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Vol 7 No 1 - Roger Williams University School of Law

Vol 7 No 1 - Roger Williams University School of Law

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circumventing a TPM in order to look at a program to identify andanalyse those elements necessary to achieve interoperability inthe name <strong>of</strong> reverse engineering, but only to the extent permittedby copyright law, most commonly where a right to reverseengineer under the fair use doctrine is available.298 Thus, thevalue <strong>of</strong> interoperability and digital diversity was seen inReimerdes as being <strong>of</strong> less importance than the copyright ownersexclusive right to reproduction or to control access. This was ahard case and this type <strong>of</strong> fact scenario needs much more thought.However, to prevent the porting <strong>of</strong> informational products todifferent platforms stifles diversity and allows one entity tocontrol the structure or architecture for disseminating informationand constructing meaning. Is this acceptable? Obviously a verybroad right to reverse engineer given as an exception to copyright(or circumvention?) law reduces the incentive for developings<strong>of</strong>tware or content. However, this must be balanced against theneed for interoperability and digital diversity in s<strong>of</strong>twarearchitecture.2993. Fair Use: NapsterFair use was also unsuccessfully argued in the recent Napsterdecision, although many would argue that this is a case in whichthe social benefits <strong>of</strong> the user outweigh the economic arguments <strong>of</strong>copyright protection.300There have been a number <strong>of</strong> decisions concerning what isknown as “mp3.” Mp3 is a format/s<strong>of</strong>tware that allows digitizedmusic to be compressed and digitally distributed without losingsound quality.301 The recording industry throughout the world298. See, e.g., RealNetworks, Inc. v. Streambox, Inc., 2000 WL 127311 (W.D. Wash.2000); Sony Computer Entm’t <strong>of</strong> Am., Inc. v. Gamemasters, 87 F. Supp. 2d 976 (N.D.Cal. 1999).299. See Lessig, supra note 42.300. See Fred von Lohmann, Peer-to-Peer File Sharing and Copyright <strong>Law</strong> AfterNapster, Cal. <strong>Law</strong>., Jan. 2001, at 42, available athttp://www.eff.org/IP/P2P/Napster/20010309_p2p_exec_sum.html (last visited <strong>No</strong>v. 17,2001).301. See Recording Indus. Ass’n <strong>of</strong> Am. v. Diamond Multimedia Sys., Inc., 180 F.3d1072, 1073-74 (9th Cir. 1999).Until recently, the Internet was <strong>of</strong> little use for the distribution <strong>of</strong> musicbecause the average music computer file was simply too big: the digitalinformation on a single compact disc <strong>of</strong> music required hundreds <strong>of</strong> computerfloppy discs to store, and downloading even a single song from the Internettook hours. However, various compression algorithms (which make an audio

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