Knjiga - Aksioma

50Janez Janša,ties of denomination. Denomination and signification, i.e., 51Janez Janšacommunicational and identification mediation with namesPodpis (NAMEReadymade. steirischerbecame a central theme of their artistic exploration of theherbst), Gradec, 2008human condition (conditio humana). Indeed, they quiteAkcijaFlomaster na knjižniself-consciously suggest that the “human condition” renderedstrani 76, NAMEReadymade, JanezJanša, Janez Janša,as a pronounced or written name is not the samething as human nature. 3 The determination of the humanJanez Janša (uredniki),being by human creations and the outside world marksModerna galerija,Revolver, Ljubljana 2008the character of this project conceived by the artists in23.5 x 16.5 cmŠt. izvodov 1000different circumstances: as a signature “Janez Janša” onthe pavement of Hollywood’s Walk of Fame; the same signatureJanez Janša,Janez Janša,executed in stone on the slope of an Alpine ridge,Janez Janšaor with Light-Emitting Diodes (LED) at the exhibitionSignature (NAMEReadymade. steirischerArs Electronica; written with a pen on a passport form orherbst), Graz, 2008any other document, or inscribed on a surface of an artActionMarker on book page 76,painting as a gestural, almost calligraphic sign similar toNAME Readymade,the signatures of artists like Pablo Picasso, Cy Twombly,Janez Janša, JanezJanša, Janez JanšaRobert Ryman, or Neša Paripović ... Namely, everything(editors), Museum ofModern Art, Revolver,that enters into the human world, or is brought into it inLjubljana 2008human effort becomes a part of human determination. A23.5 x 16.5 cmEdition of 1000name is an exclusively human linguistic/semiotic “arte3 Hannah Arendt, Vita3 Hannah Arendt, Vitafact”, but in a retrospective sense, a complex condition ofhumanity and a dynamic condition of conceiving humanity.All this provokes anxiety, which marks the humanActiva, biblioteka AugustActiva, Biblioteka “AugustCesarec”, ZagrebCesarec, Zagreb 1991,str. 13.1991, p. 13presence in the world.nja. Poimenovanje in označevanje, tj. komunikacijsko inidentifikacijsko posredovanje z imenom, je postalo osrednjatema njihovega umetniškega raziskovanja človeškega pogoja(conditio humana). Pri tem povsem samozavestno navajajo,da „človeški pogoj“ v obliki izgovorjenega ali zapisanegaimena ni isto kakor človeška narava. 3 Pogojenost človeškegabitja z njegovim ustvarjanjem in tistim zunaj njega oblikujepomemben značaj projekta, ki ga ti umetniki izvajajo obrazličnih priložnostih: podpis Janez Janša na pločniku hollywoodskegabulvarja zvezd, isti podpis, ustvarjen iz kamnana pobočju alpske strmine ali izveden s svetlečimi diodami(LED) na razstavi Ars Electronica, izpisan z nalivnikom naformularju potnega lista ali katerega koli drugega dokumentater izveden na površini umetniške slike kot gestualen,skorajda kaligrafski zapis, je podoben podpisom – znakomumetnikov, kakršni so Pablo Picasso, Cy Twombly, RobertRyman ali Neša Paripović. Vse, kar vstopa v človeški svetali se vanj vnaša s človeškim trudom, postane sestavni delčloveške pogojenosti. Ime je ekskluzivni človeški lingvistični/semiotični„artefakt“, v retrospektivnem smislu patudi zapleteni pogoj človeškosti in dinamičnih pogojev njenegaizvajanja. Vse to povzroča nemir (askolia), s katerimbo označena človeška prisotnost v svetu.Janez Janša,The actions of the three artists do not merely representa contemporary cultural symptom, but a way of bringinganxiety into the human daily and traumatic existence.Personal names in all or some possible worldsWe can commence with an intuitively given suppositionthat the concept of a name apparently does not includea “description” of the named. The relation between a