13.07.2015 Views

Support Learning at Chrysalis Praccal Ways to ... - Chrysalis School

Support Learning at Chrysalis Praccal Ways to ... - Chrysalis School

Support Learning at Chrysalis Praccal Ways to ... - Chrysalis School

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

eMeRGeAutumn issue 2013A publicaon of<strong>Chrysalis</strong> <strong>School</strong> forRudolf Steiner EducaonInside:<strong>Support</strong> <strong>Learning</strong> <strong>at</strong> <strong>Chrysalis</strong><strong>Praccal</strong> <strong>Ways</strong> <strong>to</strong> <strong>Support</strong> your ChildMusic and the Evoluon of ConsciousnessA Picture of Music <strong>at</strong> <strong>Chrysalis</strong> 2013There’s More <strong>to</strong> Educaon than Manufacturing ResultsPage 1S<strong>to</strong>rytelling and Memory


Autumn is a-comingAutumn wind came stealingThrough the woods one day,And creeping round the tree, he s<strong>to</strong>leTheir beauty all away.He <strong>to</strong>re their russet dresses,Combed off their golden hair.He blew away the taered bits,And le them brown and bare.Autumn winds are sighing,Stealing through the forest brown,As they soly pass the tree trunksLile leaves come falling down.But a stronger gale is blowingAnd then the leaves themselvesRise and dance about the forestJust like lile elves.Faster, faster see them whirlingTill the gale has passed.One by one the red leafletsSink <strong>to</strong> rest <strong>at</strong> last.Kytka Jezek(Kytka is also known as the founderof Waldorf Homeschoolers)Front Cover Credit: Gardening in KindyPho<strong>to</strong> by Gail Spro.<strong>Chrysalis</strong> <strong>School</strong>: PO Box 425 Bellingen NSW 2454 Ph~6655 8616 fax~6655 8561email ~ admin@chrysalis.nsw.edu.au website ~ www.chrysalis.nsw edu.auPage 2


Table of contentsSome Seasoned Thoughts Page 5Educaon Reflecon Page 6Report from the Board Page 6College Report Page 7Playgroup Page 8Lile Kindy Page 9Kindergarten Page 10<strong>Praccal</strong> <strong>Ways</strong> <strong>to</strong> <strong>Support</strong> your Child Page 11Class 1 Page 13Class 2 Page 14Class 3 Page 15Emp<strong>at</strong>hy for the Child Between 9 and 12 Years Page 15A Picture of Music <strong>at</strong> <strong>Chrysalis</strong> 2013 Page 16Class 4 Page 19Class 5 Page 19There’s More <strong>to</strong> Educaon than Manufacturing Results Page 20Class 6/7 Page 22Class 8 Page 23<strong>Support</strong> <strong>Learning</strong> <strong>at</strong> <strong>Chrysalis</strong> Page 25In the Garden with Jane Page 26Music and the Evoluon of Conciousness Page 26Chris<strong>to</strong>pher Clouder and the European Council Page 28S<strong>to</strong>rytelling, Memory and the Evoluon of Consciousness Page 30Back Cover: ‘St. Michael and the Dragon’Detail from the Bell Tower: the 2012 Class 3 Building Project. Page 32Mandala by Tallulah: Class 6 - Geometry Main LessonPage3


Some Seasoned ThoughtsEdi<strong>to</strong>rial: The Educaonal Manager is the Edi<strong>to</strong>r of eMeRGe on behalf of the College and Faculty.As eMeRGe will be educaonal in n<strong>at</strong>ure it will include; class informaon concerned withthe main lessons, arcles of interest for parents, drawings, poems, s<strong>to</strong>ries from students, aswell as informaon from pernent organisaons involved in Steiner Educaon. Comments onthe layout and informaon are welcome. Email – educaon@chrysalis.nsw.edu.au.Flood w<strong>at</strong>ers Page 4<strong>at</strong> Hobarts’s Bridge near <strong>Chrysalis</strong> this autumn


Have you noced...........The change in the breeze,The new coolness in the airTh<strong>at</strong> the light is changingThe shortening of the days…Th<strong>at</strong> night approaches a lile quicker…..Th<strong>at</strong> a new energy abounds?…….and so the memories of those cooler transionalmonths are revived. Although the many shades of greenare sll strong for us here in the Bellinger valley.....whilesll somewh<strong>at</strong> w<strong>at</strong>erlogged. The last cropping of thefields have just about been completed and one can begin<strong>to</strong> find the occasional autumn coloured leaf on the rainsoaked ground.Summer has almost expended itself…. The garden ispeaking and will need renewing .....as do we…………a good me <strong>to</strong> inwardly and outwardly take s<strong>to</strong>ck andbegin preparaons for the winter <strong>to</strong> come…….In the days of yore the harvest was an important me……it was all about preparing for the outer winter when foodwould grow scarce …. The cellars would be filled with allof the non perishables & fruit preserves, while things likeeggs and root vegetables were s<strong>to</strong>red in such a way th<strong>at</strong>they would last longer. The animals were brought closerand the wood was chopped in preparaon for the comingmonths. Every family was dependant on wh<strong>at</strong> they hadgrown harvested or traded the whole winter through.For most of us, our lifestyles have changed, and yet wesll have the same needs as those of our forbears ….weare just further removed from seasonal realies….. Manyof us do not know where the wild crops grow, or evenwh<strong>at</strong> they look like , nor do we work the land, or collectfresh spring w<strong>at</strong>er or share communal wells. Others nowdo the farming and it is possible <strong>to</strong> receive food fromfaraway places regardless of the season. .….In fact it would be easy <strong>to</strong> forget the importance of ourconnecon and interdependency with n<strong>at</strong>ure <strong>to</strong>tally unlsomething happens which puts a halt <strong>to</strong> wh<strong>at</strong> we havebecome used <strong>to</strong>......We are very fortun<strong>at</strong>e <strong>to</strong> be reminded of this wheneverthere is a flood, power cut, when we run out of wood orcandles.....We can though, as adults, choose <strong>to</strong> hold an <strong>at</strong>ude ofreverence and thankfulness for all we have .....but ourchildren need “real” first hand experiences in praccalways <strong>to</strong> grow a love for the earth and all th<strong>at</strong> it holds ...weare aer all made up of the elements found here.We can help them <strong>to</strong> do this in simple and praccal waysin every season of the year by helping their senses comealive by being out in n<strong>at</strong>ure and <strong>to</strong> experience fully wh<strong>at</strong>is happening....This could include running through fallen leaves ...rakingthem up in mounds ...composng scraps, having animals....digging in the garden, growing vegetables, eang wh<strong>at</strong>you grow, enjoying the flowers and picking them andarranging them for your table . Cre<strong>at</strong>e small ceremoniesof thankfulness <strong>at</strong> every meal and with every season andof course every me they come running in with somethingnew <strong>to</strong> show you th<strong>at</strong> they have found.The list is endless....So during this changing of the seasons I encourage you<strong>to</strong> go on a special adventure with your child/ren andsupport them <strong>to</strong> find some gis from n<strong>at</strong>ure for ourHarvest fesval table which is already being cre<strong>at</strong>ed.Now is also a wonderful me <strong>to</strong> begin your own fesvaltable …..Or reinvigor<strong>at</strong>e your own n<strong>at</strong>ure table <strong>at</strong> home.So <strong>to</strong> begin ….Firstly, find a place th<strong>at</strong> is central but not in the way fordaily acvies … clear the space/surfaceSecondly, find a piece of n<strong>at</strong>ural light coloured fabric <strong>to</strong>cre<strong>at</strong>e the space….iron if necessary and spread it out in anorganic fashion… covering the area you have given over <strong>to</strong>this special acvity.Thirdly, bring a candle and candle holder and then let thewonder begin by you finding something connected <strong>to</strong> theseason. This could be a picture or a……?Fourthly, now w<strong>at</strong>ch and see wh<strong>at</strong> comes ….I am sure your children as mine did will bring manywonders for you <strong>to</strong> enjoy through the years <strong>to</strong> come.P.S Yes you will need <strong>to</strong> carry it …re enliven it …it is allabout us as adults creang the space for the children<strong>to</strong> fill with life. You also might need <strong>to</strong> direct how manywonders from each walk comes in …eg.”…They are allbeauful, Choose two <strong>to</strong> take inside ….”Then of course you can have an outside n<strong>at</strong>ure corner <strong>to</strong>o.I am sure, sewing these seeds now, and helping thechildren stay connected <strong>to</strong> n<strong>at</strong>ure will help <strong>to</strong> bring newideas and deeper understandings of this world for thefuture .Enjoy the turning of the seasons,Much love, Gail Spro<strong>Chrysalis</strong> Kindergarten TeacherPage 5


ing a presence within Bellingen. TheBoard’s decision <strong>to</strong> support a richcurriculum in areas such as musichas allowed <strong>Chrysalis</strong> <strong>to</strong> con-nue <strong>to</strong> offer a unique andhighly regarded educa-on alternave withinour community. Weconnue <strong>to</strong> investin our teachers,offering professionalexperienceand men<strong>to</strong>ring,believing theirdevelopment isfundamental <strong>to</strong>providing a qualitylearning environment.We also investin our infrastructure.In recentyears the <strong>School</strong>has made a strongfinancial commitment<strong>to</strong> ensuringour facilies are wellcared for and th<strong>at</strong> theyconnue <strong>to</strong> be a nurturingenvironment for ourchildren. The opportunity ofgrant funding and capital investmentin things such as the <strong>School</strong>Hall needs <strong>to</strong> be supported with acommitment <strong>to</strong> maintaining those faciliesin a challenging environment.New roofs and refurbished floors protec<strong>to</strong>ur assets and maintain a specialplace for our children’s development.I’m <strong>to</strong>ld th<strong>at</strong> it’s an old Chinese curseth<strong>at</strong> “May you live in interesngmes”. With educaon funding beinga major naonal issue, there willconnue <strong>to</strong> be challenges; however,the Board is confident the <strong>School</strong> iswell placed <strong>to</strong> take advantage of thedeveloping opportunies. W<strong>at</strong>ch thisspace!Tim FryChairLife isMaintenanceCollege ReportWh<strong>at</strong> a favour we dofor our children whenwe show them the joyof everyday tasks. Youngchildren love <strong>to</strong> mimic us inour daily routines. Sharingthe rewards of our daily worknow will help them enjoytheir maintenance dutieswhen they get older. It mayalso teach them th<strong>at</strong> thegoal is not <strong>to</strong> be finished,but r<strong>at</strong>her <strong>to</strong> determinethe right balance ofwork, play, andrest.The College Of Teachers is a groupof teachers who meet weekly,aspiring <strong>to</strong> uphold thespiritual impulse of WaldorfEducaon and <strong>to</strong>support the school’smanagement on issueswith a strongpedagogical basis.It goes withoutsaying th<strong>at</strong> thisyear has begunwith a SPLOSHand a WHOOSH!R<strong>at</strong>her then aBANG!We shouldthough all begr<strong>at</strong>eful, th<strong>at</strong> nosignificant damagefell on ourlile <strong>to</strong>wn andcommunity. Thosewild winds and roaringw<strong>at</strong>ers certainly remindedus of our place inrelaonship <strong>to</strong> the forces ofn<strong>at</strong>ure. May we show them andthe higher powers the respect theydeserve.For teachers, flood school has had asignificant impact. Just like parents,we did not know unl each morningwhere we would be teaching and thisrequired a gre<strong>at</strong> amount of flexibilityand resourcefulness <strong>to</strong> plan lessonsand acvies with minimal resources.This was especially true of thelower grades.The short length of the day is the onlyway a teacher in these grades wouldbe able <strong>to</strong> run engaging and meaningfulacvies for the students.Teachers <strong>at</strong> <strong>Chrysalis</strong> <strong>School</strong> takegre<strong>at</strong> pride in delivering lessons whichengage their students. This takes aparcular flavour in Steiner <strong>School</strong>sas we work <strong>to</strong> enliven a child’s thinking,feeling and willing.With each of our lessons there arethree components.A willing or acvity component, whichusually involves wring, moving,painng, singing, acng or drawing,is the outward aspect of the learning.The element th<strong>at</strong> requires the child <strong>to</strong>physically do something.The feeling component is the s<strong>to</strong>ry(which may be directly connectedwith the outcome or perhaps just as<strong>to</strong>ry th<strong>at</strong> the children love) or engagementin an arsc acvity whichsmul<strong>at</strong>es the child’s emoonal life.This is an important part of the lesson,as when children’s feelings areengaged they can take the wholelesson more deeply in<strong>to</strong> themselves.Most of our strongest memories areof experiences in which our emoonswere engaged.The thinking component of the lessonis th<strong>at</strong> which challenges the child<strong>to</strong> problem solve or engage morestrongly in recalling previous relevantm<strong>at</strong>erial. This takes on different ageappropri<strong>at</strong>e forms. In Class 1 for example,simply asking a child <strong>to</strong> recallthe previous day’s s<strong>to</strong>ry or the nameof a leer, engages their thinking andcan be taxing enough on some children.From wh<strong>at</strong> I have heard teachers reportback from their me <strong>at</strong> floodschool, an excellent job was done inconnuing <strong>to</strong> deliver these three aspects<strong>to</strong> the children in exceponalcircumstances and without our muchloved art and cra supplies.Well done<strong>to</strong> all and let’s hope those tropicalwe<strong>at</strong>her paerns stay out <strong>to</strong> sea.Warm regards,James DeeoltsCollege ChairPage7


