Pam Hudson and The Beginning ofThe Gloriana Opera CompanyPamela Hudson was a major social activist on the<strong>Mendocino</strong> Coast during the 1970’s and 1980’s. Shehelped innumerable people in her job as a psychiatricsocial worker and her public work has had a profoundand lasting effect. She instigated the Coast’s first “free”clinic, the ancestor of the present <strong>Mendocino</strong> CoastClinics in Fort Bragg, and founded The Gloriana OperaCompany. This 1978 interview with Bruce Levene commemoratesGloriana’s 30th anniversary in <strong>2006</strong>.In the early 1970’s a conductor named CharlesPerlee came to the Coast and Mimi Vashkulat said perhapswe could do some music here, some choral work.I was active with the <strong>Mendocino</strong> Church Choir andwas recruited to sing in Faure's Requiem. Well, workingwith Charles Perlee was such a thrill and he wasvery complimentary. I bought the recording and studiedat home and worked like mad. Charles encouragedme to take lessons, so I studied for two years, drivingall the way to San Francisco for lessons.I was in three other productions here with CharlesPerlee directing them: Two Menotti operas, The OldMaid and the Thief, and The Medium,and Puccini's Suor Angelica. I hadenough experience in theatre, designingthe set, dancing and acting, to realizethat the moment I was in an opera I wasin the culmination of all the theatricalarts and in all performing arts. As far as Iwas concerned, to be in opera you haveto be a singer, a dancer and an actor oractress. And it was the highlight of everything.Then I began going to the SanFrancisco Opera season, despite myaging vehicle. Two years ago (1976),Barbara Lane and I were driving backand forth and seeing them and rhapsodizingand singing all the arias all theway home to keep ourselves awake onThe Mikado, 1977.Poster by Mervin GilbertHighway 128. Allof a sudden I said,"Gee, you know,there's some reallytalented people uphere. There's asinging waiter(Otak) at theM a cCallumHouse who has areally marvelousvoice and can singGilbert andSullivan by heart.And it's reallyBarbara Lane, Sunny Boyd, &Pamela Hudson as The ThreeSisterskind of charming. It would be great to have musicalsor operas in the summertime up here."Barbara says, "Oh Pamela, there are a great manysingers here. Wouldn't it be fun to do something likethat in <strong>Mendocino</strong>?" And I said, "Why yes, it certainlywould. We should have opera up here. We can't affordCharles Perlee, but those of us who arealready working and living here mightbe able to get something together andwe can present a viable vehicle for allthe singers." She said, "Yes, I think that'sgreat.”So a month goes by and it's percolatingin my head and I'm saying,"Pamela, you have never even seen aGilbert and Sullivan production. Theycould be hokey." And I thought, "Yeah,I think I'd like to see what they're like.""But Pamela, you've never done anythingin the way of production before.""Well, yes, but I'm a Mills College graduateand anything is possible." So Iwoke up in the middle of a Decembernight with this great flash saying,28
"Pamela, you know that if you want to get somethingdone you just have to go ahead and do it yourself."Being a Mills girl I should have known that anyway.But what I'd hesitated on was investing my sole savings,which was all together $3,000, and which I hadbeen saving up for a decade to go towards a down paymenton a house. But it seemed as though the housedown payments were rapidly increasing in size fasterthan I was able to save the money anyway. So I said,"By George, I'm gonna call my friends and do it."Then I talked to various people—and if I do havea talent it's enlisting talented people in large enterprises.Charles Stevenson, Carl Shrager, Barbara Lane,Otak, eventually Sandra Hahn and Ann Heider, allagreed to be members of the staff for The GlorianaOpera Co.We jointly determined that its first productionwould be The Mikado. We held open auditions andselected our singers from these auditions and hadunderstudies who were allowed to sing oncertain performances, also for back up.Altogether we had about 30 performances,which is one of the longest runs in<strong>Mendocino</strong> County.Approximately 4,000 people came toCrown Hall to see the show. Ticket salesgenerated $8,830, donations $1,130 andadvertisements in our program $395.Altogether we had $10,000 coming in andwe spent about that going out. The budgetfor costumes came to $1,146. Scenery was$1,535. lt's pretty expensive. Another cost Ihadn't expected was advertising, whichcame to $800. We didn't have a real lightsystem. But it worked, yeah, it was prettynice.All the performers were given a percent of availablefunds. So at the end of the season they're given afee for their performance. Depending on what's available.Last year (1977) our chorus members earned $27for about 6 months of hard work. Then I was kind ofsurprised and appalled when the Department ofEmployment phoned me to find out if I had unemploymentinsurance and if these people could qualifyfor unemployment. We aren't employing them.They're getting a share of available funds, so they'reon a contract. Anyway, we don't know what the availablefunds will be, so no one gets anything until aboutthree weeks after the show closes. Which is a little bithard on those who want to go on a vacation trip.I think there's a good musical future for<strong>Mendocino</strong>. Since I've lived here there's become asophisticated audience composed of both Fort Braggpeople and <strong>Mendocino</strong> people. The schism betweenpopulations is dissolving. <strong>Mendocino</strong> Chorus playsCotton Auditorium and a lot of Fort Bragg peoplecome. We have the Sunday Afternoon Concert Seriesat the <strong>Art</strong> <strong>Center</strong> and I see people from Fort Braggcoming here. In my opinion, we have a greater percentageof people going to productions on the northcoast of <strong>Mendocino</strong> County than any other comparablearea that I have ever heard of. Considering the sizeof our population I'd say about 65% of it will see a liveshow during this summer. And I don't know anyplacein the world, except perhaps Salzburg, where thatmany people come in to see its various performances.So I see a good picture for <strong>Mendocino</strong>, at leastmusically. Otherwise I see a dismal future regardingFinale of The Mikado-Left to right: J. Blaker Herod, BarbaraLane, Cliff Sanders, Sunny Boyd, Daniel Barca, Pamela Hudson,Otak, Linda Pack, Jim Goranowskiits economics, in that the artists who create thisatmosphere are not able to live here because of thehigh cost of living and the exorbitant cost of housing.And indeed the lack of housing will drive them allaway and they'll all relocate and then we'll move.You'll find your renaissance will move. The rathercannibalistic feature of a community is that when itcaters to the arts, and therefore to the tourists, itwinds up chewing away the very features that make itenjoyable for newcomers.29