JOE LOVANO QUARTET

THE PEDRITO MARTINEZ GROUPCONTRACT RIDERADDITIONAL TERMS AND CONDITIONSPlease read this rider carefully, it is part of the attached contract for ARTIST. By signing it, you are agreeing tosupply ARTIST with production and proper working conditions essential to performance. Any breach of the termsand conditions of this rider is a breach of the contract and may cause ARTIST to refuse to perform without releasingPURCHASER from his obligation to pay ARTIST. If ARTIST elects to perform notwithstanding a breach of thisagreement by PURCHASER, the performance by ARTIST shall not constitute a waiver of any claim ARTIST maywaive for damages or otherwise.A. ADVERTISING AND PROMOTIONAl.Billing on all advertising and publicity must appear as follows:THE PEDRITO MARTINEZ GROUP (100%)A2. ARTIST is to receive 100% star billing on ALL publicity releases and paid advertisement includingwithout limitations - programs, all electronic media, flyers, signs, newspaper ads, marquees, tickets, radiospots, TV spots, etc. unless otherwise authorized in writing by ARTIST OR HIS REPRESENTATIVE.A3. PURCHASER agrees to use only artwork, ad mats, photos and/or promotional materials provided orapproved by ARTIST in all advertisements. Publicity photos and bios can be downloaded fromwww.imnworld.com/pedritomartinez. PURCHASER agrees to include photo credits as indicated in allsupplied photos wherever possible.A4. PURCHASER agrees not to commit ARTIST to any personal appearances, interviews or other promotionor appearance without prior written consent from ARTIST OR HIS REPRESENTATIVE.A5. PURCHASER agrees that there shall be no signs, placards or other advertising materials on or near thestage during the entire performance. ARTIST'S appearance shall not be sponsored by, or in any other waytie-in with, any political candidate, commercial product or business.A6. In the condition that ARTIST brings merchandise for sale PURCHASER shall provide qualified salespersonnel with a cash bank and receive no greater than 20% commission on the net selling proceeds, unlessotherwise agreed with management.A7. PURCHASER will make available fifteen (15) complimentary tickets per show to ARTIST for their soleuse. Seats must be in preferred locations. ARTIST will contact the box office no later than one hour priorto the concert in the case of unused tickets. If this is a compensation bonus or percentage based incomethen PURCHASER agrees to distribute no more than ten (10) additional complimentary tickets to eachshow.B. MISCELLANEOUS, PAYMENT AND LEGAL CONTRACTUAL CLAUSESB1. PURCHASER shall not allow audience to enter place of performance until technical set-up has beencompleted. ARTIST shall assist in the completion of said setup one hour prior to time of performance or ata mutually agreeable time. ARTIST REQUIRES A MINIMUM ONE HOUR SOUND CHECK AFTERCOMPLETION OF LOAD IN AND SETUP. When a tour manager/sound engineer travels with Artist, setup must be arranged one hour before sound check with Artist. FESTIVAL PRODUCERS AREREQUIRED TO COMPLY WITH THIS POLICY UNLESS OTHERWISE AGREED IN WRITINGWITH THE ARTIST'S REPRESENTATIVE.B2. ABSOLUTELY NO PHOTOS DURING THE REHEASAL, SOUND CHECK ORPERFORMANCE SHALL BE PERMITTED BY PRESS, PURCHASER’S STAFF ORPATRONS, UNLESS OTHERWISE AGREED WITH MANAGEMENT.

