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Spring/Summer 2005 - University of Toronto Press Publishing

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NEW IN PAPERBACKFive-Part InventionA History <strong>of</strong> Literary History in CanadaE.D. BlodgettSociology and Mass CultureDurkheim, Mills, and BaudrillardPatricia CormackThe literary history <strong>of</strong> a nation is one <strong>of</strong> the main cornerstones<strong>of</strong> its national identity. As a result <strong>of</strong>Canada’s diverse cultural history, however, its literaryhistory is varied and, as E.D. Blodgett contends inFive-Part Invention, is composed <strong>of</strong> five parts –English Canada, French Canada, First Nations communities,Inuit communities, and immigrant communities– that work to create the whole. Using thecritical writing on constructing nationhood, Blodgettsuggests that Canadian literary histories can be usedto address the problem <strong>of</strong> nation and to examine howthe various ‘national’ groups making up Canadadevelop unique narratives that demonstrate their differentresponses to the notion <strong>of</strong> nationhood andtheir sense <strong>of</strong> place within Canada’s borders.The first such history <strong>of</strong> its kind in Canada,Five-Part Invention <strong>of</strong>fers a means <strong>of</strong> reading ethnicdifference through cultural representations andaddresses the roots <strong>of</strong> Canada’s fragmented literaryhistory, speculating on the reasons why this traditioncontinues today. Original, intelligent, and provocative,the book brings an entirely new perspective tothe notion <strong>of</strong> literary history and will greatly influencethe study <strong>of</strong> Canadian literature in the future.E.D. Blodgett is a university pr<strong>of</strong>essor emeritus withthe Centre d’études canadiennes at the <strong>University</strong><strong>of</strong> Alberta.LITERARY STUDIES375 pp / 6 x 9 / January <strong>2005</strong>Paper ISBN 0-8020-3815-8 £18.00 $27.95 COriginally Published in Cloth: March 2003In Sociology and Mass Culture, Patricia Cormackinvestigates the broad cultural significance and relevance<strong>of</strong> academic sociology by examining itsongoing relationship with modernity and mass culture.Recognizing sociology’s participation in culture,she bids us to see the discipline as informingethical, epistemological, and pedagogical questions.Through an examination <strong>of</strong> the writings <strong>of</strong>Emile Durkheim, C. Wright Mills, and JeanBaudrillard, Cormack illustrates how their formulations<strong>of</strong> sociology as a cultural practice are rooted inthe very mass culture that the discipline studies.Central to her argument is a discussion <strong>of</strong> conceptualand rhetorical devices – ‘totems’ and ‘tropes’ –within social theory. Based on her reading <strong>of</strong> thethree theorists, Cormack posits that the social is adiscursive artefact, becoming over time a ‘socialfact,’ explaining and sustaining ordinary life.Sociology and Mass Culture is a textually orientedethnography that presents a theoretical investigation<strong>of</strong> the relationship between sociology andculture. It will be <strong>of</strong> great interest to those workingin sociology as well as critical and cultural theory.Patricia Cormack is an associate pr<strong>of</strong>essor in theDepartment <strong>of</strong> Sociology and Anthropology at St.Francis Xavier <strong>University</strong>.SOCIOLOGY / CRITICAL THEORY144 pp / 6 x 9 / AvailablePaper ISBN 0-8020-8686-1 £15.00 $24.95 COriginally Published in Cloth: August 200216

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