makingbeautiful ewelsAlmost fortyyears ago Jimahad a store onHollywoodBoulevard, buyingand sellingthings from localartists. He thenwent through aphase of trying tomake things for the store, out of leather, “Hollywood”stuff, lots of fringe. He had played a little with beadsand wire, but one day he started beating on a piece ofbrass wire with a claw hammer, on the cement floor ofthe back room, and became entranced.In 1966, in Hollywood, if you called something“hand made,” somebody would buy it. Jima beganbeating on lots of brass wire and said, “This is fun, let’sbeat on silver wire.” He got a torch and it wasn’tvery long until playing with the metal was even morefascinating to him than beinga storekeeper in Hollywood.That became his new direction.He and his wife had beento <strong>Mendocino</strong> a couple oftimes and had becomemomentarily infatuated withit, but they had always goneback and got into their liferhythms. They lived in different places: Ojai, L.A.,Berkeley, then for twenty years in Nevada City.They made their living as jewelers and have hadside-by-side workbenches for close to thirty years. Theysold much of their jewelry by traveling to art shows allover the West Coast and the Southwest.They took their first jewelry class, a cold connectionsclass from David La Plantz, at the <strong>Mendocino</strong> <strong>Art</strong><strong>Center</strong> in 1996. “We spent a week in a little cabin acrossthe street from the <strong>Art</strong> <strong>Center</strong> in a yard of flowers witha view of the ocean, went to the bakery, and walked onthe headlands!”After the class, while driving back to Nevada CityCarlie said, “Wow! It sure is neat there! Wonder what itwould be like to live there? You know, we should gothere, rent a house for a year and see what it’s like!”Which was exactly what they did. That was ten yearsago. It was the first time they had made a radical movein twenty years, but everything clicked into place. “Wefound a house in Caspar. It felt like we were beingmoved, like coming to <strong>Mendocino</strong> was the next step inour lives.”Over the years, Jima taught many people how tomake jewelry in his studio. He had played with the ideaof teaching larger groups to make jewelry, but at thetime there was no opportunity. “I saw that an opportunitywould exist in <strong>Mendocino</strong>. That was one reason Iwanted to move here and I actually got involved withthe <strong>Art</strong> <strong>Center</strong> really fast!”jJima Abbott10
Besides jewelry, Jima does a lot of other things creatively.He found that being creative in any direction helps him becreative in other directions.“Taking photographs or drawingor making jewelry helps me do any one of those things better.The energy and the focus and the method that you use tolet yourself be creative is the same, whatever the material is,whatever the stuff you’re working in.“The other thing that seems clear to me is that creativeenergy is not something I can turn off or on at will.Sometimes it comes. Because I’ve done it for so long I can gointo my studio and make really interesting and beautiful jewelsany time—but I’m not always creative. I’m repeating variationsof what I’ve always done. It can be beautiful and it canbe slightly different and it can be wonderful, but it’s not…Creativity to me is taking a risk and jumping off and doingsomething new. It’s something that comes through me and Ican’t turn it off and on. I can sometimes set the stage so thatit happens. When I’m lucky, I’m “ready” when that energycomes. It is very much “Seize the Moment.” It’s like a gift. Itry to be ready and I work a lot. After some three and a halfdecades of making jewelry, I still relish going into my studio!It’s the thing that keeps me calm.”Jima still likes doing shows, because he likes selling thethings he makes directly to people who are going to wearthem. “That’s an important aspect of it to me. There areadvantages to going back to the same show every year. I getto see pieces that are one, five, ten and twenty years old. Acouple of years ago I saw a necklace that was twenty-eightyears old! It was such a treat! Somebody was wearing it andstill enjoying that piece. She came up to me and said,‘Do youremember this?’ I looked at it and it was so different fromwhat I am doing now, but it was beautiful. It looked like ithad been dug out of a middle-eastern archaeological dig. Itlooked ancient. It was avery interesting experience.“Another valuableside effect of being ableto see things over theyears is that jewelry getsworn, gets abused, and Iget to refine the engineeringtechniques. I cansee really fast things thatare not working, thingsthat are wearing too fast,mechanisms that don’tfunction. That’s a valuableaspect. It’s alsopleasant to watch how pieces can pass down through threegenerations, like from a grandmother to a mother to adaughter. I like the feeling of being able to make things thathold together long enough to be passed to another generation.”As part of his ongoing and varied work at the <strong>Art</strong><strong>Center</strong>, Jima will teach a jewelry workshop, November 10-13,focusing on making the mixed metal beads that he startedcreating after moving to the coast. A detailed description ofthe class can be viewed on the <strong>Art</strong> <strong>Center</strong>'s website(www.<strong>Mendocino</strong><strong>Art</strong><strong>Center</strong>.org) or in the fall catalog.For eight years, Jima has also been the organizer of thetwo annual fund raising art fairs at the <strong>Center</strong>, one in midJuly and one coming up on the Friday and Saturday afterThanksgiving, November 24 and 25. This is the 47th year forthe fairs, which showcase high quality art and fine crafts withparticipants who are local, regional and from out of state.The fairs are always well attended, fun and successful.One other aspect of his <strong>Art</strong> <strong>Center</strong> involvement is hiswork with the digital arts program, which he has been apart of from almost the beginning. Currently he hosts aweekly open studio in the computer lab helping visitors withdigital photography, Photoshop and computer graphicswork, the Internet, and is basically available to be of assistancewith computer use in general. The open studio happenseach Wednesday evening from 6:00 pm - 9:00 pm andcosts $8.00. Jima will also offer a four day workshop onPhotoshop use for digital photographers in the spring of2007.To see more of his jewelry work and thatof his wife and partner Carlie, and to checktheir upcoming show schedule, visit their website atwww.mixedmetaljewels.bigstep.comTo communicate with him directly about classes, digitalopen studio or the annual art fairs, email him atjima@mcn.org.11