Politics, Public Issues and the Promotion of Urdu Literature: Avadh ...

Politics, Public Issues and the Promotion of Urdu Literature: Avadh ... Politics, Public Issues and the Promotion of Urdu Literature: Avadh ...

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ULRIKE STARK • 89Sarsh≥r’s novel Sair-e Kohs≥r, a titillating narrative about a young Nawab’sillicit affair with a low-caste woman, prompted Avad^ Pan± to publiclyurge the government to take legal action against Naval Kishore for publishinga “very obscene” novel in a paper delivered to countless schools inthe province. 64Fas≥na-e ¥z≥d was published in installments in AA from 13 August1878 to January 1880. 65 It started out as a series of humorous sketches( ar≥fat), published in loose succession. With its vivid and humorous portrayalof contemporary social life in Lucknow, it took the reading publicby storm and, from January 1879, was published at daily intervals. WhileSarsh≥r’s claims to Fas≥na-e ¥z≥d being a “modern novel” remain controversial,66 its publishing pattern marked the breakthrough of a new narrativegenre in Urduthe serialized novel. As the first piece of original fictionin Urdu written expressly for publication in a newspaper, Fas≥na-e¥z≥d broke new ground: For one, it was a text conceived in installments,demanding self-contained units which were sufficiently barbed with suspenseto hook the reader to the plot before he was relegated to the nextissue of the paper by the inevitable “b≥qµ ≥’inda …” (“to be continued...”). Daily intervals imposed enormous pressure on the writer. The regulardoses of opium that Sarsh≥r was allegedly supplied with by the publishermay be a reflection of this. More important than the demands thatthe new mode of writing put on the author, however, was the new formof reader-writer interaction prompted by serial publication in a paper.Reader reaction to Fas≥na-e ¥z≥d was vivid, testifying to the existence of acritical literary public that was eager to discuss the notion of realism inliterary fiction. Readers of AA sent in letters of criticism or suggestions towhich Sarsh≥r readily responded with comments or ad hoc modificationsin the plot of his narrative. 6764Avad^ Pan± of 20 May 1886, SVN 1886, p. 406.65 For the publishing history of Fas≥na-e ¥z≥d, see Mookerjee, pp. 78–80. AsMookerjee points out, the common notion that the novel was published in AAfrom December 1878 to December 1879 is based on an incorrect statement givenin the first printed edition of 1880.66 For a discussion of Fas≥na-e ¥z≥d under this aspect, see, e.g., Mookerjee,pp. 87–97, Ralph Russell The Pursuit of Urdu Literature, A Select History (Delhi:Oxford University Press, 1992) pp. 87–92, and M. Asaduddin, “First UrduNovel: Contesting Claims and Disclaimers,” Annual of Urdu Studies, No. 16 (1),2001, pp. 84–6.67 Mookerjee, pp. 102–33.

90 • THE ANNUAL OF URDU STUDIESAs R. L. Patten has pointed out in the context of the unprecedentedsuccess of Charles Dickens’s Pickwick Papers, serial publication was a chiefmeans of democratizing and enormously expanding the book-reading andbook-buying public in Victorian England. 68 In India, too, if much laterthan in Europe, serialized fiction became a staple and important part ofliterary magazines and periodicals. Its wider impact on the developmentof modern fiction and the growth of the reading public in North Indiastill awaits study.Sarsh≥r contributed to the success of AA not only with Fas≥na-e ¥z≥d,but with numerous articles on literary, educational, political and socialthemes in which he advocated progressive thought, enlightenment andmodernity along the lines of what was called the “New Light.” In his firsteditorial he laid out the editor’s tasks as fourfold, notably (1) to serve hiscountrymen and lead them to prosperity, (2) to teach them to improvetheir ways, (3) to bring Indian views to the notice of the government and(4) to “illuminate with the radiance of the sun of refinement the darkchambers of the heart of those who languish in the pitch darkness ofunfathomed ignorance, begging for light.” 69 Accordingly, under his editorshipincreased coverage was given to social reform issues. His editorialsreflect a particular concern with education and the status of Indianwomen. In their poignant and sometimes humorous literary style, they,moreover, gave a new dimension to journalistic prose writing in Urduand assumed the function of a model. Sarsh≥r could self-mockingly poseas an “inveterate hemp smoker” who in a fictitious letter to the proprietorof AA complained about the outrageous articles against drug-smoking anddrinking with which the paper’s new editor had driven half of Lucknow’spopulation out of the city. He could equally well address the ailments ofsociety in a more serious manner, never losing sight of his aim to bringthe “New Light” to his compatriots.Sarsh≥r resigned from the editorship of AA on 1 February 1880 butremained attached to the NKP for some time to come. His novels Fas≥naeJadµd (later published in book form as J≥m-e Sarsh≥r) and Sair-e Kohs≥rappeared in serial publication as special supplements to AA in 1880 and1886, without, however, enjoying the same kind of success as Fas≥na-e¥z≥d. Sponsored by Naval Kishore, Sarsh≥r was able to return to his fasci-68 Robert L. Patten, Charles Dickens and His Publishers (Oxford: Clarendon,1978), p. 45.69 Quoted in Mookerjee, p. 58.