PlaygroupPlaygroupWe have started the year with onlyone playgroup on Friday mornings. Ithas proved very popular though andour numbers are up <strong>to</strong> the limit. It’s awonderful happy group and when allthe families are <strong>to</strong>gether and the lilechildren are having their playme theroom seems <strong>to</strong> hum.As always, the baking of bread rolls isa favorite acvity, followed closely byplaying in the sand pit. The s<strong>to</strong>ry is alwaysmuch enjoyed especially by theolder ones. With all the wet we<strong>at</strong>herwe have some rainy songs and mudverses along with our sunny ones(mud rhymes so well with flood)Now Easter is on the way and MotherHen has laid three eggs. Off she goes<strong>to</strong> tell her friends in the farmyard. LittlePig is rolling in the mud, Lile Duckis swimming on her pond but LileRabbit understands this special eventand so <strong>to</strong>gether they jump for joy.For our Easter celebraon on our lastmorning, we will go out for an Easteregg hunt through the trees, wherelile baskets of felted wool eggs willbe hidden in suitable places for veryyoung ones <strong>to</strong> suddenly find. No explanaonwill be needed as MotherHen has already provided a suitablepicture for the young ones <strong>to</strong> hold intheir hearts.I would like <strong>to</strong> say something aboutthe Three Rs of Early Childhood andPage 8how our playgroupacvies are moldedand informedby them. They are:Rhythm, Rouneand Regularity andthis term I’ll writeabout the playgroupRhythm.We are most familiarwith rhythm inmusic and poetry. Itis most useful here<strong>to</strong> think of thoserhythms which change, the short,short, long of the waltz. For instance,how light it makes us feel, as if wecould flo<strong>at</strong> around the room and almostbe swirled away by the music.The heaviness of a march with a strictunvarying ming is very different.In our own bodies we have manyrhythms; heartbe<strong>at</strong>, bre<strong>at</strong>h, the metabolicrhythms of each organ, ourday/night rhythms and so on. Forthe young child all these rhythms areirregular and unseled. They havenot had me yet <strong>to</strong> develop in<strong>to</strong> thesteady healthy pulse of life th<strong>at</strong> asadults we take for granted. In ourplaygroup, we endeavor throughthe sequence ofacvies <strong>to</strong>gradually begin<strong>to</strong> bring orderlinessin<strong>to</strong> thechild’s bodilyrhythms.Through themany differentacvies duringthe morningthere is acontractingand then an expansive quality. Likebre<strong>at</strong>hing in then out again. Bakingthe bread is an in-bre<strong>at</strong>hing moment,while inside general playme is anexpansive, out-bre<strong>at</strong>hing me duringwhich it is good for them <strong>to</strong> feel th<strong>at</strong>they can play according <strong>to</strong> their ownfancy and enjoyment. Although theymay seem <strong>to</strong> be quietly concentr<strong>at</strong>ingon sand pit play, their ideas arecoming from within themselves andare not imposed from outside (hopefully).This is quite different <strong>to</strong> themoments of bread making when theyare asked <strong>to</strong> sit up <strong>to</strong> the table andgradually learn <strong>to</strong> copy the adult’smovements. Here the idea comesfrom outside the child.The morning circle and s<strong>to</strong>ry are alsoin-bre<strong>at</strong>hing, concentr<strong>at</strong>ed momentsand although the children enjoythese mes it is necessary <strong>to</strong> keepthem short and release the childrenin<strong>to</strong> an expansive acvity before theyre.The sequence of our acvies can beseen as our rhythm. The benefits offollowing such rhythms are like thoseof the waltz, they have the ability<strong>to</strong> li and carry the young child onwardsthrough the day without <strong>to</strong>omuch bodily exhauson. Therefore,we can see th<strong>at</strong> as well as givinga gentle example or guide, the inbre<strong>at</strong>hingand out-bre<strong>at</strong>hing rhythmsof the morning are refreshing and ina sense a form of nourishment, whichmay be felt by adults as well as thevery young.BlessingsK<strong>at</strong>hy


Lile KindyWell here we are <strong>at</strong> the end of termone and all of our new children haveseled in<strong>to</strong> their school life very well.It is wonderful <strong>to</strong> see the way thedaily rhythm carries the children sostrongly and brings a sense of securityand confidence <strong>to</strong> each one asthey transion through the day. Thechildren move between focused ac-vies - morning greengs, painng,baking, cra, morning circle and s<strong>to</strong>ryme, and free play me both insideand out, like the ebb and flow of ourin and out bre<strong>at</strong>h. We have also started<strong>to</strong> hear the children connecngwith the weekly rhythm as they talkof each day in relaon <strong>to</strong> their morningtea - “Painng day is rice day, andmuffin day is birthday celebraonand sewing day”.On each day our morning-focus ac-vies see the children developingboth their gross and fine mo<strong>to</strong>r skills,following direcons and working creavely.Baking our buns on Tuesday isa creave and tacle exercise, in whicha ball of dough is transformed in<strong>to</strong> ahuge variety of three dimensional objects.As we bake, we sing our bakingsong, helping the children <strong>to</strong> focus onthe acvity. As we conclude our bakingsession, we see the crumbs disappearfromPage 9the tablesand flooras the childrenworkindustriouslywithdustpansand brushes,beforethey foldup theirapronsand headoutside forplayme.On Wednesday, the childrenhave been working with thefluidity of w<strong>at</strong>er colour witha ‘wet-on-wet’ painng technique.Painng is also a teacherfocused acvity and conductedin a quiet way, so th<strong>at</strong> the childrencan experience the moodof each colour without distrac-on. Each painng session beginswith a colour s<strong>to</strong>ry which helps thechildren build a picture of the quali-es of each colour. It has been a joy<strong>to</strong> w<strong>at</strong>ch the children in their discoveriesas they play with the colouron the wet paper. The children alsopack away independently from paintingbefore they go <strong>to</strong> outside play.The children have been developingtheir fine mo<strong>to</strong>r skills on a Thursdaywith cra circle. We began the termwith a straight stch (dolphin stch)around a felt fish, which the childrenthen stuffed and completed with aback stch in another colour <strong>to</strong> adddetail <strong>to</strong> their finished piece. I couldonly wish <strong>to</strong> be a fly on the wall whenthe very proud children presentedtheir completed task <strong>to</strong> their families.Well done everyone. We have alsomoved on <strong>to</strong> pom-pom making, andwet felng. With a short 15 minutesession the children are able <strong>to</strong> applythemselves with concentraon andcommitment <strong>to</strong> the task, a gre<strong>at</strong> willstrengthening acvity.Aer our outside play experiencethe children return <strong>to</strong> the Kindyroom for Morning Circle. This termour morning circle theme has beenfocused around the seasons. At thestart of the year the children thoroughlyenjoyed our seaside circle asthey skipped, hopped and ran down<strong>to</strong> the sea, jumping over waves, lookingin rock pools and digging in thesand. The children imit<strong>at</strong>e the gesturesand learn the circle by heart. Incircle me we are working with botha physical movement component aswell as language development. Therich imagery th<strong>at</strong> comes from themorning circle helps <strong>to</strong> provide thechildren with wholesome pictures <strong>to</strong>take in<strong>to</strong> their play experiences. Nowwe are in autumn the children havebeen working on a harvest theme. Wehave been riding our ponies aroundthe gardens and orchards, collecngapples, digging pot<strong>at</strong>oes, searchingfor pumpkins and picking corn. I dohope some of these verses and songsare finding their way home. By theme you read this arcle we wouldhave celebr<strong>at</strong>ed the harvest fesvalwith all our friends up <strong>at</strong> the ThoraCampus. Thank you <strong>to</strong> Gail and Karenand all the big Kindy children for welcomingus in<strong>to</strong> your beauful room.I would like <strong>to</strong> take this opportunity<strong>to</strong> thank Anna for taking on the roleof class carer and all of our parenthelpers for the term. Your assistanceis gre<strong>at</strong>ly appreci<strong>at</strong>ed.Warm wishes, Paige


KindergartenGreengs <strong>to</strong> all !The new school year began with anew room, new children, new parents,new colleagues and new me…but thankfully also lots of familiarfeelings and warm hearts <strong>to</strong> supportthe many processes th<strong>at</strong> had <strong>to</strong> getup and running quickly…..Thank you<strong>to</strong> everyone for moving with the energyrequired <strong>to</strong> help the kindergartenfind its point of newness for this,my very first year back <strong>at</strong> <strong>Chrysalis</strong>and with Karen since my departuresix years ago .Now six weeksl<strong>at</strong>er, with a roomfull of children whowere born the yearof my departure, sixyears ago I feel verymuch <strong>at</strong> home…and it seems th<strong>at</strong>they do <strong>to</strong>o!At first all thoughtswere focused ongeng this magnificentkindergartenspace harmonized in the best possibleway <strong>to</strong> welcome the childrenand the parents on the first day…aseach day passes our work has connued<strong>to</strong> strengthen and the substancebetween us <strong>to</strong> grow. I feel the weeklyand daily rhythms are now beginning<strong>to</strong> be inscribed in the space andin all of us. We begin the day witha short physical acvity and a snackthen the children come inside <strong>to</strong> do aguided acvity each day of the week.Our weekly rhythm includes drawing,sewing, wool work, baking, painng,a walk and soon <strong>to</strong> come birthdaycelebraons and wax modeling.As usual for all Steiner kindergartens,the morning tea is delicious and nutrious,aligning where possible <strong>to</strong>the planetary grain of the day. Thechildren love <strong>to</strong> be involved in helpingeach day with the preparaon ofthese culinary delights and it is need-Page 10less <strong>to</strong> say they meet it with heartyappetes.The children have adjusted well <strong>to</strong>the newness <strong>to</strong>o! They have foundnew friends with the combining ofthe younger children, from the in<strong>to</strong>wn campus and the Thora campuschildren from last year and I am happy<strong>to</strong> say we will be welcoming morefriends in the near future. Cubbiesare built each day by different childrenalong with the home based play,and wonderful panoramic s<strong>to</strong>ries arecre<strong>at</strong>ed and <strong>to</strong>ld. Woodwork has alsoproven a wonderful acvity with all ofthese rainy days th<strong>at</strong> have come ourway. Flood <strong>School</strong> worked well withthe combining of both kindergartensand cre<strong>at</strong>ed an unscheduled in<strong>to</strong>wn fesval of ‘meeng and being’with each other, opening the way formes <strong>to</strong>gether during the year . Thiswas followed by the Harvest Fesvalcombined with the Living Classroomday <strong>at</strong> Thora.This group has taken on the theme ofsummer with the sewing of lile feltsea cre<strong>at</strong>ures withgus<strong>to</strong>. These lilefelt puppets arecharacters fromour s<strong>to</strong>ry ‘Hermitthe Crab’. Whenthey take themhome <strong>at</strong> the endof the term I amsure the childrenwill enjoy retelling the s<strong>to</strong>ry as wellas make up new ones for themselves.From the ocean waves and all theyhold….. we have now moved on <strong>to</strong>our Harvest circle of songs, poemsand games along with a quaint s<strong>to</strong>ryabout turning plums in<strong>to</strong> apples…..Today we went on a walk in searchof things <strong>to</strong> harvest……wh<strong>at</strong> an assortmen<strong>to</strong>f edibles and useful herbswe found…. a banana palm, guavas,grapefruit and ice cream bean trees.We sniffed some thyme, sage, lemonscented geraniums, and pineapplesage. We nibbled on some asparagus,rubbed some aloe veraon our arms, harvested somelemon grass, picked some leavesoff the macadamia trees, we<strong>at</strong>e the lillipillis on the spot andshared our buckets full of starfruit with Class Five. Wh<strong>at</strong> a wonderfuladventure and we haven’tgone past the kitchen level yet!In the days <strong>to</strong> come we willconnue <strong>to</strong> have harvest walksaround the school and a lile beyond<strong>to</strong> Alice’s farm up the bush trackand the Homelands Bamboo forests<strong>to</strong> harvest bamboo <strong>to</strong> use in the outsideplay area. There is me now <strong>to</strong>develop the outdoor space, so wehave begun <strong>to</strong> pick up where we leoff last year with the planng of flowersth<strong>at</strong> you brought <strong>to</strong> the transionfesval. More flowers and vines havebeen planted and an outside kitchenhas been established which is in dailyuse with the making of many poons…while fairy gardens abound in thequieter reaches. The sandpit is also


a hub of involvement with much diggingand making of gre<strong>at</strong> engineeringfe<strong>at</strong>s ….oohs and ahhs accompanysome magic moments as they standspellbound w<strong>at</strong>ching wh<strong>at</strong> happensas the w<strong>at</strong>er cascades through wh<strong>at</strong>they have made.In the near future I will be calling forthose who would like <strong>to</strong> help in abamboo harvest…I would love <strong>to</strong> tryand build a bo<strong>at</strong> with the children….oh yes and before I almost forget,are there any “kniers” out therewho would love <strong>to</strong> help us in someoutdoor aesthecs?Best wishes <strong>to</strong> all Gail<strong>Praccal</strong> ways <strong>to</strong> supportyour child - Pung ourchild’s needs firstSteiner Educaon aims <strong>to</strong> provide adaily rhythm which renews and invigor<strong>at</strong>esa child, incorporang a con-nued balance between acvity andrest as well as thinking and creavity.Here are some praccal ways th<strong>at</strong>you can connue working with theserhythms <strong>at</strong> home, focussing on restand rhythm. Hopefully these pscan help with your parenng role ofbringing balance <strong>to</strong> the child aerthey have gone out in<strong>to</strong> the world.The world being the academic andsocial realm of school life. Most behaviourissues can be traced back <strong>to</strong>a child who is not receiving enoughrest & nutrion or a rhythm (eitherin class or <strong>at</strong> home) th<strong>at</strong> is not heldstrongly.Page 11RhythmRhythm is an essenal part of keepinga baby healthy and connues <strong>to</strong>be important in children of schoolage. Our vital bodily systems relyon rhythm in order <strong>to</strong> funcon. Allteachers recognise the importanceof a strong rhythm in the classroomand this can be further supported bya strong rhythm in the home. Imaginewh<strong>at</strong> a classroom would be likeif lunch and recess were <strong>at</strong> differentmes each day and where the childrenand the teacher didn’t knowwh<strong>at</strong> subject was going <strong>to</strong> be taughtnext!There is quite a difference betweenrhythm and roune. We can look <strong>to</strong>our bodies for guidance on wh<strong>at</strong> thedifference is. Wh<strong>at</strong> does it mean <strong>to</strong>have a healthy digesve process ormenstrual cycle? – It is not abouteverything happening <strong>at</strong> exactly thesame me, but it is something lesstangible. Rhythm is bre<strong>at</strong>hing andalive while roune can become deadand empty. Rhythm relies on an intui-ve sense while roune can be like aset of empty rulesRhythm includes:• Time apart - me <strong>to</strong>gether• Predictability• Repeon• <strong>School</strong> rhythm• Sleep rhythmTime apart/me <strong>to</strong>gether – <strong>School</strong>acvies work on many rhythms,there are mes for group work, independentwork and partnered work.A rhythm in the house hold can usesimilar rhythms: me for independentplay; me for reading a bookwith dad; me for playing with a sibling.Whilst these rhythmsare useful in your householdfor their own sake,they will also support yourchild <strong>to</strong> be prepared forthe rhythms th<strong>at</strong> exist <strong>at</strong>school. It is also useful <strong>to</strong>arcul<strong>at</strong>e <strong>to</strong> your childwh<strong>at</strong> acvies they cando. This becomes especiallyimportant as the “I’mbored” st<strong>at</strong>ements begin.Predictability and security - emo-onal security comes from the predictabilityth<strong>at</strong> rhythm brings. In thehome, when a child knows th<strong>at</strong> s<strong>to</strong>rycomes aer dinner or quiet playcomes aer breakfast, a child experiencesstability. Anxious children areparcularly supported by the predictabilityth<strong>at</strong> comes with rhythm. Thechildren in our class need this explicitly<strong>at</strong> school, not just verbally, butalso in pictures and words. Childrenalso find security in knowing wh<strong>at</strong> ac-vies are available for them <strong>to</strong> do:“You can now play outside with yourscooter, read a book on your bed orplay with your doll’s house.”Repeon – as we have experiencedwhen our child asks us <strong>to</strong> re-readtheir favourite s<strong>to</strong>ry again and again,children are reassured and nourishedby repeon. The repeon of ourdaily rhythm and parcular acvieswithin th<strong>at</strong> rhythm (such as a blessingbefore meals, or washing handsbefore dinner) whether in the classroomor the home supports and preparesour child for the next acvity.<strong>School</strong> Rhythm –It is useful <strong>to</strong> knowwh<strong>at</strong> the rhythm of the school day isas your child’s eang habits will beauned <strong>to</strong> this. <strong>School</strong> rhythm: bus


