B. Sc. in Jewellery Design and Manufacture - Shreemati Nathibai ...

S.N.D.T. Women’s University(sndt.digitaluniversity.ac)Syllabus – B. Sc. in Jewellery Design and ManufactureS.N.D.T. Women’s University1, Nathibai Thackersey Road,Mumbai 400 020Revised – 20081

S.N.D.T. Women’s University1, Nathibai Thackersey Road, Mumbai 400 020Objectives:The department of Jewellery Design & Manufacture was begun in response to the need of growing Gem &Jewellery Industry in India. The course synergises three different areas – Creative design, Technology ofManufacture and Market awareness. The department has the unique privilege of being the first Institute ofits kind, to be conducting such course in an Asian University. The strength of the Institute is the constant anddynamic relationship with leading Jewellery enterprises of the country.Philosophy and Method:Project approach is the key word in our flexible educational system. In order to keep up to the demand forcompetent trained professional, the course curriculum is constantly under evaluation and continuously beingup-dated. The faculty comprises of professional team capable of instilling applied competencies and constantinnovation. Theory lectures are combined with workshop, projects and seminars by eminent designers.Student participates in global and national level competitions and visits are organized to the Industries,exhibition and design event. The department is a vantage point to study new trends, up-coming styles andinnovation in manufacturing.Research and Innovation:The Jewellery Design and Manufacture course is a higher- level and in-depth study program, where thesyllabus has been devised for those who wish to spend some time to reflect and grow professionally, for thosewho feel they need new opportunities and for those who want to build a future as full fledged designers. Thecourse enables student to have awareness, courage and capacity to re-design jewellery. On the job trainingwith leading companies is a part of the curriculum.2

Infrastructure:Dedicated workshops are allotted for design studies and work stations provided for students. These areequipped with basic manufacturing unit. The library has a collection of rare books of jewellery and alliedtopics; it is open to all students.Eligibility:Higher Secondary Schooling Certificate from National/State Board from any stream.The selection procedure is as per University norms.Job Opportunities:- Designer- Entrepreneur- Qualified Diamond Grader- Production Manager- Marketing and Sales- Brand Manager- Visual Merchandiser- Retail Store Manager- Quality Controller3

SYLLABUSFaculty NameCourse Name: Technology: B. Sc. in Jewellery Design & ManufactureSEMESTER ICode Subject L P/T D TP TW P/V T Credit1.1 BASIC DESIGN - I - 14 - - 75 100 175 71.2 BASIC MANUFACTURE - I - 14 - - 75 100 175 71.3 HISTORY OF ART 2 - 2 25 25 - 50 21.4 BOOK KEEPING 2 - 2 25 25 - 50 21.5 PERSONALITY DEVELOPMENT 2 - - 10 15 25 11.6 COMPUTER 2 - - 10 15 25 11.7 YOGA - - - - - - -TOTAL 4 32 4 50 220 230 500 20SEMESTER IICode Subject L P/T D TP TW P/V T Credit2.1 BASIC DESIGN - II - 14 - - 75 100 175 72.2 BASIC MANUFACTURE - II - 14 - - 75 100 175 72.3 HISTORY OF JEWELLERY 2 - 2 25 25 - 50 22.4 EXPORT PROCEDURE 2 - 2 25 25 - 50 22.5 ENVIRONMENT STUDIES 3 2 2.5 75 25 - 100 4TOTAL 7 30 6.5 125 225 200 550 22SEMESTER IIICode Subject L P/T D TP TW P/V T Credit3.1 ADVANCE DESIGN - I - 14 - - 75 100 175 73.2 ADVANCE MANUFACTURE - I - 14 - - 75 100 175 73.3 EXPORT MARKET 2 - 2 25 25 - 50 23.4 GOLD & OTHER PRECIOUS METAL 2 - 2 25 25 - 50 23.5 DIAMOND GRADING 2 4 2 50 50 - 100 4TOTAL 6 32 6 100 250 200 550 224

SEMESTER IVCode Subject L P/T D TP TW P/V T Credit4.1 ADVANCE DESIGN - II - 14 - - 75 100 175 74.2 ADVANCE MANUFACTURE - II - 14 - - 75 100 175 74.3 INDIAN MARKET 2 - 2 25 25 - 50 24.4 GEMOLOGY 1 4 2 25 50 - 75 34.5 COMPUTER DESIGNING - 4 - - 25 25 50 2TOTAL 3 36 4 50 250 225 525 21SEMESTER VCode Subject L P/T D TP TW P/V T Credit5.1 INTERNSHIP (10 WEEKS) - - - - 125 125 250 105.2 TECHNICAL DESIGN - 4 - - 25 25 50 25.3 MERCHANDISING 2 - 2 25 25 - 50 25.4 RETAIL MANAGEMENT 2 - 2 25 25 - 50 25.5 BRANDING 2 - 2 25 25 - 50 2TOTAL 6 4* 6 75 225 150 450 18* Internship hours to be added here.SEMESTER VICode Subject L P/T D TP TW P/V T Credit6.1 PROJECTS - 36 - - 150 300 450 18a. STATE (5 weeks) - - - - - - -b. THEME BASED (10weeks) - - - - - - -6.2 Communication - 4 - - 25 25 50 2TOTAL 40 175 325 500 20L = No. of Lectures / week, P / T = Practical / Tutorial in hrs, D = Duration of Theory paper forExamination in hrs, TP = Theory Paper-marks, TW = Term Work – marks, P/V = Practical / VivaVoce – marks, T = TotalNote: The university exams will be conducted in the IV and VI semester of B.Sc. JDM, as the internshipprogramme being scheduled in the V semester.Dr. R.B. Kabnurkar,Principal-in-Charge.Mr. Devinder Layal,Head of Department.5

Semester: ICode: 1.1 BASIC DESIGN ITotal number of hours: 210 hrs. (7 Credits)Marks: 175Code Subject L P/T D TP TW P/V T Credit1.1 BASIC DESIGN - I - 14 - - 75 100 175 7Objective:• To set working standard and methods.• To introduce methods for developing design ideas.• To begin understanding the pictorial composition.• To improve compositional skills.• To establish sound base of fundamental techniques.• To develop a sense of accuracy and precision for design work.• To increase ability in using different media.• To understand modeling form with light and shade.• To introduce the practical use of perspective.• To establish links between design technical aspects and workshop practices.• To establish the relationship between source material and design idea generationDESIGN – INTRODUCTORY PROGRAMMESr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 POSITIVE AND NEGATIVE SPACE – introductionPOSITIVE AND NEGATIVE SPACE SHAPES/ PATTERN INCOMBINATION WITH- Repetition- Rotation- Mirroring- Graduation- Exaggeration- Random- Scale- Reversal positive and negative14 2.52 EXERCISES IN PENCIL CONTROL – line drawing 14 2.53 ANALYTICAL DRAWING- construction lines- space between the objects21 2.54 MARK MAKING- general from nature or any other source- use of rubbing14 106

5 MEASURED DRAWING 14 10DESIGN – TECHNICALSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %6 SHADING EXERCISE- black and white- colour7 2.57 MODELING WORK FOR 3 D FORM- simple geometric forms-8 INTRODUCTION TO PERSPECTIVE DRAWING– introduction- 1 point- 2 point- Circles and cylinders- Basic constructions14 542 259 BASIC RENDERING- Representation of actual forms- Sheet sections- Flat/ concave/ convex- Irregular shapes14 1010 EARRING INTRODUCTION PROJECT 21 1011 BROOCH INTRODUCTION PROJECT 14 1012 CHAIN INTRODUCTION PROJECT 21 10Code: 1.2 BASIC MANUFACTURE ITotal number of hours: 210 hrs. (7 Credits)Marks: 175Code Subject L P/T D TP TW P/V T Credit1.2 BASIC MANUFACTURE - I - 14 - - 75 100 175 77

