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dfCLASSIC PLUSRANGEdfghj;dfgTwo channels, endless possibilitiesThe Classic Plus is a channel-switching valve pre- andpower-amp guitar amplifier that can produce manyflavours of tone, from pristine clean to impressive highgains,and all points between. The two channels have avariety of wide-ranging controls to help you create thesound textures that you desire.Channel 1 covers classic VOX AC30 tones, fromsparkling clean to raunchy overdrive. The EQ on thischannel is of the interactive passive format that is historicto VOX Top Boost amplifiers and boasts the additionof the famous Tone Cut control, which musically rolls offhigh end as it is turned up.Channel 2 picks up where Channel 1 leaves off, deliveringeverything from modern blues and classic rock tones allthe way to high gain classic metal sounds and fluid leadtones. While Channel 2’s EQ controls are also of theinteractive passive format, they are centered on differentfrequencies to enhance the higher gain capabilities ofChannel 2. The Channel 2 Bright Switch brings in anextra capacitor (switch down) across the Gain control toboost the high-mid and upper frequencies and is particularlyeffective on lower gain settings. The Bright Switchis great for giving extra bite and clarity to muddy soundinghumbuckers. The Fat Switch adds extra gain andfocuses the mid range of the guitar and amp, which helpsproduce a “singing” tone when playing lead lines.The Presence Control circuit is another unique feature tothe AC range. It combines the traditional active poweramp feedback circuit with a passive circuit withinChannel 2’s preamp. This not only focuses the Presenceboost, but, if you turn the control down, it will also introducea high frequency cut filter that can be used to defuzzthe preamp distortion, making it less aggressive andsweeter. Since the channels of the Classic Plus are totallyindependent, you do not need to compromise to achieveyour desired tonal palette. It’s almost like being able tomix and match two completely different amplifiers!dfTotal, tonal controlThe Classic Plus range is packed with features and controlsthat meld the best of VOX’s history with modernconveniences. The Classic Plus features a long spring,high-quality Spring Reverb with individual, foot-switchablelevel control for each channel, plus series FX loopingwith selectable level control and bypass switching.The Bypass slide switch will either engage the loop(switch ON) or disconnect the effects loop circuitry fromthe rest of the amplifier (switch OFF). With the Loopdfghj;switch in the OFF position, the Send jack socket is stilloperational and can therefore be used to send the signalto another device such as a tuner or slave amplifier. TheLoop Level switch allows the loop to be used at twodifferent signal levels (approximately +4dBV (high) and-10dBV (low)). This will enable a wide range of devices tobe connected to the amplifier. Channel switching andon/off reverb control is managed with the suppliedVF002 dual footswitch.dfghjGo directThe Classic Plus range features extensive direct recordingand line out capabilities from both balanced XLR andunbalanced 1/4" outputs with rotary level control andground lift switching. To enable great sounding connectioninto PA or recording equipment, the DI also featuresa speaker emulating Low Pass Filter (LPF) network. Thiscan be switched into or out of circuit as required.Another great plus of the DI circuit is that it is post thepower amplifier’s phase inverter valve, and before theOutput Master Volume control. No matter how loud orquiet your stage level is, you have totally independentcontrol of the DI output level. You can even turn theMaster Volume totally off and use the DI output for“silent” recording for those midnight sessions.Power trioThe Classic Plus range is comprised of the 50-WattAC50CPH head (4 x 12AX7/ECC83, 2 x EL34B), the 100-Watt AC100CPH head (4 x 12AX7/ECC83, 