me- 8.30; morning fruit me– 9.15;recess – 11.15; lunchme 12.45; andschool finishes <strong>at</strong> 2.45.Sleep rhythm – how easily our childgoes <strong>to</strong> sleep is oen determinedby wh<strong>at</strong> kind of rhythmwe have for ending theday and the sllnesswe hold in thehouse. Shungthe blinds, dimmingthe lightsand adopnga sense ofquiet, are allexternal ac-ons whichreflect theinternalprocessesour childneeds <strong>to</strong> gothrough inorder <strong>to</strong> sleepwell and berested for thefollowing day ofschool.RestIt is essenal for a child’s vitalforces th<strong>at</strong> they receive adequ<strong>at</strong>erest. It is useful for this <strong>to</strong> becomea pracse in the household as this isan important way th<strong>at</strong> we bring balance<strong>to</strong> our child aer and during theschool week.Rest includes:• Adequ<strong>at</strong>e sleep• Reduced smulaonand emoonal digeson me• Convalescence• A Sabb<strong>at</strong>h• External tre<strong>at</strong>mentsAdequ<strong>at</strong>e sleep - On average a 7 yearold child should be sleeping 11-12hours per night. Sleep is a vital andrejuvenang part of a child’s day.A new roune may need <strong>to</strong> be setso th<strong>at</strong> our child goes <strong>to</strong> bed earlierin order <strong>to</strong> awake early enough forschool.If you are having difficulty with achild’s (under 9) sleeping habits orwith keeping rhythm in the home,Page 12please consult Melanie Deeolts forsupport on 0407 327 812. Many behaviouraland emoonal difficulescan be solved through working withsleep and rhythm.Reduced smulaon – Thisinvolves ensuring th<strong>at</strong>our child’s senses arenot bombardedby acvies th<strong>at</strong>over smul<strong>at</strong>ethem without“down me”following. Ifyour familyhas hada day fullof acvity,ensure th<strong>at</strong>this is followedbya rest day.Our schoolday revolvesaround thisprinciple – wefollow each smulangacvity by aninward acvity. Thisteaches children how <strong>to</strong>experience both inward andoutward acvity and teaches themhow <strong>to</strong> bring themselves back <strong>to</strong>sense of equilibrium.Children th<strong>at</strong> are over smul<strong>at</strong>ed orwho have not learnt how <strong>to</strong> bringthemselves back <strong>to</strong> equilibrium aeroutward acvity, find it difficult <strong>to</strong>concentr<strong>at</strong>e <strong>at</strong> school.Children digest or process their experiencesoen through play, and soquiet me playing, drawingand reading is really usefulaer the school dayfor them <strong>to</strong> process theiracademic and emoonalexperiences. You will findth<strong>at</strong> you will not really beable <strong>to</strong> engage your childin conversaon about theirday but th<strong>at</strong> through quietme, they will digest theday in their own way. Thisleads <strong>to</strong> resul sleep.Convalescence – This isone of the most importantmes during illness which is seldomhonoured in our busy society. Thisis the period immedi<strong>at</strong>ely followingsickness where our body rejuven<strong>at</strong>esaer the bale th<strong>at</strong> it has just had.This is especially important in ourchildren.A Sabb<strong>at</strong>h – With capitalism replacingreligion in our society, the Sabb<strong>at</strong>hor rest day has disappeared. Ihave fond memories of childhoodSundays when the shops were closedand our family didn’t go anywhere!Mum and dad would do gardeningand I would play. We can sll cre<strong>at</strong>ethis for our family and a quiet Sundayis perfect preparaon for a Mondayfilled with learning.External tre<strong>at</strong>ments – tre<strong>at</strong>mentssuch as lemon footb<strong>at</strong>hs, spaghnioils, camomile compresses and nutrionalb<strong>at</strong>hs are excellent ways ofsupporng your child <strong>to</strong> rest, especiallywhen they are struggling withthis. Next year <strong>Chrysalis</strong> will be runningworkshops on these and FionaMackenzie (an anthroposophic homeop<strong>at</strong>hwho consults in our areaand with many families in our school)can also provide guidance with these.Bookings can be made with her on6687 2207.If you would like <strong>to</strong> work more deeplywith any of these areas, I am happy<strong>to</strong> direct you <strong>to</strong> therapists or liter<strong>at</strong>ureth<strong>at</strong> can deepen your parenngpracce. My email is jimmyinbello@bigpond.com.With Blessings,James Deeolts


Class 1Term one has been an excing introducon<strong>to</strong> formal learning for ClassOne. I have enjoyed gently stretchingthe children in different direcons.When given a challenge, the childrenhappily accept it and revel in theirachievements.We began the term with a FormDrawing main lesson, which was afantasc way for me <strong>to</strong> establish goodwork habits – posture, pencil grip etcand <strong>to</strong> assess areas in which individualsneed support.We then launched in<strong>to</strong> the Introduc-on <strong>to</strong> Capital Leers main lesson.This has been excing for the groupas we explore the leers, throughs<strong>to</strong>ry, movement, gesture and modelling.The same s<strong>to</strong>ry character from ourfirst main lesson, Prince Valiant, hasconnued his adventures in the secondmain lesson and I am oen metwith “th<strong>at</strong>’s <strong>to</strong>o short” when I completeeach instalment.It’s excing <strong>to</strong> w<strong>at</strong>ch the childrenbegin <strong>to</strong> see the world around themwith new eyes. At the bus s<strong>to</strong>p oneaernoon, a child began <strong>to</strong> namethe leers in the word HALL on thesign post. He then managed <strong>to</strong> putthe sounds <strong>to</strong>gether and worked outwh<strong>at</strong> it said! He was happy with himself<strong>to</strong> say the least!The children have also been busy withcra. Our first cra project for theyear is completed- a library bag. Thechildren were parcularly mov<strong>at</strong>edby the news th<strong>at</strong> once everyone hadPage 13completed their bagthey would be able<strong>to</strong> borrow books.In m<strong>at</strong>hs, the childrenhave beenworking with p<strong>at</strong>terns,in prepara-on for their Introducon<strong>to</strong> Numbersmain lesson. Thechildren have usedmovement, song and found objects<strong>to</strong> cre<strong>at</strong>e paerns of various sizes –AB, ABC, ABCD and even ABCDE p<strong>at</strong>terns!Class One’s painng lessons have alsobeen delighul! The lessons have revolvedaround the beginning of mewhen there was no colour – therewas only black and white. The ColourAngels were sent <strong>to</strong> the earth and inour painngs we are exploring howthe colours interact. So far we haveworked with lemon yellow and goldyellow – Colour Angels of the samefamily, and how even though they arepart of the same family, theyboth have different qualies.A last note on the floods….Ihave learnt a gre<strong>at</strong> deal fromthem. Namely, th<strong>at</strong> I can’tcontrol everything, and in theend there are forces muchgre<strong>at</strong>er then me <strong>at</strong> work. Themore I try <strong>to</strong> fight against thisfact the harder life becomes.M<strong>at</strong>erialisc thinking tries <strong>to</strong>convince us th<strong>at</strong> we can be in chargeand influence outcomes but this oftenleads <strong>to</strong> a more painful journey.So I would like <strong>to</strong> publicly thank therain, the silt, the wind and MotherN<strong>at</strong>ure for geng me down on myknees in surrender.JamesThe Floods - By Rudyard KiplingThe rain it rains without a stayIn the hills above us, in the hills;And presently the floods break wayWhose strength is in the hills.The trees they suck from every cloud,The valley brooks they roar aloud--Bank-high for the lowlands, lowlands,Lowlands under the hills!The first wood down is sere andsmall,From the hills--the brishings off thehills;And then come by the b<strong>at</strong>s and allWe cut last year in the hills;And then the roots we tried <strong>to</strong> cleaveBut found <strong>to</strong>o <strong>to</strong>ugh and had <strong>to</strong>leave--Polng down the lowlands, lowlands,Lowlands under the hills!The eye shall look, the ear shall harkTo the hills, the doings in the hills!And rivers mang in the darkWith <strong>to</strong>kens from the hills.Now wh<strong>at</strong> is weak will surely go,And wh<strong>at</strong> is strong must prove it so--Stand Fast in the lowlands, lowlands,Lowlands under the hills!The floods they shall not be afraid--Nor the hills above ‘em, nor the


hills--Of any fence which man has madeBetwixt him and the hills.The w<strong>at</strong>ers shall not reckon twiceFor any work of man’s device,But bid it down <strong>to</strong> the lowlands, lowlands,Lowlands under the hills!The floods shall sweep corruponclean--By the hills, the blessing of the hills--Th<strong>at</strong> more the meadows may begreenNew-mended from the hills.The crops and cale shall increase,Nor lile children shall not cease.Go--plough the lowlands, lowlands,Lowlands under the hills!Page 14Class 2Already we feel the crispnessof Autumn mornings. The childrencollect the harvest bountyfrom around the schoolstarfruits and macadamianuts being very popular! I seethe fruing of last year’s workin my beauful class reflected in theirlove of learning. It is excing <strong>to</strong> w<strong>at</strong>chthem devour books, solve problems,play recorder, sing and play act. Theyare a vibrant and enthusiasc group!!We had a joyous beginning <strong>to</strong> theterm with a Science based main lessonwhich explored the elements ofw<strong>at</strong>er and air, and provided the opportunityfor lots of outdoor workand visits <strong>to</strong> the river. The childrenthoroughly enjoyed learning aboutthe W<strong>at</strong>er Cycle through Droppo, alile drop of w<strong>at</strong>er who lives a life ofadventure! They conducted experimentswith celery and dye,made bubbles and w<strong>at</strong>ched thewhole w<strong>at</strong>er cycle (in one day)when the sun evapor<strong>at</strong>ed thew<strong>at</strong>er in their dishes and therain filled them up again! It <strong>to</strong>oksome commied team work <strong>to</strong>build dams down <strong>at</strong> the river.The children also experimentedwith channelling w<strong>at</strong>er andadding their w<strong>at</strong>er wheels. Theyhad fun leng their bambooras go and c<strong>at</strong>ching them again!! Itwas humbling <strong>to</strong> see how quickly theriver changed from our place of play,<strong>to</strong> a swollen, raging <strong>to</strong>rrent. A gre<strong>at</strong>way for the children <strong>to</strong> learn aboutthe power and beauty of mother n<strong>at</strong>ure– and a perfect ending <strong>to</strong> an excingmain lesson.The children experienced the excitemen<strong>to</strong>f flood school, where theyheard the s<strong>to</strong>ry of Tiddalik the frogwho cre<strong>at</strong>ed a drought/flood. Wemade masks and l<strong>at</strong>er came <strong>to</strong>gether<strong>to</strong> dramase the s<strong>to</strong>ry and have agood laugh with all the animals fromthe s<strong>to</strong>ry. Good medicine really!!!We have since moved on<strong>to</strong> a M<strong>at</strong>hemagicsmain lesson. The childrenare exploring the links between numberpaerns in mulplicaon throughthe eyes of the 12 healing gnomes.The healing gnomes g<strong>at</strong>her healingherbs and provide first aid <strong>to</strong> all thecre<strong>at</strong>ures of the forest. Each plantcorresponds with a mulplicaonpaern. The gnomes learn the secrethealing chants th<strong>at</strong> correspondwith the herbs (and with mulplica-on paerns) and so do Class Two!!Teaching m<strong>at</strong>hemacs is fun! There islots of movement and exploraon ofnumber through games. The childrenrespond so beaufully <strong>to</strong> explor<strong>at</strong>orybased learning and <strong>to</strong> lots of smallgroup and partner work. There areso many opportunies for taking it inturns, sharing and helping each otherout. A metaphor for life really!As you are reading this arcle wewill have begun <strong>to</strong> have some funwith animal fables. This is essenallya wring main lesson which meetsthe children’s stage of inner development.At this stage in their developmentthe children rel<strong>at</strong>e <strong>to</strong> animalsas brothers and sisters who can speakand act as human beings. Throughs<strong>to</strong>ry and drama we will explore then<strong>at</strong>ure of many animals and in doingso will allow the children <strong>to</strong> exploredifferent aspects of themselves. Thechildren thoroughly enjoy taking onanimal characters through play act-


ing. So we will be sharing lots of fablesand bringing them <strong>to</strong> life throughdrama and verse. We will also cre<strong>at</strong>ea gorgeous lile book of fables whichwill have lile animal puppets thechildren can move <strong>to</strong> retell the s<strong>to</strong>ry.The change in seasons and all theflooding makes me appreci<strong>at</strong>e evenmore the n<strong>at</strong>ural beauty surroundingthe children and I every day. It is magical<strong>to</strong> look out <strong>at</strong> the w<strong>at</strong>erfalls andthe ever changing mist on the mountainswhilst being cocooned in such abeauful room. We are blessed.Warm regards,LizClass 3Happy autumn!Class Three have seled beaufullyin<strong>to</strong> their new classroom environmentthis term. We welcome ourthree new children and their families;C<strong>at</strong>rine, Lydia and Mahew. We areall looking forward <strong>to</strong> a very praccalhands on year with all of our farming,gardening and house building acvi-es, which are part of the class threePage 15curriculum.Our first main lesson block for theyear was “Creaon S<strong>to</strong>ries”. We allenjoyed the imaginave world ofthe seven days of creaon and thejourney of Adam and Eve <strong>to</strong> Earth.Aer each s<strong>to</strong>ry was <strong>to</strong>ld and thenre-<strong>to</strong>ld the children drew their ownbeaufully illustr<strong>at</strong>ed pictures andpracced their cursive wring. Wehave been painng the seven daysof creaon during our weekly paintinglessons and are learning someexcellent painng techniques. Thishas been a valuable experience <strong>to</strong>deepen and further solidify the creaons<strong>to</strong>ries.Other groundbreaking news this termhas been the introducon of violins.There was gre<strong>at</strong> excitement the daywe got our violins (me included). Wehave been enjoying counng in BahasaIndonesia andlearning some Indonesiansongs duringmorning circle. Thechildren in the classlove <strong>to</strong> read andare enjoying keepingtrack of theirreading with theirindividual readinglogs. The childrenlove doing BothmerGym, as theirbodies connue <strong>to</strong>grow rapidly duringthis me. Crawith Kamala is progressingbeaufullyas we master the art of crochet andwe love our weekly recorder sessionswith C<strong>at</strong>hy and singing sessions withKym and Class Four. We are very busyindeed.A big thank you <strong>to</strong> all the parentsfor your warm welcome<strong>at</strong> the beginning of the yearand support during the term.It is much appreci<strong>at</strong>ed. I amlooking forward <strong>to</strong> all th<strong>at</strong>next term has <strong>to</strong> bring in ClassThree!Warm regards,AllieEmp<strong>at</strong>hy for the ChildBetween 9 and 12 yearsBy James DeeoltsBetween the ages of 9 and 12 ourchildren begin <strong>to</strong> experience life quitedifferently than before. This periodmarks the beginning of the developmen<strong>to</strong>f their feeling life. For parentsthis can be a me of confusion especiallyif <strong>to</strong>o much emphasis is placedon the child’s changeable feelings.Developing a reper<strong>to</strong>ire of soul experiencesIn the first stage of childhood (0-7years), children are busy developingtheir physical body. They engage inmuch physical acvity and learn how<strong>to</strong> use their body and speech in theworld. To them, they are unconsciousand unclear of their feelings. Childrencan learn <strong>to</strong> arcul<strong>at</strong>e the most basicof feelings rel<strong>at</strong>ed <strong>to</strong> the physicalbody, like anger andhunger but they areunable <strong>to</strong> truly havean individual, consciousexperience oftheir feelings. Whenwe compare thecomplexity of theteenager’s experienceof the feelinglife with the youngchild we can seethe sophiscaonand m<strong>at</strong>urity yet <strong>to</strong>come.Between the ages of9 and 12, the child’s feeling life goesthrough an upheaval in preparaonfor the coming sophiscaon of adolescence.We see polaries of feeling– one minute extremely angry or upset,the next singing and playing quietlyby themselves. These polariescause confusion for the child and theadults around them.Removing ObstaclesAs parents we want <strong>to</strong> take awaywh<strong>at</strong>ever is causing our children grief.These “obstacles” though are reallyopportunies for growth and(connued on page 18)