Objective:• To familiarize the students with workshop practice and procedures.• To begin basic marking and cutting.• To introduce soldering procedures. To develop technical standards of precision and accuracy.• To develop under standing of repeated units.• To begin fabrication with multiple components.WORKSHOP STUDIESSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 INTRODUCTION TO WORKSHOP PRACTICE ANDPROCEDURES- Tools and equipments and its uses- Soldering and heating area- Gas supply and emergency shut off- Acid tank- Main power supply and emergency shut off- Metal store cupboard- General workshop area- Technician availability14 102 BASIC TECHNIQUES - MEASURING AND MARKING OUT- Cutting- Drilling- Filing- Heating- Soldering63 20WORKSHOP STUDIES – TECHNICAL ASPECTSSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %3 TECHNICAL EXERCISES- Basic broach pin and catch28 154 TECHNICAL EXERCISES- Wire work (chain making) 3” of 6 types- Use of different shape draw plate- Drawing readymade chain- Use of grooved rolling mill49 205 TECHNICAL EXERCISES- Simple dome earring6 TECHNICAL EXERCISES- Simple earring using all techniques28 1528 208

Code: 1.3 HISTORY OF ARTTotal number of hours: 30 hrs. (2 Credits)Marks: 50Code Subject L P/T D TP TW P/V T Credit1.3 HISTORY OF ART 2 - 2 25 25 - 50 2Objective:• To get a basic knowledge of art.• To be aware of the prehistoric art and art in different civilizations.• To know about the art movements happened all around the world.• To make oneself aware of the art in different dynasties of India.• To have basic knowledge of the few different arts of the worldSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 WHAT IS ART – Form, Line and Function 2 102 PRE-HISTORIC ART FROM VARIOUS PARTS OF THEWORLD4 53 ANCIENT CIVILIZATIONS – Indus Valley 2 104 EGYPTIAN, BABYLONIAN, GREEK and ROMAN, IRANIAN 4 105 ART MOVEMENT – Renaissance, Baroque, Art Nouveau, ArtDeco4 156 MODERN ART MOVEMENT 2 157 INDIAN HISTORY OF ART (significant periods under a dynasty)Mauryan, Gandhar, Kushan, Gupta, Moguls, Rajput6 208 AFRICAN ART 2 59 CHINESE ART 2 510 JAPANESE ART 2 59

Code: 1.4 BOOK KEEPINGTotal number of hours: 30 hrs. (2 Credits)Marks: 50Code Subject L P/T D TP TW P/V T Credit1.4 BOOK KEEPING 2 - 2 25 25 - 50 2Objective:• To develop the basic knowledge of book of accounts.• To have knowledge of putting different entries in different books.• To tally all the transactions.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 CONCEPT AND NATURE OF BOOKKEEPING 2 102 JOURNAL ENTRIES 4 203 CASH BOOK 4 104 PETTY CASH BOOK 4 105 BANK RECONCILIATION STATEMENT 2 106 SALES BOOK 4 107 PURCHASE BOOK 4 108 PURCHASE RETURN BOOK 3 109 SALES RETURN BOOK 3 10Code: 1.5 PERSONALITY DEVELOPMENTTotal number of hours: 30 hrs. (1 Credits)Marks: 25Code Subject L P/T D TP TW P/V T Credit1.5 PERSONALITY DEVELOPMENT 2 - - 10 15 25 110

Objective:• To develop an over all personality of a person.• To make aware of different factors that affects our behavior.• To change these personal behaviors.• To set a specific goal for oneself and how to achieve it.• To make aware ones emotional intelligences.• To become a leader in relevant field.• To improve written and oral communication.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 Introduction 2 52 Definition 2 53 Goal setting and achieving 2 104 Perception Rational Learning and Knowledge 2 105 Persistence 2 56 Attitude 2 57 Empathy Emotional intelligences 2 58 Motivation Leadership 3 109 Time Management 3 1010 Assimilation interpersonal Behavior 2 511 Assertiveness 2 512 Written and oral communication 6 25Code: 1.6 COMPUTERSTotal number of hours: 30 hrs. (1 Credits)Marks: 2511

Code Subject L P/T D TP TW P/V T Credit1.6 COMPUTER 2 - - 10 15 25 1Objective:• To get the basic knowledge of computers.• To improve the presentation skills.• To get familiarize with the design software.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 INTRODUCTION TO WORD AND EXCEL 6 102 INTRODUCTION TO POWERPOINT AND MAKEPRESENTATIONS8 303 INTRODUCTION TO PHOTOSHOP AND KNOW ITS TOOLS 8 304 INTRODUCTION TO CORAL DRAW AND KNOW ITS TOOLS 8 30Code: 1. YOGATotal number of hours: 30 hrs.Objective:1.7 YOGA - - - - - - -• To introduce yoga to make them balance the body with work.• To introduce different asanas and their uses.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 INTRODUCTION TO YOGA, DIFFERENT PATHS,CONDITIONING2 STRUCTURE OF THE SPINE MEDITATIVE/ CULTURALASANAS- exercises2 NA2 NA3 POSITIVITY/ NEGATIVITY 2 NA4 IMPORTANCE OF A GOOD POSTUREYOGIC RELAXATION -SAVANSANA, NISPANDBHAVA5 UTKATASANA, STITH, NATAPRASTHANASANA, KRIYAS,4 NA6 NATRATAKA- MAKRASANA12

6 KONASANA HILL, VAJRASANA- PRANAYAMA NO.1 4 NA7 TALK ON ASTANGYOGO – game 2 NA8 EKPADASANA, VRIKSHASANA- diet 2 NA9 CHAKRASANA, PARVAT, GOUMUK, YOGAMUDRA 2 NA10 REVISION AND DISCUSSIONS ON CONCENTRATION, GOODMEMORY, ATTITUDES4 NA13

Semester: IICode: 2.1 BASIC DESIGN IITotal number of hours: 210 hrs. (7 Credits)Marks: 175Code Subject L P/T D TP TW P/V T Credit2.1 BASIC DESIGN - II - 14 - - 75 100 175 7Objective:• To develop professional approach to design work.• To study the stones types and their rendering.• To study the technical drawing of stone settings.• To develop understanding of 3D form.• To design the basic jewellery forms with the help of computers.• To develop the link between design and manufacture.• To begin work on fashion/costume concepts.• To study specific jewellery applications.Sr.No.DESIGN – TECHNICAL ASPECTSTopic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 DRAFTING AND LAYOUT/ MOUNTING ALTERNATIVES 7 52 TECHNICAL DRAWING OF BASIC STONE TYPES AND CUTSFACETED AND CABOCHON OF- Round- Oval- Baguette square- Baguette taper- Trillion- Marquise- Princess- Emerald- Pear- Heart3 PERSPECTIVE AND TECHNICAL DRAWING- Compound forms- Ratio and proportion- Dividing a circle- Isometric4 INTRODUCTION TO ORTHOGRAPHIC PROJECTIONS- Plan view- Front view- Side/ end view5 DESIGNING ON COMPUTER (CORAL DRAW)- Basic shape of stones- Different shapes of rings – plain and with stones- Designing necklace and bracelets with repeated forms14 528 1042 1521 1514

DESIGN – APPLIEDSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %6 FORM/ SURFACE INTRODUCTION PROJECT 14 57 MULTI MEDIA INTRODUCTION PROJECT 21 58 STONE SET RING INTRODUCTION PROJECT 28 159 APPLIED PERSPECTIVE AND TECHNICAL DRAWING- Ring- Brooch- Necklace- Earring35 25Code: 2.2 BASIC MANUFACTURE IITotal number of hours: 210 hrs. (7 Credits)Marks: 175Code Subject L P/T D TP TW P/V T Credit2.2 BASIC MANUFACTURE - II - 14 - - 75 100 175 7Objective:• To introduce the subject of single acid etching of base metal.• To develop surface and texture work.• To understand the principles of etching for jewellery production and design.• To develop a basic level of competence at hand engraving.• To introduce the subject of collet making.• To develop a basic level of competence for bazel and prong setting types.• To understand the underlying principles of stone setting.Sr.No.WORKSHOP STUDIES– TECHNICAL ASPECTSTopic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 ACID ETCHING INTRODUCTION- Use of technique intaglio and relief- Explanation about health, safety and ventilation- Disposal of waste- Emergency action- Mixing of acid- Single etch- Multiple etch21 1015

