Read the Report - Chevron
Read the Report - Chevron
Read the Report - Chevron
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
When did you first discoverthis gift?I used to love drawing on <strong>the</strong> groundas a child. I realized that I had a giftwhen I was about 14 or 15 yearsold. William Diggs, who was one of<strong>the</strong> best artists in Liberia, used toencourage individuals to becomeinvolved with graphic art.I was initially self-taught, butover time, I attended a series ofworkshops and seminars. The firsttraining I received was at Child Art inPaynesville, Liberia, in 2005. I laterattended several workshops hostedby <strong>the</strong> Union of Liberian Artists. In2009, <strong>the</strong>re was a major workshopat <strong>the</strong> U.S. Embassy where Iacquired training under Mrs. PeggyBlott, an American art professor.By Sam HwisedehWith <strong>the</strong> harsh wea<strong>the</strong>r inLiberia, including scorchingheat and months of heavyrain, what type of paint didyou use to make this outdoorartwork last?At first we used oil paint, but <strong>the</strong>nafter looking at <strong>the</strong> wall, we laterused acrylic paint. Oil paint wouldwork, but <strong>the</strong> tone would not lastas long in <strong>the</strong> sun and rain asacrylic paint.By Tubman TwehWhat else would you like toshare regarding <strong>the</strong> life of aLiberian artist?It is usually <strong>the</strong> foreign partners thatprovide support to encourage ourfellow Liberian artists. To sustainour cultural heritage, it is importantthat people both inside and out ofour country become familiar withLiberian art.By Sam HwisedehBy Tubman Tweh2012 Corporate Responsibility <strong>Report</strong> | 19