a fast-moving sce n e. When the process ofp l ay is ri c h ,it can lead children in<strong>to</strong> cre at i n grich prod u cts in their s<strong>to</strong> ri e s, p a i nt i n g s,d a n ce s, music maki n g, d raw i n g s, s c u l p t u re s<strong>and</strong> co n s t ru ct i o n s, or in the solving ofs c i e ntific <strong>and</strong> mat h e m at i cal pro b l e m s.’Some learning in young children occursthrough imitation.They will try <strong>to</strong> do whattheir carer does, sometimes after a timelapse, which indicates how memory isassisting that learning, but usually that‘imitation’ is actually a re-construction –the child’s own version of what s/he hasobserved <strong>and</strong> noted, constructed <strong>and</strong>transformed – in just the same way apainter like Picasso would transformexperiences, ideas, feelings <strong>and</strong>perceptions in<strong>to</strong> a work of art. Bruce (2001)provides a detailed overview of learningthrough play in the years before six,commenting that during the <strong>to</strong>ddler yearschildren begin <strong>to</strong> rehearse roles, pretend<strong>and</strong> create play props, as their ability <strong>to</strong>imagine accelerates rapidly, along withlanguage <strong>and</strong> play with symbols.Meanings are made, not mere ly dispatc h e d<strong>and</strong> co n s u m e d, as Meek arg u e s,‘The most strenuous period of imaginativeactivity is that time in childhood when weplay with the boundaries of our view ofthe world:sense <strong>and</strong> nonsense, the real<strong>and</strong> the fictive, the actual <strong>and</strong> the possible,all within the cultural domain we inhabit.’(Meek 1985: 53)Observing children when they play infamiliar surroundings is not onlyenjoyable, it is essential, because it isduring play that children are relaxedenough <strong>to</strong> ‘perform’ in ways whichdemonstrate the amazing extent of whatthey know <strong>and</strong> can do (see Lindon 2001).BEING CREATIVERobinson, <strong>and</strong> others, claim that‘creativity is in crisis’ (Robinson 2001: 195)as instruction <strong>and</strong> information giving<strong>and</strong> gathering overwhelm the timeavailable for nurturing <strong>and</strong> valuingdifferent intelligences <strong>and</strong> ways of being<strong>and</strong> belonging.And yet the curi o s i ty of ve ry yo u n gc h i l d ren <strong>and</strong> their ability <strong>to</strong> take risks ind i s cove ry, p rovide a firm basis on whichc re at i v i ty can be deve l o pe d. By about eightm o nths of age, when children can movere a s o n a b ly indepe n d e nt ly, away from thefamiliar l<strong>and</strong>sca pes of the adult faces whoe nte rtain <strong>and</strong> co m m u n i cate with them,c h i l d ren will range around their homel a n d s ca pe, seek out <strong>and</strong> ex p l o re object sco n s t a nt ly. Anything reachable can bet u rned in<strong>to</strong> a play t h i n g. Ma ny pare nts arefamiliar with the idea that, in this, t h ec h i l d’s re s e a rc h ,p l a ces such as ki tc h e nc u p bo a rds be come play sites (Pi e rce 2000).Such ex p l o ration satisfies curi o s i ty but it isalso helping the child develop pe rce p t u a l<strong>and</strong> spatial awa re n e s s. Ag a i n ,the re s t ri cte da b i l i ty <strong>to</strong> move <strong>and</strong> <strong>to</strong> ex p l o re of their ow na c co rd, ex pe ri e n ced by children withce re b ral palsy or those not motivated <strong>to</strong>m ove, l i ke some children with Dow n’ss y n d ro m e, means that these children willnot develop pe rceptual <strong>and</strong> spat i a lawa reness as effe ct i ve ly as other childre n .93
In Kate Pa h l’s longitudinal re s e a rch study ofyoung boys’ meaning, making activities intheir homes, she found that children oftendrew on the ‘cultural capital’ available <strong>to</strong>them at home, including games played,te l evisual text s, Su pe rm a ri o, the home site :spaces <strong>and</strong> artefacts as well as s<strong>to</strong>riesheard, etc, (Pahl 2001:120) in order <strong>to</strong>enrich their meaning, constructions <strong>and</strong>transformations. Commercially produced<strong>to</strong>ys are seldom used in isolation forc re at i ve purposes <strong>and</strong> sometimes their usecan be counter productive, particularly ifdirected by adults. In Pridham, Becker <strong>and</strong>Brown’s research project, investigating theoptimum conditions for childre n’s foc u s e dexploration of <strong>to</strong>ys, they found that acaregiver’s ‘attention-directing behaviourhad a negative effect on infant explorationof <strong>to</strong>ys. The more a mother directed <strong>and</strong>consequently, refocused her infant’sattention, the less focused exploration of<strong>to</strong>ys the infant did’ (Pridham et al 2000:1445). More often,play, s<strong>to</strong>rying <strong>and</strong>creative acts appeared <strong>to</strong> take place inthe co-constructed worlds of adults <strong>and</strong>children <strong>and</strong> Pierce discovered throughher observations the significance of ‘dyadicinterplay between the occupations of themother <strong>and</strong> those of the infant <strong>and</strong><strong>to</strong>ddler’. She found <strong>to</strong>o that the mothersin her study ‘supported <strong>and</strong> shaped infant<strong>and</strong> <strong>to</strong>ddler play