2 PRACTICAL TECHNIQUES - ENGRAVINGExplanation with different graver Square, Round, Octagonal, Flat,Oval, Knife, Liner21 103 TECHNICAL EXERCISES (BASIC LEVEL 2)– Simple bezel collet making- Simple prong collet making- Breakdown of the componentsrequired- Manufacture of each component- Material to be used- Assembly procedure- Finishing42 104 REQUIREMENT FOR WRITTEN TECHNICAL FILE 7 2.55 PRACTICAL TECHNIQUES – Polishing / Finishing-Stamping / Pressing21 106 ENAMELLING INTRODUCTION 7 157WORKING FROM A TECHNICAL DRAWING7 7.5WORKSHOP STUDIES – APPLIEDSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %8APPLIED PROJECT WORK- Stone set ring- Stone setting types introduction- Characteristic/ use of each setting- Methods of settings14 109 MULTI MEDIA PROJECT- Introduction of making jewellery with alternateMaterial21 510 FORM/SURFACE INTRODUCTION PROJECTAND TRANSFER OF DESIGN INFORMATION- Form- Surface- Texture- Colour- Material21 1016

11 WORKING FROM A DESIGN DRAWING AND CREATIVEEXPERIMENTATION WITH WORKSHOP TECHNIQUE- Related to 2D design- Direct with materials21 512 QUALITY ASSESSMENT 7 5Code: 2.3 HISTORY OF JEWELLERYTotal number of hours: 30 hrs. (2 Credits)Marks: 50Code Subject L P/T D TP TW P/V T Credit2.3 HISTORY OF JEWELLERY 2 - 2 25 25 - 50 2Objective:• To get familiarize with the history of jewellery of India.• To study the sources for inspiration.• To know the designing of jewellery done in India the earlier times.• To study the different manufacturing techniques used in India jewellery.• To allocate the main source of raw materials in India.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 INTRODUCTION 2 2.52 SOURCES FOR THE STUDY OF INDIAN JEWELLERY 2 103 INDIAN JEWELLERY HISTORY- Indus valley civilization – beads- Trade in gemstones- Ancient India – styles, design & techniques- South India- Mughal period12 254 JEWELLERY FOR MEN AND WOMEN 4 105 SYMBOLISM IN INDIAN JEWELLERY 2 156 THE CRAFTSMAN 2 107 DESIGN IN THE INDIAN CONTEXT 2 2017

8 MANUFACTURING TECHNIQUES OF INDIAN JEWELLERY 2 109 USE OF STONES AND JEWELLERY CENTERS 2 2.5Code: 2.4 EXPORT PROCEDURETotal number of hours: 30 hrs. (2 Credits)Marks: 50Code Subject L P/T D TP TW P/V T Credit2.4 EXPORT PROCEDURE 2 - 2 25 25 - 50 2Objective:• To get an overall view of the diamond market.• To have knowledge about the documents required for export.• To learn the complete procedure to export the diamonds• To learn bill discounting and payment collection.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 REQUIREMENTS FOR A DIAMOND EXPORTS 6 102 DOCUMENTS REQUIRED FOR EXPORTING 2 153 BANK EXPORTS AND DIRECT EXPORTS 6 204 INVOICE CONTENTS, DETAILS OF GOODS 6 205 FORMALITIES FOR PAYMENT COLLECTION 6 206 BILL DISCOUNTING 4 15Code: 2.5 ENVRIOMENTAL STUDIESTotal number of hours: 75 hrs. (4 Credits)Marks: 100Code Subject L P/T D TP TW P/V T Credit2.5 ENVIRONMENT STUDIES 3 2 2.5 75 25 - 100 418

Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 The Multidisciplinary nature of environmental studies.- Definition, scope and importance- Need for public awareness.Natural Resources.Renewable and non-renewable resources.- Natural resources and associated problems.a) Forest resources.b) Water resources.c) Mineral resources.d) Food resources.e) Energy resources.f) Land resources.- Role of an individual in conservation of naturalresourcesEquitable use of resources for sustainable lifestyles2 Ecosystems- Concept of an ecosystem.- Structure and function of an ecosystem.- Producers, consumers and decomposers.- Energy flow in ecosystem.- Ecological succession.- Food chains, food webs and ecological pyramids.- Introduction, types, characteristic features, structuresand function of the following ecosystem :-a. Forest ecosystemb. Grassland ecosystemc. Desert ecosystemd. Aquatic ecosystem (ponds, streams, lakes,rivers, oceans, estuaries)e.3 Biodiversity and its conservationIntroduction- Definition: genetic, species and ecosystemdiversity.- Biogeographical classification of India- Value of biodiversity: consumptive use, productive use,social ethical, aesthetic, and option values.- Biodiversity at global, National and Local Values.- India as a mega-diversity nation.- Hot-spot of biodiversity.- Threats to biodiversity: Habitat loss, poaching of wildlife,man wildlife conflicts.- Endangered and endemic species of India- Conservation of biodiversity: In-situ and Ex-situconservation of biodiversity.8 58 106 154 Environmental Pollution- Causes, effects and control measures of :-a. Air pollutionb. Water pollutionc. Soil pollution8 1519

d. Marine pollutione. Noise pollutionf. Thermal pollutiong. Nuclear pollution- Solid Waste Management: Causes, effects, and controlmeasures of urban and industrial waste.- Role of an individual in prevention of pollution- Pollution case studies- Disaster Management : flood, earthquake, cyclone5 Social issues and the Environment- From Unsustainable to Sustainable development- Urban problems related to energy- Water conservation, rain water harvesting, watershedmanagement- Resettlement and rehabilitation of people: its problemand concerns.- Environmental ethics : Issues and possible solution- Climate change, global warming, acid rain, ozone layerdepletion, nuclear accidents and holocaust. Casestudies.- Wasteland reclamation- Consumerism and waste products- Environment Protection Act.- Air (Prevention and control of pollution) Act.- Water (Prevention and control of pollution) Act.- Wildlife Protection Act.- Forest conservation Act.- Issues involved in enforcement of environmentallegislation- Public awareness8 156 7 Human Population and Environment- Population growth, variation among nation- Population Explosion- Family Welfare programme- Environment and Human health- Human rights- Value Education- HIV/AIDS- Women and child welfare- Case studies7 157 Field work- Visit to a local area to document environmental assetsriver/ forest / grassland / hill / mountain- Visit to a local polluted site- Urban / Rural / Industrial /Agricultural- Study of common plants, insects, birds- Study of simple ecosystem-pond, river, hill slopes etc.30 2520

Semester: IIICode: 3.1 ADVANCE DESIGN ITotal number of hours: 210 hrs. (7 Credits)Marks: 175Code Subject L P/T D TP TW P/V T Credit3.1 ADVANCE DESIGN - I - 14 - - 75 100 175 7Objective:• To broaden the range of media used.• To develop perspective and technical drawing skills.• To develop their applications to specific area.• To develop Orthographic drawing skills and understanding.• To improve understanding 3D form.• To begin design study for specific market and analyse characteristics.• To develop understanding of fashion and costume market• To began studies of accessories.• To begin working to the pressure of a short deadlineDESIGN – TECHNICAL ASPECTSSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 RENDERING OF DIFFERENT SURFACES 14 52 PERSPECTIVE AND TECHNICAL DRAWING- Findings/ fittings- Free hand sketching- Scale drawing/ measured drawing3 ORTHOGRAPHIC PROJECTIONS (CONTINUED)- Stone Layout methods- Complex forms4 METAL WEIGHTS / CONTENTS- Introduction- Calculation form a given design- Design to a given weight5 DESIGNING FOR EXPORT MARKETS BASED ON- Sources of information- Identifying characteristics- Trends- Fashions- General design styles- Recording information for the given markets- Italy- German- U. K.42 1021 1014 1042 2021

