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D7. MONITOR SYSTEM24-input monitor mix desk off-stage left.(in smaller venues, monitors can be run from house desk provided there are enough pre-fader sends on thehouse console, PLEASE ADVANCE.Four (4) Separate Mixes. to 6 Wedges as per stageplot,Six (6) wedges – One at each playing station.If Bata drums and/or Drum Set are not being used, per advance agreement by ARTIST or ARTISTREPRESENTATIVE then only four or five playing stations and monitors will be needed..D8. MICROPHONESPLEASE PROVIDE ALL SHURE Beta or SM57 AND Beta or SM58 MICS ON ALL PERCUSSIONAND FOR ALL VOCALS.IMPORTANT: WHEREVER THE ROOM IS OVER A 120 PERSON CAPACITY, PLEASE MIC EACHCONGA SEPARATELY. PLEASE USE A BOOM STANDS FOR EACH CONGA, NOT CLIP-ONS.IF ROOM IS HOLDS LESS THAN 120 PEOPLE THEN TWO BOOM STANDS WILL BEACCEPTABLE. ALL OUTDOOR SHOWS REQUIRE THAT EACH CONGA BE SEPARATELYMIC’D. THIS IS A PERCUSSION-DRIVEN GROUP, LED BY A PERCUSSION PLAYER. IT ISESSENTIAL THAT THE DETAIL AND ALL OF THE PERCUSSION PLAYING BE CRISP ANDPRESENT IN THE MIX.NOTE THAT PER STAGE PLOT, JHAIR SALA REQUIRES THREE MICSD9. MICROPHONE STANDSFive (5) short booms (plus stands for drumset)Six (6) standard booms (plus stands for drumset)PMG Band Members / Instrumentation:Pedrito Martinez Percussion and Lead VocalsAriacne Trujillo Keyboard and Lead VocalsAlvaro Benavides Electric Bass and Background VocalsJhair SalaBongos and Bell and Background VocalsThis Agreement shall be effective only when signed by PURCHASER and returned to ARTISTS booking agency.All attachments and addendum are considered a part of this contract rider and are binding.AGREED AND ACCEPTED__________________________PURCHASER__________________________DATE__________________________ARTIST__________________________DATE