A Picture of Music <strong>at</strong> <strong>Chrysalis</strong> 2013Ifyou weredrawn <strong>to</strong> wanderaround the upperreaches of the <strong>School</strong> onany Wednesday afternoonyou would find your visionsof w<strong>at</strong>erfalls and forestedescarpments accompaniedby magnificent raw andfocused soundscapesLizzy Sco and the String Ensemblecomprising of 36 violin, viola andcello players…………and Ethan theone and only piano virtuosoCharloeLow andthe brandnew <strong>Chrysalis</strong><strong>School</strong>QuartetLucas Dollisson and the Class8 Ukulele EnsembleC<strong>at</strong>hy Bowerand theRecorderExtravaganzaPage 16


Jessamin Briner and the funky poec rappers!SeanDaniel andthe class4 JugglingMarimbaBandIf it were a Wednesday morning, youwould find Class Three children teachingtheir class teacher <strong>to</strong> play the violin…Or showingtheirbeaufulviolinposturesand bowholds…Or having a lile concert……..or making fiddle mandalas…. maybehavinga lessonwithJannelleTaylor……Even Bach’sMinuets areable <strong>to</strong> riseevocavelyfrom themould of agood flood!Page 17


preparaon. This period from 9-12 isthe me when our children need <strong>to</strong>experience many different feelings.As adults we understand th<strong>at</strong> feelingscome in many colours and hues and,difficult as it may be, this is the mewhen our children begin <strong>to</strong> learn thisfor themselves.Allowing our children <strong>to</strong> experience arange of feelings <strong>at</strong> this stage of lifeprepares them for when they will inevitablymeet these feelings in l<strong>at</strong>erlife. Our children <strong>at</strong> this age are able<strong>to</strong> be nurtured and held close whilstthey deepen their range of emoonalexperiences, which is much moredifficult <strong>to</strong> do when they are adolescents.Children need <strong>to</strong> experienceand understand: loneliness, acceptance,exclusion, anger, hurt, joy andlove. The best way we can supportthem is not <strong>to</strong> take away the learningopportunies provided by theirrelaonships, but <strong>to</strong> support themlovingly through them.Emp<strong>at</strong>hy not symp<strong>at</strong>hyLet your child know you understandwh<strong>at</strong> they are experiencing withoutlosing objecvity. Adults need <strong>to</strong>show the child th<strong>at</strong> they will becomethe master of their feelings and thiscan only be modelled through emp<strong>at</strong>hynot symp<strong>at</strong>hy. When we are insymp<strong>at</strong>hy, we pour ourselves in<strong>to</strong> ourchild’s experience and lose objecvity.Our child’s feelings become theonly truth. When we are in emp<strong>at</strong>hy,we understand wh<strong>at</strong> our child’s experienceis but also see th<strong>at</strong> this ispart of a bigger process. We can thenreassure them th<strong>at</strong> this will pass andth<strong>at</strong> this experience is a n<strong>at</strong>ural par<strong>to</strong>f life.Page 18Put your ‘self’ asideAs parents we strive <strong>to</strong> beselfless in our love of ourchildren. yet it is easy forus <strong>to</strong> put our own emo-onal baggage on<strong>to</strong> ourchildren’s experience ofthis stage of life. Whenwe see them experiencea feeling th<strong>at</strong> we are not<strong>at</strong> peace within ourselves,we find it difficult <strong>to</strong> standstrong for them in a st<strong>at</strong>eof emp<strong>at</strong>hy. In doing thiswe are no longer serving our individualchild’s needs but are pung our‘self’ on<strong>to</strong> their experience. Exclusionis a gre<strong>at</strong> example of this – when wesee our child upset about being excluded,it is common for parents <strong>to</strong>revisit their own experiences of thisfrom their childhood which blurs howthey deal with this situaon.Losing faith in the teacherAs children pass through the stage of9-12 years, they begin <strong>to</strong> not only experiencetheir personal world of feelingsin all its hues but also the worldaround them. They begin <strong>to</strong> see theadults around them as having faultsand inadequacies and push themaway. As parents this can be confrontingand can make it even more difficult<strong>to</strong> stay in emp<strong>at</strong>hy r<strong>at</strong>her thensymp<strong>at</strong>hy. When we are in symp<strong>at</strong>hywe are experiencing a bonding withour child which may feel nice but itis a bonding based on something th<strong>at</strong>is untrue – i.e a feeling experience ofa 9-12 year old. The truth of this experienceis th<strong>at</strong> it is a passing feelingexperience <strong>to</strong> help deepen our child’sunderstanding ofthe range of emo-ons of life.It is common forparents of class 3children (the mostdramac peak ofthe 9-12 year oldperiod), <strong>to</strong> seekthis bonding experiencein theirchild’s experienceof school, theirclass and theirteacher.At <strong>Chrysalis</strong>’ Regional Conference,Lisa Romero described how parentsof children in Class One join in theirchildren’s love of the teacher but oftenby Class Three begin <strong>to</strong> experiencethe fears and concerns of theirchildren and can oen band <strong>to</strong>getherin a “witch hunt” against the teacher.It is important <strong>at</strong> this me of thechildren’s lives <strong>to</strong> show them consistencyand understanding for theother. Wh<strong>at</strong> do we want our children<strong>to</strong> learn about when it comes <strong>to</strong> recognisingpeople’s inadequacies? Ifwe want them <strong>to</strong> develop an understandingof wh<strong>at</strong> uncondional loveand support looks like, then we need<strong>to</strong> model this in the way th<strong>at</strong> we dealwith our response <strong>to</strong> our child whenthey begin <strong>to</strong> idenfy inadequaciesin the other. The way th<strong>at</strong> we handleconcerns about class teachers is anopportunity for this. It’s also important<strong>to</strong> again see the big picture andrealise th<strong>at</strong> concerns th<strong>at</strong> arise <strong>at</strong> thisme will pass as they are a necessarypart of the 9-12 year old experience.The period of childhood aer 9 yearscan be one of the most tumultuousfor parents and children. If we, asparents, strive <strong>to</strong> stay in our “bigger”self, we should be able <strong>to</strong> meet ourchildren with emp<strong>at</strong>hy, consciousnessand most importantly love.References:Between Form and Freedom- Bey StaleyPhases of Childhood– Bernard LievegoodEncountering The Self– Herman Koepke


Class 4Term 1 has tested and taught us manythings especially about each other.The class connues<strong>to</strong> grow as individualsand as agroup. They constantlyhelp, care,learn and respondin posive andnegave ways asthey socially andemoonally wonder<strong>at</strong> and constructtheir 9-10year old universe.We have beenplaying co-operave games such askings and queens, dodge ball, handball,lions den, buzz, pop/zap andtheir favourite the Viking game.They began the year with a NorseMyth English main lesson “Gods,Giants and Heroes”. They were soexcited <strong>to</strong> listen <strong>to</strong> the s<strong>to</strong>ries andthen express their imaginave understandingon paper by drawing, painting,wring or reading short s<strong>to</strong>ries.Our second main lesson has beenextended due <strong>to</strong> the makeup days offlood school; the m<strong>at</strong>hemacs mainlesson th<strong>at</strong> introduces Fracons. Thisis such a fun main lesson, we beginby learning about the whole andhow this can be fractured in<strong>to</strong> manypieces/slices. Duringthis parcularme (Rubiconcrossing) childreninternally experiencethemselvesas a whole withmany parts. Theyare singular, yetalso belong <strong>to</strong>a family, class,Page 19school, community and theworld. Children deepen theirunderstanding by looking <strong>at</strong> familiarfracons in everyday life,like their physical body, seasons,me, cooking and music. In classchildren have made pizzas, muffins,cakes and pies and havecut up w<strong>at</strong>ermelon, bananas,chocol<strong>at</strong>e biscuits and oranges.They have also been introduced<strong>to</strong> adding and subtracng thesefoods <strong>to</strong>o with eager aenon, especiallywhen they subtract it in<strong>to</strong> theirbellies!Children enjoyed flood school andbeing st<strong>at</strong>ionedmainly <strong>at</strong>my house,Pos especiallyenjoyedtheir company.Theyvisited thelibrary,p l a y -groundand the local museum. They lovedseeing the old machinesused for prinng a newspaper,the buer churners,nursing equipment andpho<strong>to</strong>s of Bellingen <strong>to</strong>wn.Our final main lesson rel<strong>at</strong>es<strong>to</strong> his<strong>to</strong>ry and exploresthe white selement ofAustralia and the his<strong>to</strong>ry ofthe indigenous people. Theclass will have a one day excursioninvolving acviesin Coffs Harbour and a sleepover <strong>at</strong> avery special place. It has been a gre<strong>at</strong>term filled with many warm hugs,highlights, insights and love. Fromthe beginning children have asked<strong>to</strong> record the length week by weekof the baby and have been amazedwhen comparing the measurementson their rulers. They’ve laughed eachme <strong>to</strong> think of it as a prune, orange,broccoli or a leuce.They all want <strong>to</strong>feel it move and light up when theydo, it’s wonderful <strong>to</strong> know the lilebaby is very loved.Have a fabulous break and keep warm.Hasta la proximaClaudia xoxClass 5We have started off very well thisyear with our Ancient India main lesson.The children have been keen andhave embraced this epoch with theirusual flare. The class has always enjoyedhis<strong>to</strong>ry/language based mainlessons since I first met them. Theyrevelled in the Old Testament s<strong>to</strong>riesin class 3, vied with the Vikings inclass 4 and this year will have themspoiled roen with the class 5 curriculumwhich focusses on four ancientcultural epochs – Ancient India, Persia,Egypt and Greece. How excing isth<strong>at</strong>? Very excing if you ask me! Ofcourse, I am biased, as I have a passionfor cultural epochs (not <strong>to</strong> men-on a double major in Ancient His<strong>to</strong>ryand Anthropology). Our end of mainlesson excursion <strong>to</strong> the WoolgoolgaSikh Gurdwara (temple) was very special.John Arkan (who you might knowfrom the Bello markets – he sells Indiancurries and samosas near thestage area) and his wife Surinder werevery lovely and very accommodang.John and Surinder spoke about Sikhismand its his<strong>to</strong>ry <strong>to</strong> our spellboundchildren. It was very moving for me


<strong>to</strong> hear John speak about Sikhism’semphasis on honesty, equality, charityand their ideals about healthy livingand healthy community. I thinkthe children were equally moved. Ijudge this from their transfixed andcapv<strong>at</strong>ed n<strong>at</strong>ure in the temple onlymind you as their thank you cards <strong>to</strong>John mostly menon the bueredchicken. Surely it entered in moreways than the mouth but perhaps Iam being overly senmental.Our Indian kirtan performance wasalso a wonderful experience <strong>at</strong>the last assembly. Lucas Dollisson(Class Eight, language and musicteacher) recently returned fromIndia with many saris and other Indianclothing. The children lookedradiant and performed beaufully.Thanks Lucas! And well done ClassFive!We have recently begun our nextmain lesson on decimals and thechildren are unusually (surprisingly?)mov<strong>at</strong>ed. I have experienced a gre<strong>at</strong>deflaon in the past when we havefinished with one cultural epoch andplunged in<strong>to</strong> a m<strong>at</strong>hs based main lesson,but so far their hearts and mindsremain wide open <strong>to</strong> this important<strong>to</strong>pic. I have tried <strong>to</strong> keep the s<strong>to</strong>riesalive (which can be difficult withm<strong>at</strong>hs based MLs) and always refer<strong>to</strong> real life situaons which help <strong>to</strong> inspireand mov<strong>at</strong>e them. I must havestruck a chord with some of our newstudents <strong>to</strong>day as they commentedon how gre<strong>at</strong> the m<strong>at</strong>hs lesson wasand how boring it always was in theirprevious ‘main stream’ st<strong>at</strong>e schools.These are their words, not mine, soth<strong>at</strong> is encouraging. I endeavour <strong>to</strong>connue in this vein.Aer deci-mals we will journey backPage 20in me<strong>to</strong> thefirst settlersofSydneya n dinvestig<strong>at</strong>esomeof Australia’sinland explorers. I lived in the BlueMountains for several years, so I especiallylook forward <strong>to</strong> this his<strong>to</strong>rybased ML. I am also looking forward<strong>to</strong> planning next term’s camp <strong>to</strong> theSydney/Blue mountains area. Have Imenoned th<strong>at</strong> I am excited about allthe his<strong>to</strong>ry in the class 5 curriculum?I will sign off with a big heareltwelcome <strong>to</strong> our three new families– Miraciah (Kiah) and her mum Jessamine,Che and his mum K<strong>at</strong>e, andBella and her Mum and Dad (Dee andNick). Due <strong>to</strong> flooding, <strong>at</strong> this point inthe proceedings we have had neitherour Indian feast nor our class meeting,so we have yet <strong>to</strong> g<strong>at</strong>her as aclass. Hopefully by the me you readthis blurb the situaonwill havebeen recfied.Namaste,SeanThere’s More <strong>to</strong>Educaon thanManufacturing Resultsby Dave RichardsMul-media journalist, writer andAlice Online website edi<strong>to</strong>rThe Australian Principals Associaon(APPA) is right <strong>to</strong> queson the Government’sgrowing obsession withramping up reading, m<strong>at</strong>hs and sciencein the school curriculum.It’s an issue which has special relevance<strong>to</strong> educaon in the NT, but unfortun<strong>at</strong>elyits subtlees seem <strong>to</strong> beeluding policians and educaonalistsalike. Meanwhile, the FederalGovernment is also right <strong>to</strong> beconcerned about poor standardsof literacy, numeracy and scienficcomprehension among schoolchildren.Where the Government seems <strong>to</strong>be going wrong is in its reasoningth<strong>at</strong> the way <strong>to</strong> address theskills deficit is by simply givingkids more reading, m<strong>at</strong>hs and science– and, axiomacally, less ofthe “airy-fairy stuff”. Its simpliscapproach is betrayed by its st<strong>at</strong>edaim for Australia <strong>to</strong> be ranked inthe <strong>to</strong>p five countries based onstudent scores in reading, m<strong>at</strong>hsand science. This approach thre<strong>at</strong>ens<strong>to</strong> cre<strong>at</strong>e a mechanisc, result-orientedmodel of educaon, which mayparadoxically fail <strong>to</strong> produce the kindof high achievers it seeks <strong>to</strong> manufacture(‘manufacture’ being the opera-ve word).Some crics of the much-<strong>to</strong>uted Singaporeeducaon system say th<strong>at</strong> despiteits oen spectacular ‘results’, it