DESIGN – APPLIEDSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %6 WORKING TO GIVEN BRIEF- Export Market- Indian Market- Fashion Costume jewellery14 107 WORKING TO GIVEN TIME LIMIT- Introduction- Overall design brief- Specific requirements28 108 APPLIED ORTHOGRAPHIC PROJECTIONS- Ring- Brooch- Earring35 25Code: 3.2 ADVANCE MANUFACTURE ITotal number of hours: 210 hrs. (7 Credits)Marks: 175Code Subject L P/T D TP TW P/V T Credit3.2 ADVANCE MANUFACTURE - I - 14 - - 75 100 175 7Objective:• To get understanding of commercial production methods of jewellery making.• To introduce technique for making wax master.• To introduce the process of metal casting.• To develop use of colour in the jewellery.• To develop accuracy in setting.• To be able to polishing and finishing by oneself.• To be able to do remove the faults and repair them.• To manufacture Jewellery using CAD and CAMWORKSHOP STUDIES – TECHNICAL ASPECTSSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 LOST WAX INVESTMENT CASTING PROCESS- Introduction to metal casting in generalSand castingLost wax casting- Demonstration of the lost wax castingprocess21 1022

2 WAX MODELING- Understand and making a masterTypes of waxesShapes of waxes- Repairs of waxes- Presetting- Sprue design and tree making21 103 ENAMELING- Use of hot enamelling- Firing sequence28 154 INTERMEDIATE STONE SETTING- Prong setting- Bazel setting21 105 MULTI MEDIA (CERAMICS, GLASS ETC.)- Study the different markets- Designing and manufacturing a piece21 10WORKSHOP STUDIES – APPLIEDSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %6 APPLIED PROJECT WORK- Export market- Indian market- Fashion / Costume7 WORKING FROM A DESIGN DRAWING AND CREATIVEEXPERIMENTATION WITH WORKSHOP TECHNIQUE– Related to 2D design- Direct with materials28 1014 108 QUALITY ASSESSMENT 7 59 MANUFACTURING JEWELLERY USING JEWEL CAD- Introduction to the software- Creating 2 dimensional drawings- Introduction to commands- Introduction to transform commands- Making 2 dimensional designs- Introduction to 3 dimensional commands- Rail surface- Introduction to different settings- Preparing final designs- Converting Jewel CAD files to CAM files49 2023

Code: 3.3EXPORT MARKETTotal number of hours: 30 hrs. (2 Credits)Marks: 50Code Subject L P/T D TP TW P/V T Credit3.3 EXPORT MARKET 2 - 2 25 25 - 50 2Objective:• To learn more about the domestic and international trade.• To have knowledge of the policies and procedure for trade.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 INTERNATIONAL TRADE- Features of international trade- Advantages and limitations- Home trade v/s international trade6 202 DOCUMENTS INVOLVED IN EXPORT TRADE 4 103 TRADE BARRIERS AND TRADE BLOCKS 4 104 EXIM POLICY 4 105 EXPORT COSTING AND PRICING 4 106 E.C.G.C. 2 107 EXPORT PROMOTION 2 108 EXPORT TRADE AND PROCEDURE 2 109 EXPORT ASSISTANCE AND INCENTIVES 2 10Code: 3.4 GOLD & OTHER PRECIOUS METALSTotal number of hours: 30 hrs. (2 Credits)Marks: 5024

Code Subject L P/T D TP TW P/V T Credit3.4 GOLD & OTHER PRECIOUS METAL 2 - 2 25 25 - 50 2Objective:• To have knowledge of the different metals used in the jewellery.• To know about the alloys and its usage for different types of gold.• To get the inside view of complete manufacturing process.• To know the quality standard practices followed in the industry.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 INTRODUCTION TO METALLURGY- Metals and nonmetals- Ferrous, nonferrous- Properties of metal- Density of metals- Precious metals used in jewellery- Features and applications4 102 ALLOYS- Importance of alloying- Master alloys for different carat and colours- Granulation process- Carat calculation for alloys- Concept of troy ounce in precious metals-Physical properties and changes in gold, silverand copper alloy4 103 CASTING METHODS- Investment castings- Sand castings- Jewellery manufacturing flowcharts- Process parameters, casting defects4 MECHANICAL METHODS OF FINISHING AND SHAPING- Drawing, shaping, cutting, grinding, polishing- Buffing, burnishing and demurring2 102 105 CHEMICAL AND ELECTRO PROCESSES IN JEWELLERYMANUFACTURE- Processes and Parameters- Gold and rhodium plating- Electro polishing- Cyanide bombing6 106 RECOVERY REFINING AND RECYCLING OF GOLD- Need and importance- Dust collection methods- Refining processes4 1025

7 ASSAYING AND HALLMARKING- Gold assaying and its importance- Methods- Difficulties- Customer angle- Role of BIS.2 108 HAZARDS DURING JEWELLERY MANUFACTURE- Hazards due to use of Cadmium, Silica, NickelAnd cynaide- High temperature care- Safety measures2 109 HEAT TREATMENT- Introduction- Importance of quenching, annealing, hardeningand tempering- Effect of heat treatment on physical properties10 QUALITY CONTROL- Importance of Q.C.- Types of defects – soldering, setting andpolishing- Rectification- Q.C. check- Marking customer satisfaction2 102 10Code: 3.5 DIAMOND GRADINGTotal number of hours: 90 hrs. (4 Credits)Marks: 100Code Subject L P/T D TP TW P/V T Credit3.5 DIAMOND GRADING 2 4 2 50 50 - 100 4Objective:• To get the knowledge about diamond and its properties.• To know the international standards for grading the diamonds.• To know all C’s of diamond.• To identifying real diamonds from the fake ones.• To know the diamond market.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 INTRODUCTION- Formation of diamonds- Occurrence of diamonds and types of mines- Properties of diamonds Famous diamonds- Diamond crystals and morphology8 1026

- Importance of diamond grading andcertification- Inclusions and Blemishes in diamonds- International clarity grading and plotting- Brilliant cut2 CLARITY GRADING- Identification- International grading15 153 CUT GRADING- Proportions of diamonds- Various polish and symmetry factors- Overall cut assessment- Heart & Arrow cut- Ideal scope – light leakage- Fancy cut and their evaluation15 154 COLOUR GRADING- Cause of colour in diamonds- Type of diamonds colours- Grading Fancy colours- Fluorescence colour- Factor affecting colour judgment15 155 CARAT GRADING- Various way of separating diamonds by size –market terms- Use of sieve size- Use of Gauge- Weight estimation15 156 IDENTIFICATION OF IMITATIONS- Cubic Zirconia’s- Zircon- White sapphire- Synthetic mossanite10 107 IDENTIFICATION OF SYNTHETIC DIAMONDS 6 108 MARKETING OF DIAMONDS 6 1027

Semester: IVCode: 4.1ADVANCE DESIGN IITotal number of hours: 210 hrs. (7 Credits)Marks: 175Code Subject L P/T D TP TW P/V T Credit4.1 ADVANCE DESIGN - II - 14 - - 75 100 175 7Objective:• To develop work on costing proposals for jewellery designers.• To reinforce the link between design and production methods.• To recognize the identify possibilities for design input within the manufacturing processes being studied.• To encourage a personal designing style.• To understand detailed understanding of the chosen market.• To apply technical aspects learnt and consolidated skills.Sr.No.DESIGN- TECHNICAL ASPECTSTopic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 DETAILED COSTING- Introduction to metal types- Stone types and carat weight- Any other material- Fitting and findings14 102 DESIGNING AROUND TECHNIQUES- Casting- Stamping21 203 COMPETITION STYLE PRESENTATIONS- Introduction to Clarity of information- Overall impactCompositionColourContextStandard formatTechnical information- Exercise using example design- Competition entry4 DESIGN FOR EXPORT MARKETS- USA- Far East- Japan21 1063 205 DESIGN FOR FASHION / COSTUME MARKETS 21 1028