(d)The PURCHASER further warrants and represents that it maintains at all times, during the term ofthis agreement, Workers Compensation Insurance, including Employers Liability Coverage for itsemployees and others who are involved in the installation, operation and/or maintenance of theequipment provided by ARTIST, lighting suppliers and sound suppliers. The said certificates mustbe presented to the ARTIST’s representative upon request.B7. Nothing contained in this agreement shall be construed to constitute a partnership or joint venture, andARTIST shall not be liable, in whole or in part for any obligation that may be incurred by PURCHASER incarrying out any of the provisions hereof, or otherwise. Further, PURCHASER warrants and representsthat he/she has the legal capacity to enter into this contractB8. This agreement may not be changed, modified or altered except by an instrument in writing by both parties.This agreement shall be construed in accordance with the laws of The State of New York. Any claim ordispute arising out of or relating to this agreement or the breach thereof shall be settled by arbitration inThe State of New York.B9. Any proposed additional terms and conditions, which may be affixed to this contract by PURCHASERdoes not become part of this contract until signed by ARTIST.B10. PURCHASER at his/her sole expense shall obtain licenses, permits, or other approval required from anyunion, public authority, performing rights society or other entity having jurisdiction with respect to theengagement, and shall comply with and fulfill all terms and conditions set forth therein. PURCHASERalso agrees to secure any and all immigration clearances if concert is held outside of the United States andbear any costs incurred, including but not limited to application fees, consular fees, duplication, couriersand expediting agents..B11. If State, Local or Federal tax is to be withheld for this engagement, Purchaser shall furnish ARTIST with acopy of the tax law dictating this policy. This copy must be returned with the signed contracts for thisengagement. PURCHASER must also furnish ARTIST with an official documentation requiring taxdeduction receipt claiming the amount to be withheld on the night of the performance. Any tax paid mustbe documented by official receipt and forwarded to ARTIST REPRESENTATIVE no later than 30 daysfrom receipt.B12. ARTIST’S obligation to perform there under shall be excused if ARTIST, or any of his group or essentialcrew, is unable to perform as a result: illness or injury; detention resulting from inability to obtainreasonable modes of transportation; riots or other civil strife; strikes or other forms of labor disputes;epidemics; an act or order of any public authority or court; any act of God; or any other cause beyondARTIST'S reasonable control. In such event, ARTIST will not be required to perform and shall return toPURCHASER any deposits paid, less costs incurred by ARTIST and neither party shall be under any otherobligation to each other.Notwithstanding anything contained herein, inclement weather shall not be deemed a Force Majeureoccurrence, except by act of civil authority, and the Purchaser shall remain liable for payment of the fullcontract price even if the performance(s) called for herein are prevented by such weather conditions.Producer shall have the sole right to determine in good faith whether any such weather conditions shallrender the performance(s) impossible, hazardous or unsafe.B13. PURCHASER agrees that ARTIST may cancel the engagement hereunder by giving PURCHASERwritten notice thereof at least forty-five (45) days prior to the commencement of engagement if ARTISTshall be called upon to render services in connection with motion pictures or television if engagementhereunder conflicts therewith

C. TRAVEL, HOTEL, DRESSING ROOMS AND CATERINGC1. PURCHASER agrees to provide ARTIST'S REPRESENTATIVE with detailed directions to the place ofperformance. If ARTIST gives advance notice to PURCHASER that the ARTIST is arriving by air,PURCHASER shall provide GROUND TRANSPORTATION for ARTIST plus luggage and instrumentsbetween airport, hotel, concert venue, and return to airport upon departure via a 7 or a 12 PASSENGER +MINI VAN OR CARGO VAN with a large cargo space (at least one seat removed) such as Dodge Sprint.If PURCHASER is picking ARTIST up, he must be on time, meet the ARTIST at the point of arrival withan identifying sign, and must be able to carry luggage and have appropriate transportation available.If PURCHASER is providing air tickets, ARTIST requires five (5) economy class tickets plus overweightand/or oversize charges will be at the PURCHASER’S sole expense. Train tickets (unless specialcontractual provision has been made) are not acceptable. If PURCHASER is providing and booking airlinetickets then please adhere to the following conditions. When these conditions cannot be feasibly met thenplease contact management to discuss alternatives:1. All flights need to be Direct and Non-Stop unless otherwise agreed in writing.2. All flights must be in and out of Newark, NJ unless otherwise agreed in writing, except for AlvaroBenavides and Paul Siegel whose flights may be in and out of Laguardia or JFK. To be reviewed anddiscussed in advance.3. All seating needs to be in aisle seats.4. Group does not need to sit together.IF PURCHASER IS PROVIDING TRANSPORTATION AS OUTLINED ABOVE, SCHEDULINGMUST BE APPROVED BY ARTIST’S MANEGEMENT PRIOR TO BOOKING.C2. If PURCHASER is providing HOTEL ACCOMMODATIONS, a minimum of five (5) non smokingking single rooms with large bed (no double bed) in a minimum of a four (4) star hotel (with a full gym,wireless internet, air conditioning, restaurant, and safe parking, etc) is required. The room shall beavailable until the day after the performance with the ARTIST to comply with check-out times and hotelrules. The PURCHASER shall not be responsible for any extra charges during the stay of the ARTIST.Please, try to arrange an early check-in when the transport schedule makes it necessary.The performers and their staff will not accept any hotel that does not meet these requirements. Should thatsituation arise, another hotel meeting these guidelines will be booked at the PURCHASER’S expense.Hotel recommendation (Please provide two):Name_________________________________________URL____________________________________Name_________________________________________URL____________________________________C3. PURCHASER shall provide two (2) comfortable non-smoking and private DRESSING ROOMS withineasy access to clean and private lavatories which are supplied with soap, toilet tissue, towels, and fulllength mirrors. These rooms must have adequate furniture, hot and cold running water, and be properlylighted. The ARTIST’s dressing rooms and backstage areas shall be designated no smoking areas for allvenue personnel and visitors. Bottles of water and towels shall be provided for ARTIST'S use in dressingrooms and on stage.