isn’t encouraging the kind of l<strong>at</strong>eral,creave thinking young people need<strong>to</strong> parcip<strong>at</strong>e in an increasingly dynamicglobal culture and economy.Belmont Lay, an edi<strong>to</strong>r of Singapore’sNew Naon, wrote in 2012:“Anybody who has gone through15 <strong>to</strong> 20 years of studies in Singaporewill tell you the same thing.There is an overbearing focus ongrades, and paper qualificaonsare elev<strong>at</strong>ed <strong>to</strong> unholy heights andworshipped.“Students are taught <strong>to</strong> be riskaversein our rigid and conformisteducaon environment. Plenty ofprecious energy and aenon isdiverted <strong>to</strong> praccing answeringquesons correctly.“The school curriculum runs on asyllabus with answers <strong>to</strong> quesonsth<strong>at</strong> are either right or wrong. Andthere is limited upside <strong>to</strong> being <strong>to</strong>ocreave when taking exams.”Of course, the Singapore and Australiancultures are very different, perhaps<strong>to</strong>o different in some senses.You don’t have <strong>to</strong> go <strong>to</strong> the My <strong>School</strong>website <strong>to</strong> see the “results” of Australia’seducaon system; they’re with usin everyday life. Our newspapers andnews websites, notably including thenaonal broadcaster are choc-a-blocnot only with poor and misleadingsentence construcons, but failuresof logic and raonal thought, m<strong>at</strong>hemacalcomprehension and scienficunderstanding.The widespread and uncrical acceptanceof quesonable and oen contradic<strong>to</strong>ryst<strong>at</strong>ements about clim<strong>at</strong>echange by journalists reveals just onedanger of a scienfically illiter<strong>at</strong>e society.Our lack of innovaon in scien-fic discovery and technology is ofcourse another.Meanwhile, a disregard for his<strong>to</strong>ryand his<strong>to</strong>rical facts exacerb<strong>at</strong>es aPage 21dangerous misunderstanding of boththe past and the present.Unfortun<strong>at</strong>ely, some educaonalists’prescripons for the future sounddisturbingly amorphous: “a muchbroader knowledge base; skills suchas creavity, crical thinking, communicaonand collaboraon; character-rel<strong>at</strong>edtraits in both moral andperformance domains; and a metalayerof learning”, is one quoted inThe Australian <strong>to</strong>day from a recentAPPA blog discussion.As an ambit goal, this is a worthy one.The problems arise in how it might beachieved.The primary reason the Australianeducaon system oen fails childrenis th<strong>at</strong> it lacks a true understanding ofthe n<strong>at</strong>ure of the child. Our kids aretre<strong>at</strong>ed as blank sl<strong>at</strong>es on which <strong>to</strong>scribble the l<strong>at</strong>est pedagogy dreamedup by educaonalists who have spentall their lives in educaonal instu-ons themselves. They are oen –but thankfully not always – served byteachers who also lack a perspecveof the world beyond the classroom.My experience as a parent <strong>at</strong> the AliceSprings Steiner <strong>School</strong> showedme th<strong>at</strong> children benefit from a curriculumdesigned from a clear understandingof the n<strong>at</strong>ure of the child asa developing human being with dis-nct cognive, emoonal and physicalneeds <strong>at</strong> each stage of his or herlife.It’s true – <strong>to</strong> paraphrase the Qantasair safety video – th<strong>at</strong> “subtly, everychild is different”. But an educaonbased on a broad understanding ofhow children develop in<strong>to</strong> adults canlay the basis for th<strong>at</strong> “meta-layer oflearning”. On the other hand, rushingchildren prem<strong>at</strong>urely in<strong>to</strong> theabstract thinking th<strong>at</strong> reading andwring requires can undermine theirexperience of the physical world, andall the complex relaonships it involves.Meanwhile the rich oral tradionsth<strong>at</strong> have existed in all cultures sinceme immemorial are disregarded.For example, parents are advised adnauseum<strong>to</strong> read <strong>to</strong> their very youngkids, <strong>at</strong> a me when those childrenplace all their faith and trust in parentsas the all-knowing guardians oftheir physical and emoonal safety.As a young child, my elder son oenimplored me: “Tell me a s<strong>to</strong>ry fromyour own mouth!”Too oen the result of their prem<strong>at</strong>ureintellectualisaon <strong>at</strong> home andschool is anxious children who havelost the ability <strong>to</strong> explore the worldthrough play and their senses, or otherwise‘know-it-alls’, with lile capacityfor imaginaon, make-believe or asense of wonder. It’s a phenomenonth<strong>at</strong> is being exacerb<strong>at</strong>ed by the useof television and computers as “educaonal”child minders.Another significant outcome of aneducaon system th<strong>at</strong> puts ‘art’, ‘scienceand m<strong>at</strong>hs’ and ‘the humanies’in<strong>to</strong> separ<strong>at</strong>e boxes is a society splitin<strong>to</strong> specialist groups, each notablefor its ignorance of the other groups’specialty.Steiner educaon shows clearly howart, music, movement and s<strong>to</strong>ryneed not be separ<strong>at</strong>e elements fromscience and m<strong>at</strong>hemacs, but themeans of culvang a sense of curiosityabout the physical and abstractworlds they encompass. Both educa-onalists and government ought <strong>to</strong> behaving a close look <strong>at</strong> its capacity <strong>to</strong>nurture independence, responsibility,creavity and competence in our children<strong>at</strong> a me when those qualieshave never been more needed.


Class 6-7We welcomed in the new year, with alesson called “ Wish, Wonder andSurprise”. This English main lesson, isa way <strong>to</strong> speak <strong>to</strong> the growingawareness of the inner feelings, th<strong>at</strong>begin <strong>to</strong> bubble up in young peopleof this age. The lesson aempts <strong>to</strong>find a bridge between these feelingsand the outer world, throughexploring novels and poetry. Thestudents also explore and expressthemselves, using figurave languagetechniques, such as simile,metaphor, onom<strong>at</strong>opoeia, alliteraon,rhyme and poetry formssuch as Haiku and Diamante.Wh<strong>at</strong> is the inner mood of a wish,a prayer, a longing? Secret wishesfor oneself or for others, can be expressedin an <strong>at</strong>mosphere of trust andlistening. We play with definions forwonder and wonderful. One is ques-oning and the other an exclamaonof amazement. Through reading andspeaking we discover how much ofpoetry and liter<strong>at</strong>ure is filled with thissense of wonder?Then there are those surpriseevents th<strong>at</strong> break in upon usunexpectedly from the outerworld and take us by surprise.How does th<strong>at</strong> feel?How can we convey inwords, such momentsin language? How haveothers done so beforeus? Dramacally, humorously,regreully?Next we delved in<strong>to</strong> theworld of Algebra. We began<strong>to</strong> work on the basic processesof algebra, by first exploring numberpaerns, using concrete m<strong>at</strong>erialsand then tables. By the end ofthis block period, the students hadexplored and worked with; devising aformula out of a given situaon, usinga substung formula, solvingequaons using any of the 4 opera-ons, solving problems by ‘transl<strong>at</strong>ing’from words in<strong>to</strong> algebra.As I write this Emerge issue, we arePage 22launching in<strong>to</strong> outer space, <strong>to</strong> discoverand learn about our Solar System.Astronomy has been a keen interestand science for human beings forthousands of years. We will discussthe early astronomers and the contribuonsthey have made <strong>to</strong> help us <strong>to</strong>understand more about our own blueplanet and our Solar System and theboundless universe beyond. Studentswill invesg<strong>at</strong>e our star ,…. the Sun,and all the planets th<strong>at</strong> orbit aroundher. We will revisit our understandingof the phases of the moon andhow and why seasons occur, as theearth spins and orbits around thesun. With the arsc support of WillDouglas, the students are drawingsome beauful planet-scapes.We have enjoyed hanging out <strong>at</strong> theHub on Fridays before venturing <strong>to</strong>Sawtell for Surf <strong>School</strong>. The beachis always a fun playground and theyoung surfers have indeed grown incourage and skill.Blessings, C<strong>at</strong>hrynClass Six and Seven PoetryThe green tree frogsChirping away in their pondBring me happinessManukaWh<strong>at</strong> is a key?A key is the entrance <strong>to</strong> the unknownand the unexpected.ManukaDown in the valley,Green is the forest.Out in the open,Quivers the grass.Up in the heavens,Grey are the rainclouds.Sweet is the airQuiet is allNadjaA golden striped fishTail cung through cool w<strong>at</strong>erSwims <strong>to</strong>wards the reef.TallulahEang ice- cream is like e<strong>at</strong>inga bit of heaven.BillWh<strong>at</strong> is a snow flake ?A snow flake is a snowprincess falling from thesky.CocoSilently a frogSits by itself on a branchby the slow riverMonteFireHot, burningcrackling, glowing, warming,smokey, orange, freezing, icey,cold, white, melngcool, w<strong>at</strong>erIceGraceDrawing by Akayrii Class 6 Geometry ML


Class 8As their last year <strong>at</strong> <strong>Chrysalis</strong> begins,the Class 8 students involvethemselves in the many acviesand learning experiences preparedand organised by myself, Danielleand the school. The richness of thecurriculum meets the 14 year old…They tend <strong>to</strong> be realisc and objec-ve in their judgements. They canlook <strong>at</strong> two sides of issues.They like <strong>to</strong> reason andare capable of independentthinking. These skillsare sharpened in class deb<strong>at</strong>es/discussionsand inlooking objecvely <strong>at</strong> otherpeople’s way of thinking. Itis also a me of idealism. Itis important <strong>to</strong> encouragethese teenagers <strong>to</strong> valuetheir own individuality andgis. The Class 8 projec<strong>to</strong>ffers an opportunity forthem <strong>to</strong> discover th<strong>at</strong> thereare striving adults (parents,teachers, men<strong>to</strong>rs) around them <strong>to</strong>inspire and support them.Page 23The main problem facing the 14 yearold is their urgency <strong>to</strong> push boundaries,through their exuberance, oenfinding them in a tangle and confusion.They want <strong>to</strong> include <strong>to</strong>o muchin their thinking and in their doingand get swamped by it all…They need<strong>to</strong> be checked and planned with. Thisis part of wh<strong>at</strong> we do in supporngthe Class 8 student. With the rightamount of humour and energy, workingwith this age group can be a joy.The main lessons this term have beenbrought <strong>to</strong> the students with this inmind. The richness of the Renaissanceperiod (renaissance means‘rebirth’ in the French language) focusedon the quesoning of power,the re-discovery of classical knowledgeand art forms, and the birth ofhumanism. This is an empoweringmain lesson where students furtherappreci<strong>at</strong>e the power of knowledge,art and humanity.The Shakespeare main lesson stepsdirectly out of the Renaissance andfocuses in on the English language,the power of words, and the legacyof Shakespeare’s arsc and linguis-c genius.“All the world’s a stage,And all the men and womenmerely players:They have their exits andtheir entrances;And one man in his meplays many parts,”As You Like It Act 2 sc.7There is a focus onculture and performingarts in generalin this main lesson,which is basedaround Romeo andJuliet, where studentsengage withthe words and conten<strong>to</strong>f the playthrough various dramacacvies. Itis the perfect mefor students <strong>to</strong> really come <strong>to</strong>appreci<strong>at</strong>e the power of theirown words and their effects onothers, <strong>to</strong> employ words wiselyand responsibly, and also <strong>to</strong> listenfor the meaning in others’words.Wh<strong>at</strong> follows is A medley ofwords by class 8 students reflecngon their recent ShakespeareCamp <strong>to</strong> Sydney and Gloucester.Day 1This camp was the Shakespeare camp.It was an amazing experience, full oflaughs and I enjoyed it very much.We drove <strong>to</strong> Sydney. The bus trip feltlike w<strong>at</strong>ching a long endless coal traingo past for hours on end, but we gotthere. Strangely enough, thebus trips of our camps alwaysseem <strong>to</strong> be fun. I heard the sohum of ch<strong>at</strong> shi around thebus.I read for a bit and tried <strong>to</strong>go <strong>to</strong> sleep. Th<strong>at</strong> didn’t work,so I dried off in<strong>to</strong> the land ofdaydreams. It was interesng<strong>to</strong> see how the floods affectedother <strong>to</strong>wns and cies on thebus trip.We were staying in a scoutcentre which was situ<strong>at</strong>ed next<strong>to</strong> a forest on a hill. For somereason I always choose the<strong>to</strong>p bunk, which is unfortun<strong>at</strong>e becausethen when you finish readingyou have nowhere <strong>to</strong> put your bookwhich means th<strong>at</strong> you have <strong>to</strong> sleepwith it under your pillow and th<strong>at</strong> isnot hugely comfortable.We put our nice clothes on, nicejackets th<strong>at</strong> the boys wore and nice