Sr.No.Topic and DetailsDESIGN –APPLIEDNo. of LecturesAssigned (in hrs.)Weightagein %6 WORKING TO GIVEN BRIEF- Export market- Indian market- Fashion/Costume42 107 COMPETITION DESIGN - project brief particulars- Design Development- Design Refinement- Design Rendering- Design Presentation28 20Code: 4.2 ADVANCE MANUFACTURE IITotal number of hours: 210 hrs. (7 Credits)Marks: 175Code Subject L P/T D TP TW P/V T Credit4.2 ADVANCE MANUFACTURE - II - 14 - - 75 100 175 7Objective:• To increase the accuracy in wax modeling.• To work more precisely to give measurements and tolerances.• To develop understanding of the 3D form.• To begin study of multi piece master.• To improve specialist workshop fabrication skills.• To introduce plating process.• To improve overall competence with tools and materialsWORKSHOP STUDIES – TECHNICAL ASPECTSSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 WAX MASTER- Reading the technical drawing- Required information and tolerance- Drafting and layout of the complex form- Sequence of working- Use of special equipments- Checking measurements and angles- Carving various 3d forms (geometric and flowing)- Metal to be used- Finishing of the master- Sizing and shrinkage issue for fitting parts- Sprue placement- Thickness/ gauge consideration- Detailing on master- Investment70 2029

- Selection of mould frame- Packing- Vulcanizing- Cutting of rubber- Injection- Casting- Requirement for written technical file2 POLISHING AND FINISHING- Use of files for finishing- Emery paper grades and proper use- Polishing stick/form- Polishing materials (leather, strings, cloth etc.)- Polishing compounds (liquid and solid)- Cleaning methods/ material (detergent, pumice,brushes etc.)- Other hand finishes (scratch brush etc.)14 7.53 INDUSTRIAL FINISHING /PLATING- Grinding- Filing- Sanding- Sprue cutting- Cleaning- Stripping and bombing- Barreling technique and media- Burnishing technique- Industrial polishing and buffing technique- Steam cleaning- Lapping14 7.54 TECHNICAL EXERCISES- Channel setting- Flush setting28 155 REQUIREMENT FOR WRITTEN TECHNICAL FILE 7 5WORKSHOP STUDIES – APPLIEDSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %6 APPLIED PROJECT WORK- Indian market- Fashion / costume21 1030

7 TRANSFER OF DESIGN INFORMATION- Form- Surface- Setting- Metal type- Production method14 108 WORKING FROM A DESIGN DRAWING AND CREATIVEEXPERIMENTATION WITH WORKSHOP TECHNIQUE- Related to 2D design- Direct with materials21 109 WORKING TO GIVEN TIME LIMITS 14 1010 QUALITY ASSESSMENT 7 5Code: 4.3 INDIAN MARKETTotal number of hours: 30 hrs. (2 Credits)Marks: 50Code Subject L P/T D TP TW P/V T Credit4.3 INDIAN MARKET 2 - 2 25 25 - 50 2Objective:• To study the Indian market as a whole.• To study the individual designs for each region.• To design for the local market.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 STRUCTURE OF THE JEWELLERY INDUSTRY 2 102 URBAN AND RURAL JEWELLERY DESIGNS 2 153 DESIGNING FOR THE LOCAL MARKET- Gold jewellery- Diamond jewellery22 504 FOREIGN DESIGN INFLUENCE IN THE INDUSTRY 2 155 EMERGENCE OF THE JEWELLERY DESIGNER 2 1031

Code: 4.4 GEMOLOGYTotal number of hours: 75 hrs. (3 Credits)Marks: 75Code Subject L P/T D TP TW P/V T Credit4.4 GEMOLOGY 1 4 2 25 50 - 75 3Objective:• To have a complete of gemology.• To be able to used the instruments.• To know the different groups and their properties.• To be able to manage a gemology lab.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 INTRODUCTION- Earth science and continental theory- Types of rocks, minerals and gem minerals- Beauty, durability and rarity of gemstones- World occurrence of gem minerals and theirSpecialties3 2.52 INSTRUMENTSDichroscopePrincipleConstruction and workingIsotropic and Anisotropic stonesDichroism and trichroismPolaris copePrincipleConstruction and workingS.R., D.R., A.G.G. & A.D.RstoneOptic character of gemstoneUniaxial and Biaxial optic signsUse of konoscope3 2.5Refractometer Critical angle of gemstoneTotal internal reflection in gemsRefractive index determinationBirefringence and optic signSpot method for cabochons andcarvingsSpectroscope absorption of lightDispersion in gemstonesWorking & use of spectroscopeTypical spectrums of certaingem stone32

Microscope U. V. lightWorking and construction ofmicroscopeTypical inclusion in gemstones3 OPTICAL PROPERTIESOPTICSPractical with phenomenonOPTIC NATURE- Single and double refraction- Optic axis cause of colour in gemstones5 54 PHENOMENON IN GEMSTONES- Cat’s eye- Asterism- Play of colours- Sheen- Aventurescence- Pleochroism- Metamerism- Iridescence- Luster and transparency5 55 PHYSICAL PROPERTIES OF GEMSTONES- Hardness - hardness scale, differentialhardness- Cleavage- Parting- Toughness- Specific gravity- Hydrostatic and heavy liquids method5 57 CRYSTALLOGRAPHY OF GEMSTONES- Seven-crystal system- Crystal axis- Elements of symmetry- Crystal forms and habits- Types of twinned crystals- Surface marking5 58 IDENTIFICATION OF ROUGH CRYSTALS BY OBSERVINGVARIOUS GEMSTONES2 2.59 COURNDUMSRubies and Sapphires5 510 BERYL GROUPEmerald, Aquamarines etc.4 533

11 QUARTZ GROUPVarious types of quartz crystalline and cryptocrystalline4 512 GARNET AND FELDSPAR GROUPS 4 513 TOURMALINE, TOPAZ , PERIDOT 4 514 SYNTHESIS OF COLOURSTONES AND SYNTHESIS OFDIAMONDS2 2.515 IDENTIFICATION OF SYNTHETIC FLAME-FUSIONGEMSTONE2 516 IDENTIFICATION OF FLUX AND HYDROTHERMALSYNTHETICS2 517 ORGANIC GEMSTONE- Pearl- Ivory- Amber- Coral- Jet4 518 CHRYSOBERYLS- Cat’s- Alexandrite- Spinel- Zircon4 519 MINOR STONE-Turquoise- Lapiz- Malachite diopside- Enstatite4 520 IOLITE, TANZANITE, ANDALUSITE 2 521 APATITE, SPHENE, SPODUMINE, SCAPOLITE 2 522 KYANITE, FLUORITE, GYPSUM, ETC. 2 523 RARE STONES 2 534

Code: 4.5 COMPUTERS DESIGNINGTotal number of hours: 60 hrs. (2 Credits)Marks:Code Subject L P/T D TP TW P/V T Credit4.5 COMPUTER DESIGNING - 4 - - 25 25 50 2Objective:• To manufacture jewellery using CAD and CAM.• To be able to design for export and branded market• To be able to get the masters for casting process.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 INTRODUCTION CREATION OF 2D ENTITIES 1 2.52 2D WIRE FRAME CREATION INTRODUCTION OF DYNAMICNAVIGATOR2 2.53 ADVANCED ON CREATION- Introduction of Dimness and Constraining- Fillet and Patterning3 54 WIRE FRAME MODIFICATION- Trim, Extend, Divide- Using Dimension and construction5 WORK PLAN CREATION- 3D Feature based modeling- Extrude and revolve- Shell and draft3 53 56 ADVANCED ON 3 FEATURE BASED MODELING- Sweep- Mesh of curves- Surface by boundary- Patterning- Refer Scaling- Boolean Operation10 107 INTRODUCTION ON STONE- Modification/replacement of face- Surface of feature- Modification of lids fillets chamfers usingdissension and constrains2 535