D2BACKLINEPEDRITO MARTINEZ PERCUSSION & VOCAL SPECIFICATIONSALL PERCUSSION MUST BE “LP “BRAND AND MUST MODELS INDICATED. ALL HEADSMUST BE NEW OR LIKE-NEW REMOTHREE (3) LP CONGA DRUMS –MEANING TWO CONGAS AND ONE TUMBA [NO QUINTO,PLEASE!]ACCEPTABLE MODELS: “PALLADIUM”, “CLASSIC”, “GIOVANNI HIDALGO”, or“GALAXY”.NO SUBSTITUTIONS IN EITHER MAKE OR MODELS, PLEASE!NO CONGA STANDS NECESSARYONE LP CAJON (WHICH PEDRITO WILL SIT ON). MUST BE “AMRICANA STRING” MODEL.IF THIS SPECIFIC MODEL IS NOT ACCESSABLE PLEASE CONTACT MANAGEMENT ASAPIF CONGA PLAYER WILL NOT BE SITTING ON A CARPET THEN THREE SANDBAGS WILLBE NEEDED AND PLACED BEHIND CAJON TO PREVENT SLIPPINGBATA DRUMS: A SET OF THREE LP BATA DRUMS AND A HEAVY DUTY BATA STANDAMND FOUR BUNGEE CORDSIF BATA DRUMS CANNOT BE LOCATED LET MANAGEMENT ASAP KNOW SINCE WEMAY BE ABLE TO ASSITONE SET OF YAMAHA DRUMS-5 PIECES-22” KICK, 10”, 12”, 14” TOMSZILDJIAN CYMBALS: RIDE, HI HATS, CRASH AND ONE SPLASH. TYPICAL TYPES ANDSIZES ARE OKAY.COWBELL MOUNTED TO THE KICK DRUM WITH BRACKET AND MIC’D SEPARATELY.A SET OF EXTRA REMO CONGA HEADS MUST BE AVAILABLE IN CASE OF BREAKAGEPLEASE MIC EACH CONGA SEPARATELY WITH A BETA 57 ON A BOOM STAND ANDPROVIDE BETA SM 58 FOR VOCALARIACNE TRUJILLO KEYBOARD & VOCALSPECIFICATIONSYAMAHA P155 OR CR-33 KEYBOARD [WILL NOT USE A GRAND PIANO] SIMLAR ROLANDOR KORG MODELS ARE OKAY.PLEASE DO NOT PROVIDE YAMAHA SP30ADJUSTABLE KEYBOARD STAND, SUSTAIN PEDAL, AND CABLES.ONE HIGH QUALITY DRUM THRONE OR PADDED ADJUSTABLE PIANO BENCHPLEASE PROVIDE AN SM 58 FOR VOCAL

ALVARO BENAVIDES BASS & VOCAL SPECIFICATIONSBASS RIG: MUST BE SEPARATE AMP AND CABINET. NO COMBOS, PLEASEAMP CAN BE GK, MARKBASS, EDEN OR SWRTHE FOLLOWING CABINET BRANDS ARE ACCEPTABLE: EDEN, SWR, OR MARKBASSCABNET CAN BE EITHER ONE 15” PLUS 2 10” SPEAKERS OR FOUR 10”ONE HEAVY DUTY GUITAR STANDPLEASE PROVIDE A BETA OR SM 58 FOR VOCALJHAIR SALA PERCUSSION & VOCAL SPECIFICATIONSONE HIGH QUALITY DRUM THRONEONE SMALL PERCUSSION TABLE TO HOLD TWO COWBELLS[CAN BE FOLDED OVER MUSIC STAND]ONE PAIR OF PROFESSIONAL LP BRAND BONGOSACCEPTABLE BONGO MODELS “GIOVANNI HIDALGO”, “CLASSIC OR “GALAXY”IMPORTANT: PLEASE HAVE REPLACEMENT REMO HEADS FOR ALL PWRCUSSION ONHAND IN CASE OF BREAKAGEPLEASE PROVIDE THREE BETA 57s FOR PERCUSSION AND SM 58 FOR VOCALD3. LIGHTING SYSTEMHighest professional quality stage, lighting system with a standard assortment of bright colored gels onindependently controlled instruments, to be operated by professionally qualified technicians under the soledirection of ARTIST or Artist representative during sound check and performance. THE ARTIST requestssmooth transitions, no flash and no total blackouts. NO HAZER PLEASE!D4. SOUND SYSTEMA sound check is mandatory. A house electrician and sound engineer must be available throughout theentire sound check and performance. Sound system must be operable at least three (3) hours prior to doorsopening and available for sound check.ARTIST must have sound check as late as possible prior to opening of venue to audience. If there are otherbands on the show, then ARTIST is to have the last sound check.A concert sound system of sufficient size, sophistication and quality to deliver to all members of theaudience (including sound reinforcement to balcony if any) an amplified blend of ARTIST’S music(including all instruments) free of distortion, feedback, and extraneous noises to the satisfaction of theARTIST or the ARTIST’S representative. Said sound system must consist of the following:D5. P.A.P.A. Speaker system must be STEREO with 1/3 octave EQ and crossovers at the mix position. Speakers ofthe highest professional quality, in good working order, correctly phase aligned, capable of generating acontinuous average SPL of 110db “A” weighted at the FOH mix position.D6. FOHMinimum 24-input, 4 submaster console with channel inserts: 4 bandsweep EQ, phantom power, 8 auxsends.