dresses th<strong>at</strong> the girls had broughtwith them. It was cool, seeing us alldressed up fancy for the Sydney OperaHouse. We caught the train <strong>to</strong>the city. We arrived early and decided<strong>to</strong> take a leisurely walk aroundthe Opera House. It reminded me ofa very large and abstract polar bear.Up the steps we went, everyone mesmerisedby the sheer beauty of theOpera House. We walked through theOpera House and in<strong>to</strong> door fourteen,where ‘The Reef’ was playing. Thisbeing the first me th<strong>at</strong> I’ve been, itlooked very rich inside and must havecost a fortune <strong>to</strong> get all of us in there.I loved how there’s this one part <strong>at</strong>the back of the building looking ou<strong>to</strong>n the harbour, where the floors arecovered in bright purple carpet, theroyal kind; its dark but bright.The teacher asked us if we needed<strong>to</strong> go <strong>to</strong> the <strong>to</strong>ilet and when I gotin and finished my business, it <strong>to</strong>okme ages <strong>to</strong> work the tap <strong>at</strong> the sink.There were lile tap handle lookingthings th<strong>at</strong> I thought would turn onthe tap so I turned it round and inthe endI ended up pulling the thingoff. Anyhow this guy came out andsaw th<strong>at</strong> I was trying <strong>to</strong> put it back onand <strong>to</strong>ld me it was a soap thing and ithad a sensor thing th<strong>at</strong> au<strong>to</strong>macallyturned on the tap.We filed in<strong>to</strong> our se<strong>at</strong>s and waited, asthe sound of other people’s conversaonsfaded, the lights dimmed andthe show started.The musicians cameout and the conduc<strong>to</strong>r gave a lilespeech and then they started playing.The performance was the AustralianChamber Orchestra playing music <strong>to</strong>a film called “The Reef”. The musicwas really good, had beauful harmonies,and deep bass. The orchestrawas amazing, there were violins,cellos, violas, guitars, didgeridoos,drums and during one point, some ofthe strings players began <strong>to</strong> play wineglasses with their bows. I think thescreen in the background was a goodidea, it gave a s<strong>to</strong>ry <strong>to</strong> the music. Thefilm was a group of people out in thedesert on a surfing trip. My favouritepart of the film was when they wouldgo under a breaking wave, even forPage 24me, just sing there, it felt magical.There was one part of the film wherefor about half an hour all it showedwas a very slowly moving scene of thedesert. During this not so interesngpart of the film I s<strong>to</strong>pped w<strong>at</strong>chingthe film and focused my aenonon the musicians. I mainly focusedon the violinists, I don’t know why,but they were amazing. The speed inwhich they moved their fingers andthe way they moved their bows withsuch grace but with also such force, itwas just wonderful.Day 2We woke the next morning as quickas a sloth on sleeping gas. I mayhave menoned before th<strong>at</strong> I detestwaking up early, I put 7:30 under thec<strong>at</strong>egory of early. Whoever inventedwaking up early I shall add <strong>to</strong> my lis<strong>to</strong>f people I very strongly dislike, theycan go underne<strong>at</strong>h Pythagoras andthe person who invented shoes.Aer we had got all ready we startedwalking <strong>to</strong> the train staon, the trainride was as busy as a city street andso was the staon we got off <strong>at</strong>. I likewalking around cies, but somemesit is kind of overwhelming. There areso many things <strong>to</strong> see, hear, smell.The noise always seems <strong>to</strong> be a constantbabble of cars, buses, voices,traffic lights and somemes music.The smells are always changing, fromrunning w<strong>at</strong>er from the park fountains,<strong>to</strong> cigaree smoke, <strong>to</strong> countlessdifferent types of food, <strong>to</strong> warmgrass in the parks, <strong>to</strong> salty sea air inthe quay, and lots of exhaust fumes.Once we had got <strong>to</strong> the main par<strong>to</strong>f Sydney we walked <strong>to</strong> Hyde Parkwhere we had some lunch and aplay around, it was really fun walkingaround in the Archibald fountain.Afterth<strong>at</strong> we walked <strong>to</strong> Art Express.Art Express is an exhibion of art doneby the Year 12 students for their HSCin Visual Art. At first when I walkedin<strong>to</strong> the room I was amazed <strong>at</strong> howmany people were there but thenonce I started looking <strong>at</strong> the art th<strong>at</strong>didn’t even maer. The exhibionwas absolutely amazing! It’s crazyhow good all the art there was! I was<strong>to</strong>uched by numerous art works,but my favourites were a stack ofbooks with a small semi-circle ofleers th<strong>at</strong> also dripped down thefront, a collage with a small boyplaying with his airplane on the<strong>to</strong>p and another kind of collagebased around the images of birds.All the artworks were filled withdetail th<strong>at</strong> felt like it would breakif you stared <strong>to</strong>o long. Aer the artgallery we went off in three lilegroups, one for each teacher/helper, and had <strong>to</strong> navig<strong>at</strong>e ourselvesback <strong>to</strong> the wharf where weneed <strong>to</strong> get our next ferry.The next thing on our agenda was <strong>to</strong><strong>to</strong>ur the marime museum. All thebo<strong>at</strong>s <strong>at</strong> our desnaon looked likebig clumpy metal things th<strong>at</strong> lookedas if they could sink <strong>at</strong> any moment.We <strong>to</strong>ured the submarine, it was oldand filled with lots of buons. I smelt,felt and saw dust.Aer the marime experience wewalked <strong>to</strong> an awesome park near Chin<strong>at</strong>ownwhere we ran around and hadheaps of fun. I <strong>to</strong>ok the first swing.They were good swings and went superhigh, my feet were free! Aer theswing there was a big steep slide andone of those flying foxes th<strong>at</strong> you si<strong>to</strong>n. Aer the fun of the kids’ playgroundwe went and s<strong>at</strong> on the grassand did some geography. Aer geographyand super fun playgrounds wewent <strong>to</strong> Chin<strong>at</strong>own for dinner.Walking through Chin<strong>at</strong>own wasa visual overload. Everywhere Ilooked were explosions of colour inthe shop windows and the people’sclothes. The jewellery shops were


especially striking: row upon row ofdazzling sparkly objects th<strong>at</strong> seem <strong>to</strong>shout with their sheer blindingness.I’ve never been <strong>to</strong> a food court so Ithought it looked prey cool. I walkedonce around the food court trying <strong>to</strong>decide wh<strong>at</strong> <strong>to</strong> get, I did another circuitand another, it <strong>to</strong>ok me forever<strong>to</strong> decide. I had people telling mewh<strong>at</strong> their menu had <strong>to</strong> offer fromevery direcon. I found it a bit awkwardsaying “No thanks.” In the endI seled with a nice miso soup withrice and s<strong>at</strong>ay pork and some salad,th<strong>at</strong> tasted good, it was a sweetenedsauce th<strong>at</strong> they put on the pork Ithink <strong>to</strong> balance out the rice and thespice th<strong>at</strong> they put in the sauce. Afterdinner I was full but not as full assome of the others in the class.The we<strong>at</strong>her during this me wasmoody. It was a hot summer’s dayone moment, then it was a prepara-on for a s<strong>to</strong>rm.Day 3We woke up <strong>at</strong> a more reasonablehour th<strong>at</strong> day. Aerbreakfast we loaded themini buses then we hadthe liberty <strong>to</strong> explore thescout centre bush tracks.Th<strong>at</strong>’s when we went feral!Running around likemad chasing each other,we ran around the bushlike there was no <strong>to</strong>morrow.We split up and mygroup decided <strong>to</strong> sneakaround try <strong>to</strong> find anyother group. We felt reallysneaky, like we werea tribe hunng down ourprey. Somehow the othergroups knew wh<strong>at</strong> we were up <strong>to</strong> andstayed hidden from us. Our secretcall was kakakakaraaaaaaaww, in theend, they figured th<strong>at</strong> one out <strong>to</strong>o.We didn’t c<strong>at</strong>ch any other group, butin a way it was good because if wedid c<strong>at</strong>ch another group, we wouldn’tknow wh<strong>at</strong> <strong>to</strong> do.We then did some stuff on our mainlesson, acng out parts of the Romeoand Juliet Play, a very funny sight beingMinty’s act with herself playingboth parts.Very amusing.We piled back in<strong>to</strong> the bus andPage 25headed <strong>to</strong> Gloucester. We arrived<strong>at</strong> a farmstead where we stayed thenight. We ran around unl the sunwas low in the sky before headingback for shelter. Aer we <strong>at</strong>e weseled down <strong>to</strong> do some more mainlesson , which included some hilariousexercises which made us all havethe giggles. Then it was me for bedand Lucas sung us a Romeo and Julietsong th<strong>at</strong> was really nice and I fellasleep instantly.Day 4Aer packing up, we were on our way<strong>to</strong> see one of the main events of ourtrip, Romeo and Juliet.I got a bit of a surprise because Ithought it was going <strong>to</strong> be set in theme Shakespeare wrote the play,but instead on the stage were somecamping chairs and a barbeque. Thenwhen the ac<strong>to</strong>rs came on stage, theywere just wearing prey casual modernclothes. It was set in Australia,but they spoke all the original linesof the play. Another thing I wasn’texpecng was th<strong>at</strong> the ac<strong>to</strong>rs wereyoung people; I thought they weregoing <strong>to</strong> be older. I thought the fightingscenes were done very well andthe whole play was very dramac. Iespecially liked Mercuo . He had excellentstage presence and was veryentertaining.Overall I thought it wasincredible!So now it was me <strong>to</strong> head home. Ihad a lot of fun on this camp. I arrivedhome with a whole lot of newexperiences and memories th<strong>at</strong> I’llnever forget. (Class 8 students, compiledby Lucas)As we head in<strong>to</strong> the last few weeks ofterm 1 the students, the last main lessonwill be learning about their physicalstructure through the study ofthe bones and muscles of the body.They will mould skulls and bones withclay and learn all about their growingbodies through the human skele<strong>to</strong>n.The full curriculum we offer is completedwith the music program, creavearts program, French and ITlessons and the wonderful Friday afternoonsurf school.Warmly,Lucas and Danielle<strong>Support</strong> <strong>Learning</strong> <strong>at</strong><strong>Chrysalis</strong>The second Naonal Steiner <strong>Support</strong><strong>Learning</strong> Conference was held <strong>at</strong> thebeginning of March <strong>at</strong> Cape Byron<strong>School</strong> and Jacqui Dutson (<strong>Learning</strong><strong>Support</strong> Teacher), Alison Scheef(Extra Lesson Specialist) and JamesDeeolt (Class 1 Teacher) aendedthis wonderful event.Meeng with inspiring,passion<strong>at</strong>e and dedic<strong>at</strong>edprofessionals who sharea strong relaonship withthe area of learning supportwithin a Steinerpedagogy was indeed anoverwhelmingly beneficialexperience. This was anexcellent opportunity <strong>to</strong>meet other professionals,sharing their experiencesand insights and a chance<strong>to</strong> work collaboravely <strong>to</strong>wardfuture iniaves.An underlying theme through theconference was how we as educ<strong>at</strong>orshelp children in engaging their willforces. In very simple terms, withoutmovaon and inspiraon, learningwill not be meaningful, relevantand enjoyable. Children want <strong>to</strong> seein us a role model for the constantlyquesoning, invesgang, learningand changing human being whichwe were cre<strong>at</strong>ed <strong>to</strong> be in the world.We need <strong>to</strong> be enthusiasc, flexiblein our thinking and have a sense of


humour. Of course there is so muchmore ......It is essenal th<strong>at</strong> we make our educaoninclusive of all children rightfrom the beginning. The dedicaon <strong>to</strong>one single child carries such a desnyth<strong>at</strong> it needs the intense aenon ofa carefully considered group of adultsin the school and home environment.At school this would include <strong>Learning</strong><strong>Support</strong>, Extra Lesson and the Collegeof Teachers (in Child Study). Theremay also be other professionals involvedsuch as Occupaonal Therapists,Speech Therapists, EducaonalPsychologists, Osteop<strong>at</strong>hs etc. Mostimportantly there is the play and workwith peers and groups in and out ofthe classroom and of course the rela-onship with the class teacher.As educ<strong>at</strong>ors we are mindful of theneed <strong>to</strong> crically and construcvelyreview and reflect upon how we canbest meet the needs of children – individuallyand inclusively.We need <strong>to</strong>:Keep looking deeper within thechild (much more than he/sheshows on the surface).Look <strong>at</strong> different perspecves,taking risks, new adventures andworking <strong>to</strong> solve the puzzle of thechild.Keep looking <strong>at</strong> ways of removingobstacles and hindrances <strong>to</strong> thechild.Keep searching for ways of modifyingthe Main Lesson and teaching/learning str<strong>at</strong>egies <strong>to</strong> beer accommod<strong>at</strong>ethe needs of childrenwith addional needs.Everyone needs <strong>to</strong> work <strong>to</strong>gether forthe good of the child as by workingcollaboravely with teachers, <strong>Learning</strong><strong>Support</strong> teachers, <strong>Learning</strong> <strong>Support</strong>aides, Extra Lesson specialist,external professionals (OT, Speechetc) and of course parents, who knowtheir child beer than anyone, wecan help them grow and develop asunique, purposeful and confidenthuman beings in our ever changingworld.You will be hearing more about theways in which we are working <strong>to</strong>develop our support structures par-Page 26cularly in relaon <strong>to</strong> Individual EducaonalPrograms for children withaddional needs as well as for giedand talented children.Jacqui Dutson, <strong>Learning</strong> <strong>Support</strong>Teacher <strong>at</strong> <strong>Chrysalis</strong>. March 2013In the Garden with JaneGardening with Classes 3, 6/7 and 8The first term is an interesng one inthe garden th<strong>at</strong> begins full of possibilityand plans, in the scky warmthof summer. We generally begin in theclassroom as the days are <strong>to</strong>o hotand the gardens sll wild from thesummer growth. This term as thedays have cooled we have had ourplans changed by Mother N<strong>at</strong>ure asthe force of the river carved her p<strong>at</strong>hthrough the valley. Now in Week 7, asI write this on the Autumn Equinox,on the eve of the Autumn Fesval,the day and night are <strong>to</strong>day of equallength, and from now the nights willbecome longer as we head <strong>to</strong>wardsthe Winter Solsce.Now is the me for garlic planng-Class 6/7 have been learning aboutthe requirements of garlic, a popularand hardy crop <strong>to</strong> grow in theseparts. In the next weeks we plan <strong>to</strong>plant a crop in the garden just outsidethe classroom. Also, on the boilis learning about the rehabilitaon ofthe gully areas. Wh<strong>at</strong> is nave? Wh<strong>at</strong>are weeds? We will be planng someseedlings soon <strong>to</strong> add <strong>to</strong> other plantingsth<strong>at</strong> have been done by previousclasses.Class 8 have been learning soil formaonand compost, with the culminaonbeing the creaon of a BiodynamicCompost. We plan <strong>to</strong> collectsome manure locally and make ourown rich soil.Class 3 have been amazing gardenersthis term. With the support of Allieand also K<strong>at</strong>e, I am able <strong>to</strong> workwith smaller groups learning aboutgrowing from seed, green manurecrops and mulching. We have two differentgarden areas th<strong>at</strong> will be fullof lile plants growing by the end ofterm, parcularly our winter crops ofbeans, beetroot, cucumber and carrots,YUM!Happy Equinox and Autumn planng!Jane NoackEnvironmental Science TeacherMusic and the Evoluonof ConciousnessThis research paper has been reprintedwith permission from Liam W<strong>at</strong>erford,Gradu<strong>at</strong>e Cerfic<strong>at</strong>e in Steiner Educa-on, University of Canberra.“Th<strong>at</strong> which is Below corresponds<strong>to</strong> th<strong>at</strong> which is Above, and th<strong>at</strong>which is Above corresponds <strong>to</strong> th<strong>at</strong>which is Below, <strong>to</strong> accomplish themiracle of the One Thing”from The Emerald Table<strong>to</strong>f Hermes Trismegistus“How does the ‘evoluon of consciousness’inform and enrich acurriculum area in which you work?From the dream-like picture,through fully conscious abstrac-on <strong>to</strong> an equally fully consciousimaginaon: this is the evoluonarycourse of human thinking.”(Rudolf Steiner citedin Childs, 1996)The developing consciousness of ahuman being is a delic<strong>at</strong>e and wonderfulthing <strong>to</strong> experience. As aneduc<strong>at</strong>or it is of primary importanceth<strong>at</strong> its development be unders<strong>to</strong>od