8 INTRODUCTION ON ADVANCED SURFACING- Variational Sweep- Variational Surface Feature10 109 INTRODUCTION OF EMBOSS – feature copy 3 510 INTRODUCTION OF WRAP CURVE PROJECT 3 511 CATALOG AND LIBRARY CREATION AND MODIFICATION 2 512 STL AND VRML UTILITIES 2 513 INTRODUCTION OF ASSEMBLY MODELING 2 514 INTRODUCTION OF DIFFERENT SETTING USING I-DEAS 2 515 PROJECT 12 2536

Semester: VCode: 5.1 INTERNSHIPTotal number of hours: 10 weeks (10 Credits)Marks: 250Code Subject L P/T D TP TW P/V T Credit5.1 INTERNSHIP (10 WEEKS) - - - - 125 125 250 10Objective:• To get hands on experience in manufacturing.• To develop the designs as per the specific requirement of the client/ market.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 Company Project:- 50−−−−−Research on respective styles of the company (minimumthree concepts).Concentration on topic and design conceptualizationFinal designs complete ensembles (minimum 5 styleseach concept)Submission of research booklet and presentationPersonal Discipline2 Assessment of Project by the college− Submission of research booklet and presentation- 50Code: 5.2 TECHNICAL DESIGNTotal number of hours: 60 hrs. (2 Credits)Marks: 50Code Subject L P/T D TP TW P/V T Credit5.2 TECHNICAL DESIGN - 4 - - 25 25 50 2Objective:• To develop perspective and technical drawing skills.• To develop Orthographic drawing skills and understanding.• To improve understanding 3D form.37

Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 PERSPECTIVE AND TECHNICAL DRAWING- Scale drawing/ measured drawing42 602 ORTHOGRAPHIC PROJECTIONS- Complex forms18 40Code: 5.3 MERCHANDISINGTotal number of hours: 30 hrs. (2 Credits)Marks: 50Code Subject L P/T D TP TW P/V T Credit5.3 MERCHANDISING 2 - 2 25 25 - 50 2Objective:• To create displays of jewellery in attractive way.• To learn to arranging merchandise assortments, as per need or occasion.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 STORE DISPLAY- Space and Layout- Departments and Products- Store Lighting- Ambience- Signage / Branding3 202 WINDOW DISPLAY- Budget- Space and Props- Color- Seasons- Promotions- Lighting- Styling3 203 PRODUCT MERCHANDISING- Product Story- Product Branding- Product Packaging- Marketing9 2038

4 PROJECT 15 40Code: 5.4 RETAIL MANAGEMENTTotal number of hours: 30 hrs. (2 Credits)Marks: 50Code Subject L P/T D TP TW P/V T Credit5.4 RETAIL MANAGEMENT 2 - 2 25 25 - 50 2Objective:• To understand retail management with relevance to jewellery.• To have knowledge of its operations.• To understand global retailing.• To understand the merchandise from retail point.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 RETAIL OPERATION AND LOGISTICS 4 102 RETAIL ENVIRONMENT 2 103 TRADE PROMOTIONS 2 54 SHELF SPACE MANAGEMENT 2 55 HUMAN RESOURCES MANAGEMENT 2 56 LEGAL ASPECTS IN RETAILING 2 57 RETAIL FINANCIAL- Profit measures- Mark ups- Markdowns- Maintained markups- Pricing- Negotiations6 208 RESOURSE MANAGEMENT 2 59 STRATEGY MANAGEMENT 2 1039

10 GLOBAL RETAILING 2 511 BUYING AND MERCHANDISING 2 1012 FUTURE AND INNOVATION 2 10Code: 5.5 BRANDINGTotal number of hours: 30 hrs. (2 Credits)Marks: 50Code Subject L P/T D TP TW P/V T Credit5.5 BRANDING 2 - 2 25 25 - 50 2Objective:• To understand the jewellery industry.• To know how to do the market research of a product.• To knowledge about product and sales management.• To know the consumer behavior.• What all it requires to make a brand.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 INTRODUCTION TO BASIC MARKETING CONCEPTS 3 102 MARKET RESEARCH 9 253 PRODUCT MANAGEMENT 3 154 SALES MANAGEMENT 2 155 BRAND MANAGEMENT 9 256 CONSUMER BEHAVIOR 4 1040

Semester: VICode: 6.1 PROJECTSTotal number of hours: 540 hrs (180+360) (18 Credits)Marks: 450Code Subject L P/T D TP TW P/V T Credit6.1 PROJECTS - 36 - - 150 300 450 18a. STATE (5 weeks) - - - - - - -b. THEME BASED (10weeks) - - - - - - -Objective:• To work on the self set brief of a given state of any country.• To do the comprehensive state research on all topics.• To do complete costing of each product.• To analysis of production method/options to be used.• To finalized design proposals with technical drawings.• To decide on promotion/ packaging relevant to the product.• To manufacture the master pieces.• To do the Presentation on the selected topic.Sr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 STATE PROJECT180 33- Research on respective state of any country- Selection of subtopic in each state for designingindividually- Selection and finalization of design- Manufacturing pieces- Submission of pieces and booklet2 FINAL PROJECT360 67- Selection of topic- Research work- Concentration on topic and design conceptualization- Selection of designs of gathering raw materials- Manufacture designs and selected- Submission of research booklet- Submission of design of and manufacturing pieces41

Code: 6.2 COMMUNICATIONTotal number of hours: 60 hrs.Marks: 50Code Subject L P/T D TP TW P/V T Credit6.2 Communication - 4 - - 25 25 50 2Objective:• To improve the verbal and written communication.• To prepare them to face the interviews in right mannerSr.No.Topic and DetailsNo. of LecturesAssigned (in hrs.)Weightagein %1 INTRODUCTION- Definition- Evolution History4 2.52 TYPES- Scope channels patterns- Types of communication4 2.53 ADVANTAGES AND DISADVANTAGES OF ORAL ANDWRITTEN COMMUNICATION4 54 BARRIERS TO COMMUNICATION- Written communication letters- E-mails4 105 VERBAL- One to one- Small group- Public speaking- Nervousness8 56 PREPARED SPEECHES AND EVALUATION 4 157 DEBATE 4 58 IMPROMPT SPEECHES AND COMPARING 4 159 GROUP DISSCUSSION 4 542

10 PRESENTATION SKILLS 4 511 SMILE AND VOCAL EXERCISES 4 512 BODY LANGUAGES 4 513 RESUME BUILDING 4 1014 FACING JOB INTERVIEWS 4 10REFERENCE BOOKS FOR B.Sc. IN JEWELLERYDESIGN AND MANUFACTURESr.No.FASHION AND COSTUME JEWELLERYAuthorTitle1 Jargstorf , Sibylle Baubles, Buttons and Beads: The Heritage of Bohemia2 Weiner, Kay. Bain Baubles, Dangles and Beads3 Ball Michael Wire work4 Murray Maureen All About Beads5 Millodot, Suzen Chinese knots for beaded jeweler6 Bawden, Juliet Jewllery and Accessories: Beautiful designs to make and wear7 Rodgers, Carole Creative Jewellery: 33 innovative project using beads, shells and marbles8 Morris J., Whyte E Speaking with beads: Zulu Arts from S.AfricaSr.No.HISTORYAuthorTitle1 Beeker, Vivienne Art nouveau jewellery2 Christie's Art deco jewellery auction 17 Nov. 1998 Geneva3 Deboni, Franco Authentic art deco jewellery designs4 Dublin, Lois The Hist. Of beads: 30,000 B.C. to the present5 Mourey, G and Vallance, A Art nouveau jewellery and fans6 Art deco jewellery designs in full colour7 Nizam's jewellary8 Balakrishnan Usha Jewels Of Nizams9 Pecock john Twentieth Century jewelry :complete sources book10 Oppi Untracht Jewelery concepts and technology43