4 x EL34B),and the 50-Watt AC50CP2 combo (4 x 12AX7/ECC83, 2 xEL34B). The AC50CP2 comes loaded with two VOX originaldesign 12" speakers voiced for maximum performancewith the Classic Plus. Pair either of the heads withVOX’s V412BN cabinet, and you’ve got an unbeatabletone machine. No matter how you play, there’s a ClassicPlus for you. And with their combination of unmatchedtone, flexibility and ultra-cool looks, the Classic Plusrange is at home on any size stage. Plug in and hear themroar!Included items: Power cable, VF002 footswitchFind out more at www.voxamps.co.ukghj;dghjPrevious page, the AC100CPH shown on a 412BN cabinet. Shown here, the AC50CP2 and the AC100CPH control panel.16 17
IT’S THE 50TH ANNIVERSARY OFVOX GUITAR AMPLIFICATION.TAKE A WALK DOWN MEMORYLANE, AS WE PAY HOMAGE TOTHIS HISTORIC BRAND.AC30/4fghjk;sd asd asd dfghjkasdVOX has had a long andintricate lineage. To thebest of our knowledge,here is a chronology ofhistorical highlights.1951Company Founder Tom Jennings formsThe Jennings Organ Company, soon to bejoined by JMI (Jennings MusicalInstruments), the company responsible forVOX amplifiers.First Univox amplifier that can be used forguitar is marketed by JMI.TOM JENNINGS1952First ads for Univox amplifier and keyboardappear in Britain’s Melody Maker magazine.1954Jennings advertises “Rotary action footvolume control” with the first use of VOX name.Advertisement for organs shows “footswell control” (predecessor of VOX volumepedal) and “Amplifier,” a remote, poweredspeaker used with the Jennings streamlinedJ-51 organ. This is first use of theVOX name for an amplifier of any kind.1955Lonnie Donnegan popularizes “skiffle”music and the “beat boom” is born.Jennings considers producing a guitaramplifier.VOX advertises the “Conversion Unit,” anadd-on that allows any electronic instrumentto be played through a Univoxkeyboard amplifier.1956With the Rock & Roll revolution underway,Jennings modifies the amplifier sectionfrom his electronic organs for the electricdguitar, but the project flounders.Elvis Presley’s “Heartbreak Hotel” hits UKcharts.DICK DENNEY & TOM JENNINGS1957Dick Denney is hired as an engineer andJennings Musical Industries, Ltd (JMI) isincorporated.VOX BLUE SPEAKERas a response to demands for more power.asd as1957The first appearance ofthe VOX name on aguitar amplifier – theAC2/30.Cavern Club opens on Matthews Street inLiverpool, England.Buddy Holly and Crickets record “That’llBe The Day.”AC101958JMI produces a 15-Watt guitar amplifier withthe brand name VOX. It is named the AC1/15because it combines amplifier and speakerand produces 15 Watts.Cliff Richard’s backing band, The Shadows,use AC15s and people take notice ofdistinctive VOX clean guitar sound.Jerry Lee Lewis’ “Great Balls of Fire”reaches #1.CBS labs announce new “stereo” records.VOX introduces the AC4, a 4-Watt practiceamplifier with an 8-inch speaker, andthe AC10 with a 10-inch speaker.The legendary VOX AC30/4 is developedUsing four EL84 tubes, the amp has fourinputs, two for the normal channel and twofor the Vib/Trem or “Vibravox” channel.Mick Jagger sees Buddy Holly at theGranada Cinema.1960The Shadows reach number one with theirfirst instrumental, “Apache.” With thesound of the AC30 clearly noticeable onthis and other hit records, VOX is knownas the No.1 British amplifier.VOX issues AC30/6 with 6 inputs, including“Brilliant” channel with bass andtreble control, and “Top Boost” tone controlsfor more clarity.New VOX amp “look” with fawn color andblack panel, round black knobs and “VOX”sticker.1961VOX introduces first guitars, the “Stroller”and “Clubman,” low-budget instrumentsthat look like American instruments.The Shadows take delivery of threeAC30s with VOX “BLUE” SPEAKERSco-developed with Celestion, instrumentalin the popularity of the VOX sound.Elvis Presley’s “Are You LonesomeTonight” is #1.First episode of “Dick Van Dyke Show.”AC418 19
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