correctly so th<strong>at</strong> it can develophealthily and allow a true expressionof freedom for the individual. With <strong>at</strong>rue understanding of the developingconsciousness comes a curriculumth<strong>at</strong> meets children where they are.Within th<strong>at</strong> curriculum, each year,each subject and so on down <strong>to</strong> eachday and each lesson, views the growinghuman being as a child of the cosmosand allows them, ulm<strong>at</strong>ely asfree individuals, <strong>to</strong> fully parcip<strong>at</strong>e inHumanity’s evoluon, as well as theEarth’s.Underpinning the ‘Curriculum’ forSteiner schools is the idea of the‘Evoluon of Consciousness’ and‘Recapitulaon’ (Mazzone & Laing,2010). These ideas show th<strong>at</strong> the developmen<strong>to</strong>f a single lifeparallels the developmen<strong>to</strong>f the species, th<strong>at</strong> certainphases in a life-me meethis<strong>to</strong>rical phases (Mazzone& Laing, 2010). Steinerthought “th<strong>at</strong> children inthe west advance physically,intellectually and spirituallyin ways th<strong>at</strong> roughlyparallel the evoluon ofWestern sociees (Mazzone& Laing, 2010, p. 87).”This evoluon starts witha collecve spiritual consciousnessth<strong>at</strong> gradually evolves in<strong>to</strong>a consciousness of individual separ<strong>at</strong>eness(Mazzone & Laing, 2010).This loss of group spiritual consciousnessallows for a new kind of thinking<strong>to</strong> develop. As human beings“we carry within us the work th<strong>at</strong> hasgone in<strong>to</strong> the whole past evoluonof the world, upon which countlessgeneraons of the spirit have worked(Steiner, as cited in Mazzone & Laing,2010, p. 88).” This cosmic lawof recapitulaon then has two majorimplicaons for educaon: wh<strong>at</strong> isneeded <strong>to</strong> help this recapitulaon/development? And wh<strong>at</strong> is newly developingfor future evoluons of theEarth?Within the three gre<strong>at</strong> cosmic cyclesof Old S<strong>at</strong>urn, Old Sun and Old Moon,Body, Soul and Spirit were being developed,along with the higher Spirit-Page 27Human, Life-Spirit and Spirit-Self (Debusschere,1997). The current Earthevoluon unites these two separ<strong>at</strong>eparts of the human being <strong>to</strong>gether,and a central task of this Earth incarnaonis <strong>to</strong> develop love (Debusschere,1997). Now, within the consciousnesssoul age (the 5th epochwithin the 5th Gre<strong>at</strong> epoch of theEarth incarnaon – which is beaufullyjust past half way – the Christimpulse), the tasks are <strong>to</strong> gain a new<strong>at</strong>ude <strong>to</strong>wards the m<strong>at</strong>erial worldalongside a conscious knowledgeof the spiritual world; <strong>to</strong> be able <strong>to</strong>reconnect with the spirit as an individualconsciousness without losinga connecon <strong>to</strong> the m<strong>at</strong>erial world(Debusschere, 1997).The Waldorf Curriculum tries <strong>to</strong> helpchildren as they move from ‘spiritualone-ness’ and incarn<strong>at</strong>e <strong>to</strong> an ‘earthlyalone-ness’ by giving them innerexperiences with appropri<strong>at</strong>e imagesand content (Mazzone & Laing,2010). The child’s developing needsand consciousness guide the curriculumchoice of different ages. Thes<strong>to</strong>ries and content are an encapsulaonof the changing consciousnessof humanity and meet the child in itsown developmental p<strong>at</strong>h <strong>to</strong>wards becominga free individual (Mazzone &Laing, 2010). Music has a special part<strong>to</strong> play in this development.Music is experienced as a whole humanbeing, which inspires one <strong>to</strong> experiencethe musical essence of theworld itself in a living way (Steiner,2000[1919]). Music, as opposed <strong>to</strong>sculpture and painng, is creave, itcre<strong>at</strong>es something new r<strong>at</strong>her thanimitang the cosmic celesal orderand out of these creaons, out of thisact of creang, the Jupiter, Venus andVulcan evoluons of the world willarise (Steiner, 2000[1919]). “Throughmusic we rescue in some way wh<strong>at</strong>sll has <strong>to</strong> transpire; we rescue it ou<strong>to</strong>f the present nullity of its existenceand give it life (Steiner, 2000[1919], p.45).” If the task of the ConsciousnessSoul Age is <strong>to</strong> “gain a new <strong>at</strong>ude <strong>to</strong>wardsthe m<strong>at</strong>erial world and <strong>to</strong> gainconscious knowledge of the spiritualworld (Debusschere, 1997, p. 72)”then this must surely begin throughmusic!Musical hearing must be perceived asa gesture which points one<strong>to</strong> one’s innermost being,one’s spiritual centre, this isthe only place music can live(Ruland, 1992). In ancientAtlans the experience ofthe seventh was the essen-al musical experience. Thisexperience transported humanbeings, it made themfeel free of their earthboundexistence: it could have beensaid – “I experience music – Ifeel myself in the spiritualworld” (Steiner, 1983). However,as the human being wanted <strong>to</strong>incarn<strong>at</strong>e more deeply, this becamea painful experience and human beingsbegan <strong>to</strong> find the experience ofthe fih more pleasant. This slowlybecame a pleasurable experiencewhere the human being could say:“The angel in my being is beginning <strong>to</strong>play music, the Muse in me speaks”(Steiner, 1983). This came about inthe early post-Atlantean epochs.Today’s experience of the third beganin the fourth post-Atlantean epoch,and is sll in process (Steiner, 1983).It began <strong>at</strong> the same me as humanbeings began <strong>to</strong> feel music in rela-on <strong>to</strong> their own physical organism,when they felt as an earthly beingfor the first me when playing music(Steiner, 1983). This is the transi-on from “It sings in me” <strong>to</strong> “I sing”(Rawson & Richter, 2000). “[T]he fih


corresponds <strong>to</strong> an imaginaon whilethe third corresponds <strong>to</strong> a perceponwithin man’s being. This is the transi-on of the musical element from themore spiritual age <strong>to</strong> the l<strong>at</strong>er m<strong>at</strong>erialiscage (Steiner, 1983, p. 74).”This gradual fading of the spirit allowsphysical replicas <strong>to</strong> be fashionedin<strong>to</strong> the spaces th<strong>at</strong> remained. Thesespaces became the instruments(Steiner, 1983). These instrumentsshow th<strong>at</strong> one experiences music as awhole human being: the wind instrumentsfor the head; the string instrumentsfor the chest; and the percussionfor the limbs (Steiner, 1983).These brief understandings can giveindicaons for musical instrucon inthe classroom on a curriculum level,as well as an individual level: The‘mood of the fih’ before the ageof nine; the introducon of nota-on; when <strong>to</strong> introduce instrumentsand which ones; the developmen<strong>to</strong>f melody and harmony and so on.This is all incredibly important whenone is faced with the guiding of adeveloping human being (who isrecapitulang the evoluon of consciousness)through the musical element.It shows fundamental trendswhich need <strong>to</strong> be acknowledged, inmusical teaching, musical aims, musicalinstrucon, musical aesthecsetc. As the pain of incarnaon becomesgre<strong>at</strong>er, and the connecon<strong>to</strong> the spirit more distant, music willplay a part in allowing the individualthe freedom <strong>to</strong> take up their desny,and work <strong>to</strong>wards the evoluon ofmankind and the world. However,the depth of this <strong>to</strong>pic cannot be expressedin full here; it will need <strong>to</strong> berecapitul<strong>at</strong>ed <strong>at</strong> a l<strong>at</strong>er d<strong>at</strong>e!Page 28Chris<strong>to</strong>pher Clouder andthe European CouncilSteiner/WaldorfEducaonThis arcle was presented by TraceyPuckeridge, CEO of Steiner Educa-on Australia <strong>to</strong> the SEA deleg<strong>at</strong>esmeeng in 2011.Being a teacher demands so much ofus, emoonally, spiritually and physically.Chris<strong>to</strong>pher has been a Waldorfteacher for 25 years in Europe andEngland. In his work <strong>at</strong> the momenthe has two roles. He is in charge ofthe European Council for Steiner/Waldorf Educaon which he foundedsome 20 years ago. It is a gre<strong>at</strong> challenge<strong>to</strong> work with 27 separ<strong>at</strong>e culturesand many languages. Respectingthe richness and diversity of eachculture is valuable, as is reaching outand finding our common humanity,respecng the difference and findingoneness. It’s easy enough <strong>to</strong> think it,but more difficult <strong>to</strong> do it. We all dothings differently and th<strong>at</strong>’s wheremiscomprehension and misunderstandingsarise.Chris<strong>to</strong>pher’s second role is his workwith the Bon Foundaon; a Foundaonconnected <strong>to</strong> a Spanish bank.His work is Waldorf inspired, butalso brings Chris<strong>to</strong>pher in <strong>to</strong>uch withmany other educ<strong>at</strong>ors around theworld. Somemes in our schools weare so busy th<strong>at</strong> we lose focus withthe outside world. Steiner’s originalvision was th<strong>at</strong> we have <strong>to</strong> take responsibilitybeyond our classroomand beyond our school. Our schoolsare the incarnaon of th<strong>at</strong> impulsebut not the only ones. There are otherswith a deep spiritual wish <strong>to</strong> servechildhood with love, care and respectfor wh<strong>at</strong> the child brings <strong>to</strong> earth withthem. This doesn’t dilute our work,but strengthens and deepens ourwork if we reach out <strong>to</strong> the world andget others <strong>to</strong> help us.Chris<strong>to</strong>pher is currently in Australiaresearching Social and Emoonal Educaon.The first volume, “Social andEmoonal Educaon: An InternaonalAnalysis” has chapters from the UK,Sweden, The Netherlands, Spain, USAand Germany. The second volume hasan Australian chapter wrien by JenniferGidley on social and emoonalwork for educaon in the future, aswell as reports from Finland, Canada,Portugal and Singapore. This will beavailable in Oc<strong>to</strong>ber.Wh<strong>at</strong> will be the key concepts wherewe can change policy <strong>to</strong> work for thewell being of children so th<strong>at</strong> they arenot solely there as economic cizensof the world? The key word is “creavity”.So a third area of work is Creavity.They have asked Chris<strong>to</strong>pher<strong>to</strong> explore this, research and bringpeople <strong>to</strong>gether who can extendand inspire this work in the classroom.Anne Bamford, an Australianresearcher is one of those helpingChris<strong>to</strong>pher in this work.An example of others working alongsideus is Chris<strong>to</strong>pher’s visit <strong>to</strong> DebdenPrimary <strong>School</strong> in Melbourne.This is a small school teaching mainlyrefugee children. Funded and organisedby The Songroom, they place 200teaching arsts in schools throughoutAustralia. Chris<strong>to</strong>pher saw a celloteacher in Melbourne working in suchan inspired way with traumasedimmigrant children. Her gestures,wh<strong>at</strong> she exuded in the classroom,showed someone working out oflove. Although she was not a “Steinertrained” teacher, she was working ina loving and creave way.In the Australian survey they foundmuch work is being done on socialand emoonal educaon for children.There was a shock in the 90’s whenresearch showed how prevalent suicide,drug abuse and teenage mentalhealth issues were. Many wonderfuliniaves arose. In the MelbourneDeclaraon on Educaonal Goals forYoung Australians, creave and socialaspects are now included. It is mutuallyfruiul <strong>to</strong> share insights with eachother from those outside the Waldorfworld. Chris<strong>to</strong>pher stands betweenthese two worlds.The salvaon of the human worldlies nowhere else than in the humanheart, in the human power <strong>to</strong>reflect, in human meekness and humanresponsibility.Vaclav HavelA sense of humility is very important.We have <strong>to</strong> go in<strong>to</strong> the world<strong>to</strong> learn, not just <strong>to</strong> teach. In globaleducaon the shi has changed fromteaching <strong>to</strong> learning. There needs <strong>to</strong>be a balance. We have <strong>to</strong> be life longlearners. Steiner educ<strong>at</strong>ors can learn