11 Duncan Alastair Art Nouveau12 Slesin, Suzanne & others Greek Style13 Slesin, Suzanne & others Spanish style14 Slesin, Suzanne & others Caribbean style15 Slesin, Suzanne & others Greek Style16 Boyer, Martha Mongol jewelry17 Dawes, G & Davidon, C Victorian jewelry unexplored treasure18 Eleutrei, Lodovico Twentieth century jewelery: artNouveau to modern design19 Toynbee, A; A study of history20Usha Bala Krishnan, MeeraKumar ShushilDance of the Peacock: jewellery tradition of India21 Untracht, Oppi Traditional Jewelery of IndiaSr.No.MANUFACTUREAuthor1 Wissinger, J Arts and crafts: metal work and silver2 McGrath, Jinks Jewelry Making3 Olver Eligabeth Jewelry making techinques book4 Tsuyuki Hiroshi & Ohba Yoko Practical Wax Modeling 2nd5 Tsuyuki ,Hiroshi Basic wax modeling Craft of jewelry by wax6 Matthews Enamels, enameling, enamelist7 McCreight, Tim Practical casting: A studio reference8 McCreight, Tim The complete metal Smith: An illustrated hand book9 Wooding, Robert Bead setting diamonds with pave applications10 Wooding, Robert Channel setting diamonds with illustrated procedures11 Schiffer, Nancy Silver jewellery design evaluating quality: good better best12 Dupony, Cris Creating your own antique jewelery13 Untracht, Oppi Jewelery concept and technology14 Jhaveeri, H.C. Russian enamels15 Fitch, Janet The colouring, bronzing and patination of metals16 O.P. Untrachi Metal techniques for craftsmen17 O.P. Untrachi Cloisonne enameling and jewellery making18 Moody, Jo The complete metal smiths19 Oppi, Utranchi Basic jewelery making techniques20 Kay, Ann The art and craft of jewellery21 Lysaght, Jessica Jewellery concepts and technology22 McGrath, Jinks Jewellery concepts and technology23 Francis, Chernulam Jewellery making for profits24 Mc Creight.Tim All about machine tools25 Gerlingh, Heller K All about machine toolsFelicia Liban And Louise Jewellery making manual26 Mitchell27 Delang Deon Medieval craftmen: gold smiths28 Odom, Anne Russian enamels29 Revere, Alan Jewelery fundamentals of metal smithing30 Odom, Anne The book of jewellery31 Claxton, A & Cheryl, O Step by step art of making jeweleryTitle44

32 Wrobel. Jessica Paper jewelry book33 McGrath, Jinks Jewelery & metal work in the arts & craft tradition34 O'keefee, Stephen Engineering drawing35 Maryon, H Metalwork and enamelling36 Gerlingh, Heller K The art of jewelery making37 Clement, Gill Jewelery and silver smithing techniques38 Cherunilam, Francis Techniques of fashion earrings39 Codina Carles Jewellery making manual40 Finegold, R & Seitz, W Silver smithing41 McGrath, Jinks The ring book42 Hickling, James Goldsmiths manual43 McGrath, Jinks The encyclopedia of jewelery making techniques44 Mc Creight.Tim Handbooks of jewellery techniques45 Haab, Sherri Tips and shortcuts for jewellwey making46 Mcswiney, S. & Others The art of metal clay47 Karlin, Elyse Z Make your own jewelery48 Hughes R & Rowe M International trade and export management49 Wicks, Sylia The creative jewelers inspirational projects using semi precious & everyday material50 Codina Carles Basic jewelery making techniques51 Mc Creight.Tim Practical castingSr.No.DESIGNAuthor1 Gold Magic: Gold jewellery spot light2 Design Orafo three: Design in gold3 Gov 35th edition4 Christies Important jewellery (London)5 Radica, Barbara Jewellery by architects6 Christies Jewels from the personal collection of Princess Salimah Aga khan7 Feder, Soraya Neclaces8 Vogue jewellery directory 20009 Blauer Ettagale Designer jewellry showcase 200310 Sotheby's Fine jewels and jewels for the collector11 Sotheby's Fine jewels and jewels for the collector 17 June 1996 London12 Sotheby's Rare jewels and precious objects:from a gentilman's estate13 Blauer Ettagale Designer jewellry showcase 200114 Childers, Carolin Prestigious Jewellery15 Childers, Carolin Great jewellery of the God16 Christies Christie's important jewellery and fine wrist watches17 Christies: Singapore Magnificient jadeide jewellery18 Christies Magnificient jewellery sale 6756: Auction 25 Oct. 199519 Sotheby's Asian arcade auction jewels20 Snowman, Kenneth Master jewelers21 Christies Fine jedeite jewellery & jadeite jewellery without reserve22 Sotheby's Jewels antique period and contemporary23 Leonard ,David j. Characters OrientalTitle45

24 World gold council World Gold trends 1994-9525 Titan collection Indian gold jewellery design resources book 1998-9926 World gold council Gold trends 1995-9627 Titan collection Diamond design portfolio vol.128 World gold council Indian gold jewellery design resources book 1998-9929 World gold council Gold trends 1995-9630 Ramshaw w. walking The paper jewellary collection :pop out Art wear31 Blauer,ettagale The Designer jewelry showcase .200432 Owen ,cheryl Paper inspiration :over35 illustation paper crafting projects33 Buccellati ,Maria c. Buccellati:art in gold ,silver & gems34 The Brand jewelry of the world spring 200535 Swaroski The designer scribble book36 Olver Eligabeth The jewellery directory of shape & form37 Mc Grath ,Jinks The jewellery directory of decorative Girishing38 Tsuyuki hiroshi , ohbayoko Practical wax Modeling :Advanced techniques for wax modeler39 World gold council The assaying and refining of gold : a guide for the gold jewellery producer40 Taylor, Elizabeth Elizabeth Taylor: my love affair with jewelry41 Corgnati, m Mario buccellati: prince of goldsmiths42 Childers Caroline Haute Jewelry43 Ring collection44 Galli , Maurice& others Creative variations in jewelry design45 Perez Pedro Design of the worlds46 Galli, Maurice The art of jewelry design: principle of design rings & earings47 Euro design : design of the world48 Palazzini Franco Le spille: 5638 design, Dal 1975 Al 199049 Mali, R.V Engineering drawing50Keith WestBasic perspective for artists: a guide to the creative use ofperspective in Drawing, painting and design51 Whelan Bride Colour harmony: 2, A guide to creative colour combination52 Oppi Untracht Jewelery concepts and technology53 Viviane Jutheau de Witt Marina B: The art of jewelry design54 John Loring Paulding Farnham: Tiffany’s lost genius55 Yamashita, koji (ed) Diamond 9656 Yamashita, koji (ed) Diamond ' 9957 Yamashita, koji (ed) Diamond 200058 Yamashita, koji (ed) Diamond 200259 Yamashita, koji (ed) Diamond 200160 Yamashita, koji (ed) Diamond 200361 Yamashita, koji (ed) Diamond 200462 Gibson, Ian Salvador Dali: the early years63 Hennessy, John Donatello sculptor64 Watkins, Nicholas Bonnard65 Hartt, Fredrick History of Italian Renaissance art: Painting, Sculptor, Architecture66 Renoir, Pierre Augusle His work67 Van Gogh, Vincent His work68 Van Rijn, Rembrandt His work69 Botticelli, Sandro His work70 Durer, Albrecht His work46