in the home throughtheir management of home space <strong>and</strong> itsplay objects’ (Pierce 2000:297). It is, asMeek suggests, the affective nature of play,the exploration of alternate worlds, the‘rituals of s<strong>to</strong>ry play’ that serve as culturalreference points in the development ofwhat children see as real <strong>and</strong> not real(Meek 1985: 49). (Note again here theinvolvement of shared, co-constructedrituals <strong>and</strong> narratives, shaped by thechildren with adult support <strong>and</strong>encouragement, reiterating the ‘messages’in the section on language <strong>and</strong> thoughtearlier in this chapter.)It is Ma l a g u z z i ,in discussing the philosophyof Reggio Em i l i a , who descri bes the nat u reof children <strong>and</strong> creativity from his work<strong>and</strong> observations:‘They have the privilege of not beingexcessively attached <strong>to</strong> their own ideas,which they construct <strong>and</strong> reinventcontinuously. They are apt <strong>to</strong> explore,make discoveries, change their points ofview <strong>and</strong> fall in love with forms <strong>and</strong>meanings that transform themselves.’(Edwards et al 1998:75)Ma l a g u z z i’s belief is that ‘c re at i v i ty re q u i re st h at the s c h ool of kn ow i n gfinds co n n e ct i o n swith the s c h ool of ex p re s s i n g, o pening thed oors <strong>to</strong> the hundred languages of childre n’( Edwa rds et al 1998 :77).Through the use of language <strong>and</strong>literature, <strong>and</strong> playful encounters withboth,parents <strong>and</strong> carers are able <strong>to</strong> showyoung children the nature of what ispossible. Robinson claims that ‘creativity isa process of seeing new possibilities’ <strong>and</strong>that ‘intuition <strong>and</strong> a feel for the materials<strong>and</strong> processes involved’ is critical(Robinson 2001: 137). The emphasis in thediscussion of creativity in young children ison process rather than production <strong>and</strong> the94 EDUCATIONAND SKILLS B I RT H T O T H R E E M AT T E R S
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AcknowledgementsThe authors and pub
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Relationships with other people (bo
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policies for families. So this lite
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etween three and nine years old whi
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0 - 8 months: Heads Up, Lookers and
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e a rliest ye a r s’ 1 , is the c
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distinguish between things, and tha
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Chapter 2Influential research and t
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THE ISSUE OF THEORIES AS CULTURALCO
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p a rt i c u l a rly in re l ation
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developed by Bereiter and Engelmann
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familiar settings. By about one yea
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child as learning and developing in
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are important to them,blanking out
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THEORIES ABOUT EARLY CHILDHOODEDUCA
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Chapter 3A Strong ChildIn the Frame
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A GROWING AWARENESS OF SELF AND THE
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Finally, in this review of the rese
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meaning making. Paper presented at
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Pre-school Program on Youths throug
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Bronfenbrenner, U. (1979) The Ecolo
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for intervention. In B.B. Lahey and
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children. In J. Bruner and H. Haste
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Fawcett, A. (2001) Special Educatio
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Grainger, T. and Goouch,K. (1999) Y
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Howes, C. (1987) Peer interaction o
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months Journal of Reproductive and
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Mandler, J. (1999) Preverbal repres
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Mo r s s, J . ( 1990) The Bi o l og
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Patel, P., Mendall, M.A., Khulusi,
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Roberts, H. (2001a) Fit or fat? Coo
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Singer, E. (1992) Child Care and th
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Teti, D.M.and Gelfand, D.M. (1991)B
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Issues in the Early Years London:Pa
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National Association for SpecialEdu
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PEOPLE FOCUSED continued/setting fo
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BIRTH TO THREE MATTERSPro Forma for
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