataka</strong>,from Sri H R Bharadwaj, the Governor <strong>of</strong> <strong>Karnataka</strong> at Rajbhavan Bangalore.A Still from the Kannada film `BHARTH STORES’.The film bags National Award, Selected as the Best Regional Film, Directed by P Sheshadri and producedby Basanthakumar patil.21 <strong>Karnataka</strong>March <strong>of</strong>APRIL <strong>2013</strong>


Restoration <strong>of</strong> anancient temple atHosagundaMarch <strong>of</strong><strong>Karnataka</strong>APRIL <strong>2013</strong>22Pramod Mellegatti


Hosagunda -a tiny village in Sagartaluk <strong>of</strong> Shimoga district-boasting <strong>of</strong> arich and vibrant cultural and historicalbackground spanning over six to sevencenturies-has <strong>of</strong> late emerged as one<strong>of</strong> the key land marks beckoning theinquisitive visitors.The stone inscriptions thatare found in the dense forests <strong>of</strong>Hosagunda indicate that it was ruled bythe Shantara kings <strong>of</strong> the 12thcentury.The ruins <strong>of</strong> the palaces <strong>of</strong> the Gangarulers and the excavations in the regionstate that the region was inhabited byhumans in the Iron Age. Meanwhile, thestone inscriptions that were unearthedrecently revealed that the dynastyruled Hosagunda since 1110 AD, KingBhujabala being the first ruler. It wasbelieved that the Hosagunda kingdomthrived till 1320 AD.What has added to the importanceto Hosagunda, is western ghat range,the restoration <strong>of</strong> the ancient UmaMaheshwara temple- claimedto be the first <strong>of</strong> its kind- whichis being undertaken by theManjunatheshwara DharmothanTrust <strong>of</strong> Shri Kshetra <strong>of</strong>Dharmasthala. Incidentally it is the100th temple being restored to itsoriginal glory by the Trust.The temple which is beingrestored in strict adherenc to thereligious scriptures .The templewas documented thoroughly beforeit was dismantled for the purpose <strong>of</strong>its restoration. Every care was takento such an extent that each stone orslab was numbered meticulouslyso that it was placed again in itsoriginal place.The restoration work is in thefinal stage and is expected to becompleted by the end <strong>of</strong> this year.Noted archaeologists and experts inother fields are actively associatedwith the temple restoration work.23 <strong>Karnataka</strong>March <strong>of</strong>APRIL <strong>2013</strong>


The Uma Maheshwari Temple, that wassaid to have been built in the 10th century, issignificant from the architectural point <strong>of</strong> view.The temple is spacious with 2,400 square feetand is built in the Chalukya style.The artistically sculpted pillars andwooden beams on the ro<strong>of</strong> convey the skill <strong>of</strong>sculptors. Figurines are sculpted artistically onthe walls in the temple which was known asthe ‘Khajuraho’ <strong>of</strong> Malnad. The ruins <strong>of</strong> thetemples—Veerabhadra, Mahisha-Mardhini,Kanchikalamma, Prasanna Narayan, andLakshmi Ganapati—which have also beenfound are in the process <strong>of</strong> being restored.Hosagunda, was the second capital<strong>of</strong> Shanthara Dynasty, which ruled fromHosagunda from 11th century onwards forabout 300 years (according to Mr.B.L.Rice,preface to Epigraphy, <strong>Karnataka</strong> edition,chapter 8, 1904).According to the stone inscriptionsavailable in and around Hosagunda, the name<strong>of</strong> the first King was Bommarasa who ruledfrom 1132 AD onwards. But, however thecoins belonging to the age <strong>of</strong> Ganga Dynastyand the land digging equipments belongingto the new stone age found during one <strong>of</strong> therecent excavations at Hosagunda indicatethat the history <strong>of</strong> Hosagunda dates back tothe new stone age.The entire capital township <strong>of</strong>Hosagunda, the rich heritage and varioustemples situated there are believed to havegone to ruins about 600 years ago if the lastavailable stone inscription on the Hosagundarulers <strong>of</strong> 1320 AD and the gigantic trees <strong>of</strong>more than 600 years surrounding the templearea in Hosagunda are an indication.Now the restoration work is underwaywith the help <strong>of</strong> the funds raised by the UmaMaheshwari Seva Trust under the overallsupervision <strong>of</strong> Sri Kshetra DharmasthalaManjunatheshwara DharmottanaTrust. UNESCO has also taken an interest inthe restoration method <strong>of</strong> this temple.Another significant work being doneby the Uma Maheshwara Trust is theconservation <strong>of</strong> the pristine forest in and


around Hosagunda with the active supportand involvement <strong>of</strong> the local people.Thereare trees that are as old as 500 to 650years. The wild vegetation and hundreds <strong>of</strong>species <strong>of</strong> plants are found in the region inpristine condition. Over 100 trees located inthe region are found to be <strong>of</strong> a considerableinterest to the students <strong>of</strong> botany.Uma Maheshwari Seva Trust has beenengaged in educating the villagers onpracticalities <strong>of</strong> rainwater harvesting inorder to conserve water. Under the 10-year greenery plan, plants are planted inthe location. Every year, 108 species <strong>of</strong>plants that are nearing extinction, are beingplanted in the nursery. Ayurvedic medicinalplants are given due importance since theplan was embarked upon three years ago.The Trust has published a book on thehistory <strong>of</strong> Hosagunda to help the researchersto conduct detailed research studies whilethe <strong>Department</strong> <strong>of</strong> Botany <strong>of</strong> the Ku vempu University has sponsored a study on theflora and fauna <strong>of</strong> the Hosagunda forestarea. MoK25 <strong>Karnataka</strong>March <strong>of</strong>APRIL <strong>2013</strong>


PickAPearlIrupuFallsIrupu falls is located inthe Brahmagiri Range inKodagu District borderingthe Wayanad District <strong>of</strong>Kerala. It is a fresh watercascade and is situated ata distance <strong>of</strong> 48 km fromVirajpet on the highwayto the Nagarhole. Thisfalls is also known as theLakshmana Tirtha Falls.Derived the name fromthe tributary <strong>of</strong> CauveryLakshmana Tirtha Riverwhich starts from thisfalls.A forest trail leadsfrom this falls to theBrahmagiri Peak inSouthern Kodagu.Irupu falls is a majortourist attraction as wellas a pilgrimage spot.A famous Shiva andRameshwara Templesare situated on the banks<strong>of</strong> the Lakshmana TirthaRiver, en route to thefalls. These templesattracts a large number<strong>of</strong> pilgrims during thefestival <strong>of</strong> Shivaratri.The best time to visitthe falls is during themonsoons, when the fallsis at full capacity.


Justice Subhas Adi took Oath as New Upalokayukta from the Governor <strong>of</strong> <strong>Karnataka</strong> Sri H R Bharadwaj,at Rajbavan, Bangalore.


March <strong>of</strong> <strong>Karnataka</strong> APRIL <strong>2013</strong>. RNI No. KAR KAN/2010/4081Regd No. KARN 34 CPMG/KA/BGGPO/2525/2012-2014 under WPP No. 55 Licenced to post at GPO Bangalore (pages 28) On 29th & 30th Every Month

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