90 • THE ANNUAL OF URDU STUDIESAs R. L. Patten has pointed out in <strong>the</strong> context <strong>of</strong> <strong>the</strong> unprecedentedsuccess <strong>of</strong> Charles Dickens’s Pickwick Papers, serial publication was a chiefmeans <strong>of</strong> democratizing <strong>and</strong> enormously exp<strong>and</strong>ing <strong>the</strong> book-reading <strong>and</strong>book-buying public in Victorian Engl<strong>and</strong>. 68 In India, too, if much laterthan in Europe, serialized fiction became a staple <strong>and</strong> important part <strong>of</strong>literary magazines <strong>and</strong> periodicals. Its wider impact on <strong>the</strong> development<strong>of</strong> modern fiction <strong>and</strong> <strong>the</strong> growth <strong>of</strong> <strong>the</strong> reading public in North Indiastill awaits study.Sarsh≥r contributed to <strong>the</strong> success <strong>of</strong> AA not only with Fas≥na-e ¥z≥d,but with numerous articles on literary, educational, political <strong>and</strong> social<strong>the</strong>mes in which he advocated progressive thought, enlightenment <strong>and</strong>modernity along <strong>the</strong> lines <strong>of</strong> what was called <strong>the</strong> “New Light.” In his firsteditorial he laid out <strong>the</strong> editor’s tasks as fourfold, notably (1) to serve hiscountrymen <strong>and</strong> lead <strong>the</strong>m to prosperity, (2) to teach <strong>the</strong>m to improve<strong>the</strong>ir ways, (3) to bring Indian views to <strong>the</strong> notice <strong>of</strong> <strong>the</strong> government <strong>and</strong>(4) to “illuminate with <strong>the</strong> radiance <strong>of</strong> <strong>the</strong> sun <strong>of</strong> refinement <strong>the</strong> darkchambers <strong>of</strong> <strong>the</strong> heart <strong>of</strong> those who languish in <strong>the</strong> pitch darkness <strong>of</strong>unfathomed ignorance, begging for light.” 69 Accordingly, under his editorshipincreased coverage was given to social reform issues. His editorialsreflect a particular concern with education <strong>and</strong> <strong>the</strong> status <strong>of</strong> Indianwomen. In <strong>the</strong>ir poignant <strong>and</strong> sometimes humorous literary style, <strong>the</strong>y,moreover, gave a new dimension to journalistic prose writing in <strong>Urdu</strong><strong>and</strong> assumed <strong>the</strong> function <strong>of</strong> a model. Sarsh≥r could self-mockingly poseas an “inveterate hemp smoker” who in a fictitious letter to <strong>the</strong> proprietor<strong>of</strong> AA complained about <strong>the</strong> outrageous articles against drug-smoking <strong>and</strong>drinking with which <strong>the</strong> paper’s new editor had driven half <strong>of</strong> Lucknow’spopulation out <strong>of</strong> <strong>the</strong> city. He could equally well address <strong>the</strong> ailments <strong>of</strong>society in a more serious manner, never losing sight <strong>of</strong> his aim to bring<strong>the</strong> “New Light” to his compatriots.Sarsh≥r resigned from <strong>the</strong> editorship <strong>of</strong> AA on 1 February 1880 butremained attached to <strong>the</strong> NKP for some time to come. His novels Fas≥naeJadµd (later published in book form as J≥m-e Sarsh≥r) <strong>and</strong> Sair-e Kohs≥rappeared in serial publication as special supplements to AA in 1880 <strong>and</strong>1886, without, however, enjoying <strong>the</strong> same kind <strong>of</strong> success as Fas≥na-e¥z≥d. Sponsored by Naval Kishore, Sarsh≥r was able to return to his fasci-68 Robert L. Patten, Charles Dickens <strong>and</strong> His Publishers (Oxford: Clarendon,1978), p. 45.69 Quoted in Mookerjee, p. 58.

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