alongside others. We somemes shu<strong>to</strong>thers out. How others perceive us isimportant. Eg. parents oen say “I amjust a parent.” Parents are important.Aending non-Steiner conferencesis also important. It opens your eyes<strong>to</strong> a completely different dimension.We talk all the me about the evolu-on of consciousness – this meansconstant metamorphosis and changethroughout the epochs. But our communiesand ourselves evolve <strong>to</strong>oand we must remember this. Evolu-on means change. Why are so manyWaldorf schools restructuring themselves?Why is this happening acrossthe world in over 1000 schools? Chris<strong>to</strong>pherbelieves the evoluon processhas sped up. Humanity is changingand this is impacng on childhood.Children <strong>to</strong>day are certainly not thechildren <strong>at</strong> the beginning of the 20thcentury anymore.Quote: It is our task <strong>to</strong> let the futurework in us.The future rays in on us and works inus as rebellion. Hellenism and Romanismare rife in the educaon system.We have <strong>to</strong> be conscious of the oldsoul forces of the past and not holdon <strong>to</strong> them. The consciousness soulrealm means we have <strong>to</strong> let the oldthings go, but this can leave us lonely,alien<strong>at</strong>ed and in constant struggle.We have <strong>to</strong> struggle with our problemsin order <strong>to</strong> move forward andthe way of the future is through love.Many educaon policies are basedon “banking” educaon – economicraonale which takes away the dignityof being human. Outcomes aredefined <strong>to</strong> cre<strong>at</strong>e producve cizens.Educ<strong>at</strong>ors have <strong>to</strong> ask quesons. Inasking quesons, we cre<strong>at</strong>e problemsbecause the same quesons <strong>at</strong> differentmes in our lives obtain differentanswers. Networks and relaonshipsare constantly changing, which is whyeach school is so different, regardlessof structure. We are being taken <strong>to</strong>the edge of our capacies.Waldorf schools are full of fear of anAhrimanic aack – teachers oen feelinadequ<strong>at</strong>e – how can they be super-Page 29human? There is insecurity in ourmovement and rightly so, becauseth<strong>at</strong> is an example of the consciousnesssoul. Taking risks in uncertaintyfinds creavity and the light in thedarkness.The Edge of Doubt -There is always th<strong>at</strong> edge of doubt.Trust it, th<strong>at</strong>’s where the new thingscome from.If you can’t live with it, get out, becausewhen it is gone you’re onAu<strong>to</strong>mac, repeang somethingyou’ve learned.Let your prayer be:Save me from th<strong>at</strong> tempng certaintyth<strong>at</strong> leads me back from the edge,Th<strong>at</strong> dark edge where the first lightbreaks…Albert HuffscklerThe future is accelerang in<strong>to</strong> ourwork. It’s the children th<strong>at</strong> bring it <strong>to</strong>us and teachers need <strong>to</strong> find the courage<strong>to</strong> connue their work and notlose their inial inspiraon. Wh<strong>at</strong> isit th<strong>at</strong> drives us <strong>to</strong> “do good” in theworld? Our vision of the future is oneof the main influences of wh<strong>at</strong> inspiresus in the present. Our imagina-on of the future is always there asthe basis of our judgement of wh<strong>at</strong>we do here and now. Wh<strong>at</strong> is living inthe original spiritual seed in a schoolcan go on for generaons and rel<strong>at</strong>es<strong>to</strong> the vision of the future th<strong>at</strong> wasmade in the past when the schoolfirst started. This can affect the schoolon many levels for years.Wh<strong>at</strong> do the children of <strong>to</strong>day ask ofus? Children don’t let us stagn<strong>at</strong>e. Weare facing in the world global destruc-on of the old ways, which is why everygovernment is bringing in somethingnew. There is exhauson in theteaching profession. Many demandsare being made of teachers. However,this is also good, because governmentsrealise they have not gotit right and so they are copying eachother and exchanging ideas. They areall looking for something excellent.This gives us an opportunity <strong>to</strong> shareour work and have an influence in theworld.How can the Australian Steiner CurriculumFramework be used, not justfor ourselves, but for others? Weare living in the moment and always“becoming” Waldorf teachers andso schools are “becoming” Waldorfschools. This is the joy, we are exploringnew terri<strong>to</strong>ry and experiences.Th<strong>at</strong> is the work of the evoluon ofconsciousness. 1989 was a significantyear – convenons of the rights of thechild arose. It showed a new changeof <strong>at</strong>ude <strong>to</strong> children. Children <strong>to</strong>dayhave a voice, which manifests itselfin many different ways; gestures, behaviours,feelings. Teachers engagein child study and deep observaon<strong>to</strong> further understand them. Waldorfteachers have a contribuon <strong>to</strong> make<strong>to</strong> the educaonal deb<strong>at</strong>e as we understandthe child is incarnang fromthe spiritual world.Trends Shaping Educaon 2010 OECDThis research st<strong>at</strong>es th<strong>at</strong> childrenwith gre<strong>at</strong>er cultural resources willbenefit more.If you are rich and affluent, you can’tignore the rest of the world as you arein the world. People need <strong>to</strong> respondgenerously <strong>to</strong> each other whereverthe needs arise. Greed and unfairnessis not the way for a future society.(Professor Wilkinson)Emp<strong>at</strong>hy is a basic human characterisc;babies are born with emp<strong>at</strong>hy.Wh<strong>at</strong> is so important <strong>to</strong>day is ourcapacity <strong>to</strong> connect with and understandothers and make their situaonour own. Do we reach out <strong>to</strong> minori-es? Where are the Roma children inour European schools; those th<strong>at</strong> arenot fing in with the rest of society?The European Council are conducngresearch on this.Effect on childhood <strong>to</strong>dayChildhood mortality has reducedword-wide by 33% in ten years due <strong>to</strong>the Millennium Development goalsand shows th<strong>at</strong> th<strong>at</strong> concerted ac-on can make a difference Extremesbetween expectancy and reality willemerge. Extremies between wealthand poverty.Urbanisaon – 50% of human be-


ings live in cies. Where is n<strong>at</strong>ure forsome children? They lack of experienceof the n<strong>at</strong>ural world.Pressure – a 4 year old in Hong Konghas 10 separ<strong>at</strong>e subjects apart fromKindergarten; their leisure me is oftenbeing dragged around shoppingmalls. The number of these childrenin large cies is increasing. Sustainabilityof urbanisaon and the childhoodexperience will be issues for all.Social and emoonal educaon is <strong>at</strong>erm we can use as Waldorf educ<strong>at</strong>ors<strong>to</strong> rel<strong>at</strong>e <strong>to</strong> the world in languageth<strong>at</strong> is becoming universal.It is important th<strong>at</strong> people have a lovingdevoon <strong>to</strong> wh<strong>at</strong> they are doingand an interest in wh<strong>at</strong> others are doing.It is not the instuon, but theperson th<strong>at</strong> is important.See Pedagogical Pracce (20thApril, 1923 Rudolf Steiner). Who isthe teacher? Wh<strong>at</strong> sort of personis the teacher? There is no recipe,it depends on who we are. It is thestruggle, the risk, the creavity th<strong>at</strong>is involved. We are part of an interdependentworld. How do we workwith th<strong>at</strong>? Children will see if we areauthenc or not. It takes courage <strong>to</strong>allow new things <strong>to</strong> emerge.The image of the child is wh<strong>at</strong> remainscentral <strong>to</strong> our work and bringsus the gi th<strong>at</strong> we can work <strong>to</strong>gether.We need a sense of humility, devo-on <strong>to</strong> wh<strong>at</strong> we do and interest inwh<strong>at</strong> others do. We can only be goodteachers when we have a living interestin everything happening in theworld. (Rudolf Steiner, Study of Man)Chris<strong>to</strong>pher would like the Steiner/Waldorf educaonal movement <strong>to</strong>look around the world and say “Yes,I will work with you” <strong>to</strong> other educ<strong>at</strong>ors;<strong>to</strong> be interested in each otherand know th<strong>at</strong> we are not alone.There is a change in the air and manypeople in Australia and the world seethe children of the world <strong>to</strong>day arenot having their needs met. We musttake up the challenge in the world.We will find new sources of energyPage 30and inspiraon and support.Doubt is a teacher – Thiago De MelloIn the past I travelled on a road(some me has passed since)Made of certaines, hard as s<strong>to</strong>nes.Now I tread a track of mud(carved by me):Wet, damp with doubts.As I cross it (carefully)I am certain th<strong>at</strong> only loveIs worth the tripThe role of governments is <strong>to</strong> ensureth<strong>at</strong> children are protected andcared for, therefore they are jusfied<strong>to</strong> make us accountable. We have <strong>to</strong>give them trust and be honest andopen with them about wh<strong>at</strong> we standfor, alongside with others. We have <strong>to</strong>engage in dialogue with them, makea contribuon <strong>to</strong> show them wh<strong>at</strong>we do, not just in the middle classschools, but <strong>to</strong> schools in other countrieswhere they can see we meet theneeds of many children on many levels.S<strong>to</strong>rytelling, Memoryand the Evoluon ofConsciousnessThis research paper has been reprintedwith permission from Tracey Puckeridge,Gradu<strong>at</strong>e Cerfic<strong>at</strong>e in SteinerEducaon, University of Canberra.McIn<strong>to</strong>sh (2007, 10) defines humanconsciousness as “our experienalawareness, consisng of feelings,thoughts, intenons, and our personalsense of identy”. A teacher’s roleis <strong>to</strong> know their students and howthey learn, therefore an understandingof the ‘evoluon of consciousness’both informs and enriches the way <strong>at</strong>eacher works. As a teacher workswith children in different stages ofdevelopment, they are in fact workingwith different levels of consciousness“directly rel<strong>at</strong>ed <strong>to</strong> the stages ofhuman his<strong>to</strong>ry” (McIn<strong>to</strong>sh 2007, 29).The progression of the Steiner curriculumfollows the world his<strong>to</strong>ricalview of the evoluon of consciousnessfrom a spiritual science perspec-ve and the stages of human consciousnessin world evoluon rel<strong>at</strong>es<strong>to</strong> the child’s development and recapitulaonof the evoluon of humanconsciousness during each his<strong>to</strong>ricalepoch. For example, the young childis developing its physical body andpossesses a dream-like st<strong>at</strong>e of consciousness,just as Steiner describesthe development of the human physicalbody in the Seventh and last AtlanteanEpoch (Childs 1996). Throughthe telling of s<strong>to</strong>ries, the teacher recapitul<strong>at</strong>esthe his<strong>to</strong>rical evoluonof humanity throughout the epochs,starng from fairy tales in Early Childhoodand Class One, the recapitula-on of the stages of Lemurian andAtlantean consciousness.Archetypal s<strong>to</strong>ries progress from fairytalesand folk tales in Class One,<strong>to</strong> fables and legends in Class Two.From Class Three, Creaon s<strong>to</strong>riesrecapitul<strong>at</strong>e Old S<strong>at</strong>urn, Old Sun, andOld Moon evoluons of the Earth(Debusschere, 1997). S<strong>to</strong>ries of theFall (Lemuria), Old Testament s<strong>to</strong>ries(Atlans), then the gre<strong>at</strong> floods<strong>to</strong>ries, mark the transion <strong>to</strong> thePost-Atlantean Epochs (Debusschere,1997). Aer experiencing the s<strong>to</strong>riesof the Norse myths where Old S<strong>at</strong>urnand Lemurian epochs are once againrevisited with the creaon s<strong>to</strong>riesand the nine worlds in Class Four, theClass Five child is ready <strong>to</strong> experiences<strong>to</strong>ries reflecng the Post-Atlanteanepochs.S<strong>to</strong>ries of the hero and the heroine,the adventure of the prodigal son areall s<strong>to</strong>ries of healing. When given <strong>at</strong>the appropri<strong>at</strong>e me, they are hiddenmedicines for the unfolding ofthe soul (Klugman, 2010). Childrenrespond <strong>to</strong> s<strong>to</strong>ries in a creave way,working their memory and obtaininga deep experience of their soul life,leaving them free <strong>to</strong> cre<strong>at</strong>e their ownresponse. “Educaon <strong>to</strong>wards freedommeans th<strong>at</strong> we are educangth<strong>at</strong> human part th<strong>at</strong> is free <strong>to</strong> findwithin oneself the creave response<strong>to</strong> find one’s way through life” (Klugman,2010). As these s<strong>to</strong>ries followthe evoluon of consciousness, theeffect on the developing child’s soul


life cannot be underesm<strong>at</strong>ed. It isone of the most powerful teaching<strong>to</strong>ols th<strong>at</strong> a teacher has – telling richs<strong>to</strong>ries based on the evoluon of humanconsciousness.The s<strong>to</strong>ries develop from the Archaic(archetypal fairy tales) <strong>to</strong> Magical,Mythical and finally <strong>to</strong> Mental/RaonalThought (Klugman, 2010). This sequencefollows the different forms ofconsciousness as they evolved. Theeleven year hears s<strong>to</strong>ries th<strong>at</strong> recapitul<strong>at</strong>ethe evoluon of consciousness,from the oneness of the AncientIndian people with the Gods; the dualn<strong>at</strong>ure of the Ancient Persians andtheir belief th<strong>at</strong> they must work inthe world and farm the earth; theEgypan belief th<strong>at</strong> the Gods walkedon the earth (their Pharaohs); <strong>to</strong> thehumanity of the Greeks, their strivingfor beauty and belief th<strong>at</strong> the Godsmeddled in human affairs. In ClassSix the ChristImpulse in theRoman periodand the evoluonof ra-onal thoughtmeets the child’s needfor fairness,jusce andability <strong>to</strong> understandcause and effect (as in theFall of the Roman Empire) through <strong>to</strong>Class Seven, the Fih Post-AtlanteanEpoch, with all the wonderful s<strong>to</strong>riesof exploraon, expansion, art and architecture.The Class Eight child experiencess<strong>to</strong>ries of revoluon and thecurriculum connues <strong>to</strong> follow thep<strong>at</strong>h of humanity <strong>to</strong> reach modernmes.For teachers, the curriculum bringsabout profound understandings ofthe unfolding consciousness of thechild. When a teacher tells a s<strong>to</strong>ry,they must do so with this deeperunderstanding of the evoluonarypictures they are bringing. Knowinghow the child’s memory, feelinglife and emerging thinking develops,is crucial. The three-fold process ofs<strong>to</strong>ry, arsc acvity and thought,combined with sleep, awakens andworks memory in a healthy way. Thisrhythm is integral <strong>to</strong> the educaon ofPage 31the child.Steiner rel<strong>at</strong>es the stages of the evoluonof memory with the evoluonof consciousness. He connects theepoch of localised memory, (rememberingconnected with place) (Steiner1997, 16) (Klugman, 2010) <strong>to</strong> the 0-7year old child. The next stage, rhythmicmemory as belonging <strong>to</strong> the periodof development from 7-14, thestage of the primary years, wherethe imaginaon is strongly working,<strong>to</strong>gether with memory and also forgeng.Verse, choral speaking andpoetry incorpor<strong>at</strong>e rhythm, imagina-on and speech and work the child’smemory (Steiner 1997, 17). The thirdstage, 14-21 develops the memory weuse <strong>to</strong>day – temporal memory whichis more abstract and does not rely onpicture consciousness (Steiner 1997,17). This table below rel<strong>at</strong>es the evoluonof memory <strong>to</strong> the evoluon of consciousness:This week I was teaching my Class Sixstudents a new poem I had wrienfor our main lesson which covers thehis<strong>to</strong>rical period from Julius Caesar,the birth of Christ, fall of Rome, riseof Chrisanity and Islam through <strong>to</strong>the Crusades. In three weeks I have<strong>to</strong> cover 1000 years:The might of Rome gained by thesword,Aer me fell <strong>to</strong> the barbarianhordes,The Empire vast, no longer held,Men on the borders, their bloodcurdlingyell.The West fell harder than the East,Where the Byzanne Empire flourishedin a feast.Differences in opinion became differencesin religion,As the rise of Islam fought the Chris-ans.Sword against sword, blood fell inthe sands,As Crusaders marched <strong>to</strong> far offlands.Kings overthrown, treachery and lies.Jesus Christ! Mohammad! They didcry!Each side fought for their hold place,In their hearts no rest, revenge ontheir face.Aer only working for three days onthis poem, they could recite it exactly.I reflected on how working with s<strong>to</strong>ries(retelling of the s<strong>to</strong>ry each day),speech, morning circle work and eurythmyhave assisted their memoryprocesses. Their rhythmic memoryis now transforming in<strong>to</strong> temporalmemory; they will soon begin <strong>to</strong>think abstractly. The children listen <strong>to</strong>the s<strong>to</strong>ries with deep engagement.They drawstunning pictures,writewith imagina-on and cre- <strong>at</strong>e m<strong>at</strong>urereflecons ofthe s<strong>to</strong>ries.Their strongdevelopmen<strong>to</strong>f rhythmic memory will assist themin<strong>to</strong> the future as they move throughhigh school. As we begin rehearsalsfor their incredibly long end of yearplay, I know they will memorise theirlines with lile effort.This deep understanding of the developmentallevel of the children andhow their development rel<strong>at</strong>es <strong>to</strong> theevoluon of consciousness, is crucial<strong>to</strong> enable the teacher <strong>to</strong> bring theSteiner curriculum in a creave andconscious way. The mosaic on the back page was cre<strong>at</strong>ed as part of the Class 3 2012 Building Project: The Bell Tower.


Page 32

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!