71 Pissaro, Camille His work72 Klimt, Gustav His work73 Schiele, Egon His work74 Duncan Alastair Art Nouveau75 White, Gwen Perspective: a guide for artists, architects & designers76 Dobosque, Doug Draw 3-d: a step by step guide to perspective drawing77 Richter, Anne The jewellery of southeast Asia78 Anderson, Patrica Contemporary jewellery in Australia & New Zealand79 Ethnic Jewellery: from Africa, Asia & Pacific Islands80 Cutsem, Anne A world of bracelets Africa, Asia, Oceania, America from the Ghysels collection81Usha Bala Krishnan & MeeraKumarDance of the Peacock: Jewellery tradition of India82 Untracht, Oppi Traditional Jewelery of India83Prior Katherine & Adamson,JohnMaharaja's Jewels84 Bharadwaj, Monisha Great diamonds of India85 Rita Devi & Varadrajan, M. Handcrafted Indian enamel Jewellery86 Lady Heart: Magnificent diamond necklaces87 Zapata, Jamet The jewelry and enamels of Louis comfort Tiffany88 Mauries, Patrick Jewelry by Chanel89 Habsburg, Gezavon Faberge: Imperial jeweler90 Snowman, Kenneth Faberge : lost and found91 Nadelhoffer, Hans Cartier: jewelers extraordinary92 Mascett, D & Triossi Bvlgari93 Brunhammer, Yvonne The jewels of Lalique94 Tiffany: innovation in American design95 Loring, John Tiffany jewels96 Cologni, Franco Piaget: Watches and wonders since 187497 Mirabella, Grace Tiffany & Co.98 Chanel & Baudot, F Chanel: fine jewelry99 Habsburg, Gezavon Faberge : imperial craftsman & his worldSr.No.COMMUNICATION AND PERSONALITY DEVELOPMENTAuthor1 Margerison, Charles J. The art of effective communication2 West, Michael Effective teamwork3 Bleech, James M. Mutchler, David G. The art of effective selling: introducing the leader selling systemSr.No.EXPORTAuthorTitleTitle1 Cherunilam, Francis International trade and export management2 Cherunilam, Francis International marketing: text and cases3 Cherry, John International marketing: text and cases4 Ahmed, Mehtab Export marketing47

Sr.No.DIAMOND GRADINGAuthor1 Heady sue Diamonds are a girls best friends2 Becker, Vivienne Rough Diamonds3 Waterneyer, Basil Diamond cutting: A complete guide to diamond processing 4 edition4 Vleeschdrager Eddy Hardness ten diamond history, diamond cutting trade5 Book of diamonds: as close to perfection as she is6 Diamonds: in the heart of earth, in heart of stars, at the heart of power7 Harlow, George The nature of diamondsTitleSplendor of diamonds sophisticated, elegant & sensualSr.No.GEMOLOGYAuthor1 Heady sue Emeralds :are a girls best friends2 Heady Sue Sapphires : are a girls best friends3 Heady Sue Rubies : are a girls best friends4 Schumann, Walter Gemstone of the world5 Schumann, Walter Gemstone of the world revised and expanded edition6 Anderson, B: Payne, J Spectroscope and Gemology7 Webster, R Practical Gemology and study gemstone, pearls and ornamental mineral8 Liddicoat, R.T Handbook of Gem Identification9 Kunz George and StevensonThe book of pearl: The history, art, science and industryof the queen of gems10 Metlins.A, Bonanno Jewellery and gems the buying guide11 Newman Renee Ruby, sapphire and emerald buying guide12 Harlow, George Minerals and gems13 Read, P. G Dictionary of gemmology. 2nd ed.14 Newman Renee Gemstone: buying guide15 Ward Fred Opals16 Malaguzzi, Silvia The pearl17 Ball Michael Wire work18 Murray Maureen All About BeadsSr.No.INSPIRATIONAuthor1 Gibson, Ian Salvador Dali: the early years2 Popper, Frank Art of Electronic age3 Nebehay, Christian Gustav Klimt: from drawing to painting4 Gage, John Colour and culture practice & meaning from antiquity to abstraction5 Howard, Michael The Impressionists By themselves6 Arad, Ron The international design yearbook 19947 Read, Herbert The Thames & Hudson dictionary of art and artists8 Bray Lys De The art of botanical illustrationTitleTitle48

10 Kunstenaars, Sieraden Robertsmit11 Kamensky, Aleksan Chagall: the ruosian years 1907-192212 David Hockney That’s the way I see it13 Rubin, William Primrtivism: in 20th century art14 Rubin, William Primitivism in the 20th century15 Hennessy, John Donatello sculptor16 Avery Charles Giambologna: the complete sculptor17 Watkins, Nicholas Bonnard18 Frank L'lloyd Wright Architect19 Jaffe, Hans L.C Piety Mondrian20 Hartt, Fredrick History of Italian Renaissance art: Painting, Sculptor, Architecture21 Baker Robin Designing the future22 Datta, Santa Surya Prakash: a journey beyond colours23 Renoir, Pierre Augusle His work24 Van Gogh, Vincent His work26 Van Rijn, Rembrandt His work27 Botticelli, Sandro His work28 Durer, Albrecht His work29 Pissaro, Camille His work30 Klimt, Gustav His work31 Schiele, Egon His work32 Banchoff, ThomasBeyond the third dimension: geometry, computergraphics&higher dimensions33 Beck J: Amendolo A & others Michelangelo the Medici Chapel34 Anscombe, Isabelle Omega and After bloomsbury and the Decorative arts35 Toman, Rolf Renaissance Architecture, sculptor, painting, drawing,36 Shinde, Deepak Deepak Shinde: 25years of painting 1971-199637 Duncan Alastair Art Nouveau38 Itten Johannes Design &Form: the basic course at the Bauhaus: revised edition39 Clark, Worswick Last empire: photography in British India : 1855- 191140 Shah, Shampa Tribal arts and crafts of Madhyapradesh41 Robinson, Andrew Maharaja: the spectacular heritage of princely India42 Singh, Raghubir Rajasthan: India’s enchanted life43 Aryan, Kamla Indian decorative design44 Saili, Ganesh Himalaya45 Aman, Nath Arts and crafts of Rajasthan46 Vaidyanathan, Saroja The science of bharat natyam47 Mookerjee, Ajit Kundalini: the arousal of the indian energy48 Mookerji, Ajit Kali: the feminine course49 Khanna, Madhu Yantra: the tantric symbol of cosmic unity50 Jain, Jutta Feet and footwear in indian culture51 Raja Dinker Kelkar Museum In Tambol tradition52 Prakash, K Om: gods own mantra53 Randhawa, T. S The last wanderers: nomads and gypsies of India54 Dehejia, Vidya Indian art55 Barnard, Nicholas Arts & crafts of India56 Cooper, Ilay & Others Arts & crafts of India57 Laa, John Taj Mahal & the glory of Mughal Agra49

58 Bhattacharji, S Legend of Devi59 Dehejia, Vidya Indian art60 Michell, George Elephanta61 Rao, Shanta In worship of Shiva62 Ions, Veronica Indian Mythology63 Aryan, Subhasini Unkown masterpieces of Indian folk & tribal art64 Krishana, N Arts & crafts of Tamilnadu65 Verma, Neelam Traditions ; a complete book of Indian arts and crafts motifs66 Dhar, D. N Artisan of paradise art &artisans of kashmir ...67 Desai, V.N & Mason, D Gods, guardians and lovers68 Carita, Helder Palaces of Goa69 Huyler, Stephen Gifts of earth70 Amina, Okada Taj mahal71 Tobias, M, Rai, R India 24 hrs72 Okada, Amina Ajanta73 Ypma, Herbert J. M India modern: traditional forms and contemporary design74 Neville, Tuli The flamed mosaic: Indian contemporary painting75 Barnes, Ruth and Others Trade, temple and court: Indian textiles from tapi collections76 Pathak, Rahul India face to face77 Sarabhai, M Performing arts of Kerala78 Ali Arif India: a wealth of diversity79 Panth, Pushpesh Madhya pradesh: the heart of India80 Fritz, John New light on hampi recent research at vijaynagar81 Pereira, J and Pal, India and Portugal cultural interactions vol 53(2), 200182 Dalmia, Yashodhra Contemporary Indian art :other realities vol53 (3) 200283Schmitz BarbaraAfter the great Mughals painting in Delhi and the regionalcourts in the 18th and 19th century84 Parviz, Nemati Shawls of the cast: from Kerman to Kashmir85 Aman Nath Jaipur: the last destination86 Wilson, Henry India: decoration, interiors, design87 Sacred symbols: Tao88 Gentleman, David Davids gentleman’s India89 Jain, Jyotindra Museums of India: national handicrafts and handlooms museum90 Huyler, Stephen Village India91 Pal, Pratapaditya The peaceful liberaters: jain art from india92 Parviz, Nemati Shawls of the cast: from Kerman to Kashmir93 Aman Nath Jaipur: the last destination94 Wilson, Henry India: decoration, interiors, design50