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cosÌ fAn tutte - Manhattan School of Music

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soundandimage2/3, 3/1, 3/30concert versions <strong>of</strong>Three Stravinskyballets“Dance is musicmade visible.”—George Balanchine9/12Ginastera’sDanzas argentinas(1937, arr. Alan Kay)Windscape, Artists in ResidenceA wind quintet arrangement <strong>of</strong>Ginastera’s Argentine dances,which draw on the folk tradition<strong>of</strong> música criolla9/26ROOMSLimón DanceCompanyCarla Maxwell, Artistic DirectorMSM Chamber Jazz EnsembleJustin DiCioccio, ConductorA brilliant revival by the Limón DanceCompany <strong>of</strong> Anna Sokolow’s 1955choreographic masterpiece Rooms,with original jazz score byKenyon Hopkins10/14Ravel’s La valseMSM PhilharmoniaDavid Gilbert, ConductorThe famous symphonic poem Ravelimagined as a courtly Viennesewaltz turning into “a fatal sort <strong>of</strong>dervish’s dance”11/4Copland’s suitefrom BiLLy the KidMSM PhilharmoniaGeorge Manahan, ConductorA celebrated work originally written asa ballet—one <strong>of</strong> many presented thisseason—that left its mark on Westernfilm scores and choreographyCircus Polka 2/3Originally choreographed byBalanchine for 50 elephantsand 50 ballerinasMSM SymphonyPhilippe Entremont, ConductorThe Fairy’s Kiss 3/1A divertimento based on HansChristian Andersen’sThe Ice MaidenChamber SinfoniaGeorge Manahan, Conductor4/3Gian Carlo Menotti’sThe Unicorn,the Gorgon andthe ManticoreMSM Chamber ChoirKent Tritle, ConductorA work for choral ensemble and orchestramodeled on a 16th-century madrigalcomedy, originally intended as a balletPetrushka 3/ 30Composed for Diaghilev, thecomic-poignant story <strong>of</strong> puppetscoming to lifeMSM PhilharmoniaGeorge Manahan, Conductor6 7

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