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Birth to three matters - Communities and Local Government

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Eliot (at two <strong>and</strong> a half) was at homechalking on a blackboard <strong>and</strong> narrating atale of a donkey who ran away from ahorrible, cruel person – he traced swirls as he<strong>to</strong>ld of the donkey’s w<strong>and</strong>erings <strong>and</strong> finallybrought his drawing <strong>to</strong> the centre of theboard when the donkey found shelter <strong>and</strong>happiness with a little boy <strong>and</strong> girl. The staffat his nursery, when <strong>to</strong>ld of this s<strong>to</strong>ryingexplained that they had read a tale <strong>to</strong> thechildren about a donkey who had a cruelowner <strong>and</strong> who ran away.As well as signifying objects <strong>and</strong> eventsthrough making marks <strong>to</strong> symbolise them<strong>and</strong> fix them in time <strong>and</strong> space, childrenare also often encouraged at this stage <strong>to</strong>be involved in writing acts in differentgenres that are socially <strong>and</strong> culturallysignificant, for example signing birthdaycards, mimicking shopping lists <strong>and</strong>writing notes. Their name, <strong>and</strong> the lettersfrom their name, become the focus at thisstage for much of the writing as well as arange of other circular <strong>and</strong> stroke-likeshapes that young children perceive <strong>to</strong> bethe nature of adult writing. It is interestingthat very young children have beenobserved <strong>to</strong> make marks which reflect thewritten language of their culture at thisstage with, for example, children from nonwestern cultures making marks from right<strong>to</strong> left, or <strong>to</strong>p <strong>to</strong> bot<strong>to</strong>m,using dots,pictures <strong>and</strong> other symbols, some of theirown invention, <strong>to</strong> represent <strong>and</strong> makemeaning. They are drawing on all availablecultural capital <strong>to</strong> create such scripts <strong>and</strong>’the decisions which children make inreading <strong>and</strong> writing…are not onlyorganised but are laced with bothpersonal <strong>and</strong> social organisation. Thisinterplay between personal <strong>and</strong> socialorganisation in the evolution of literacy isuniversal’ (Harste et al 1984: 107). Thus,individual children can be seen <strong>to</strong>represent, in their mark making, whicheversociety, community <strong>and</strong> culture <strong>to</strong> whichthey belong.It is important <strong>to</strong> acknowledge thecrucial part that the context, a writingenvironment which is accepting,emotionally positive <strong>and</strong> in which thereare appropriate resources, plays inchildren’s developing underst<strong>and</strong>ingsof the codes, symbols <strong>and</strong> signs thatdetermine effective print communication.Such contexts, determined <strong>and</strong> definedby parents <strong>and</strong> carers, as well asaccompanying interactions, form the basisof the affective nature of the experience.Because a child must ’disengage himselffrom the sensory aspect of speech <strong>and</strong>replace words by images of worlds…which lack the musical, expressive,in<strong>to</strong>national qualities of oral speech’(Vygotsky 1986: 181) then whether or notthere is any sense of emotionalengagement by <strong>and</strong> with adults will effectwhether or not children wish <strong>to</strong> repeat theprocess or event.For many adults <strong>and</strong> caregivers, suchpleasurable interactions are natural.Indeed, when Campbell recorded a day98 EDUCATION ANDSKILLS B I RT H T O T H R E E M AT T E R S

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