D7. MONITOR SYSTEM24-input monitor mix desk off-stage left.(in smaller venues, monitors can be run from house desk provided there are enough pre-fader sends on thehouse console, PLEASE ADVANCE.Four (4) Separate Mixes. to 6 Wedges as per stageplot,Six (6) wedges – One at each playing station.If Bata drums and/or Drum Set are not being used, per advance agreement by ARTIST or ARTISTREPRESENTATIVE then only four or five playing stations and monitors will be needed..D8. MICROPHONESPLEASE PROVIDE ALL SHURE Beta or SM57 AND Beta or SM58 MICS ON ALL PERCUSSIONAND FOR ALL VOCALS.IMPORTANT: WHEREVER THE ROOM IS OVER A 120 PERSON CAPACITY, PLEASE MIC EACHCONGA SEPARATELY. PLEASE USE A BOOM STANDS FOR EACH CONGA, NOT CLIP-ONS.IF ROOM IS HOLDS LESS THAN 120 PEOPLE THEN TWO BOOM STANDS WILL BEACCEPTABLE. ALL OUTDOOR SHOWS REQUIRE THAT EACH CONGA BE SEPARATELYMIC’D. THIS IS A PERCUSSION-DRIVEN GROUP, LED BY A PERCUSSION PLAYER. IT ISESSENTIAL THAT THE DETAIL AND ALL OF THE PERCUSSION PLAYING BE CRISP ANDPRESENT IN THE MIX.NOTE THAT PER STAGE PLOT, JHAIR SALA REQUIRES THREE MICSD9. MICROPHONE STANDSFive (5) short booms (plus stands for drumset)Six (6) standard booms (plus stands for drumset)PMG Band Members / Instrumentation:Pedrito Martinez Percussion and Lead VocalsAriacne Trujillo Keyboard and Lead VocalsAlvaro Benavides Electric Bass and Background VocalsJhair SalaBongos and Bell and Background VocalsThis Agreement shall be effective only when signed by PURCHASER and returned to ARTISTS booking agency.All attachments and addendum are considered a part of this contract rider and are binding.AGREED AND ACCEPTED__________________________PURCHASER__________________________DATE__________________________ARTIST__________________________DATE

INFORMATION LISTPEDRITO MARTINEZ GROUPThe following information list is to be returned with the contracts1) DATE OF PERFORMANCE __________________ CITY _______________________a. Name of venue _____________________________________________________b. Address _____________________________________________________c. Production Phone # _____________________________________________________d. Production Email _____________________________________________________2) Name and Contact info. for PRODUCTION MGR _____________________________3) Name and Contact info. for TECHNICAL DIR. _____________________________4) Name and Contact info. for SOUND ENGINEER _____________________________`5) Name and Contact info. for MARKETING DEPT _____________________________6) Name and Contact info. for ARTIST SERVICES _____________________________7) STAGE DIMENSIONS : Depth ________________ Width ________________Height : Stage to CeilingHeight : Stage________________________________8) Time of Performance______________ Time of Soundcheck (if scheduled)_____________9) Other bands playing after ARTIST ______________________________________Their Show and S/C times ______________________________________10) Please provide detailed information regarding loading dock / backstage door for arrival of ARTIST on back ofinformation sheet.Please send / fax Technical Information and Artist Guide if available. A map of the area is also MOSTHELPFUL. THANK YOU IN ADVANCE FOR HELPING TO MAKE THE SHOW A GREAT SUCCESS!