Creative Arts, Literature and Languages: EnglishDetective Fiction603-LCK-MS (3-0-3) 2 creditsThis course explores the development,conventions and features of the formaldetective story. Through the examinationof works representative of keyperiods in the history of the genre,students explore the relationshipbetween a story’s particular use of theformal characteristics and the beliefsand anxieties of the historical periodin which it was written.Civilization in Crisis603-LEB-MS (3-0-3) 2 creditsThis course focuses on the theme ofcivilization in crisis. We begin byexamining Margaret Atwood’s TheHandmaid’s Tale, focussing on theways in which her representation of afuturistic civilization in crisis reflectssocial anxieties particular to theperiod in which her novel waswritten. Then, through our analysis ofChinua Achebe’s Things Fall Apart,we re-examine our assumptions aboutcivilization and the often ironiccauses of its decline.Revenge603-LEC-MS (3-0-3) 2 creditsThis course explores the literarytheme of “revenge,” as found in avariety of works from differenthistorical periods and cultures. Byexamining stories and passages fromvarious mythologies, as well plays,novels, short stories and movies,we explore our desire to “get even,”the ways in which this theme isconnected to the values of the societyand culture in which the works werecreated, the forms revenge may take,and the often-tragic consequencesthat result from vengeful acts.80Poetry603-LEH-MS (3-0-3) 2 creditsIn this course, students will examinea variety of poetic forms and styles,covering a broad historical range,with emphasis on more recentsamples from the 20th and 21stcenturies. Topics to be coveredinclude: an overview of poeticperformance (from bardic recitationto the contemporary poetry slam);analyses of sound, rhythm and meter;a brief review of popular poetic forms(including ballads, sonnets, epigrams,and haikus); an exploration of controversiesregarding the interpretationof poetry; and, examinations of poets’prose commentaries on their influences,practices, and philosophies.The Western603-LEJ-MS (3-0-3) 2 creditsThe Western remains a popular andinfluential genre constituted by avariety of motifs (e.g. cowboys,Native Americans, saloons, six gunsand sheriffs), settings (e.g. wild openspaces and the American West circa1870), plots (e.g. a train/stagecoachversus thieves and a man seekingrevenge) and subjects (e.g. freedom,violence, otherness andpersonal/national regeneration).Through short stories, novels andfilm, this course will explore how theformulas of the early Western haveparadoxically enabled the genre’smore recent engagement withrevisionist historicism and postmodernism.Contemporary American Drama603-LEL-MS (3-0-3) 2 creditsThe tragicomedy of contemporaryAmerican life is thematicallyexplored through ContemporaryDrama’s early roots in the traditionsof the Theatre of the Absurd,postmodernism, and existentialism,to its more political, social, andexperimental aspirations in the Off-Off Broadway and performance artmovements. Students also explore theimplications of race, class, identity,gender, and AIDS in the variousplays from this period.Folk and Fairy Tales603-LFA-MS (3-0-3) 2 creditsThis course explores the conventionsand characteristics of folk and fairytales. Students employ a variety ofcritical approaches (e.g. Freudian,Jungian, Feminist, Marxist) toanalyze tales. The course focuses firston fairy tales in early written forms,then on versions of these tales byauthors such as Charles Perrault,Jacob and Wilhelm Grimm, andJoseph Jacobs, and finally onreinterpretations by 20th and 21stcentury authors and filmmakers. Thecourse also includes study of originalliterary tales by authors such as HansChristian Andersen and Oscar Wilde.Life Writing603-LFB-MS (3-0-3) 2 creditsThis is a writing course whichfocuses on non-fiction writing basedon personal experience. Through anexamination of critical theory, writingtechniques and participation in thewriting process, students explore howwe shape and remake our reality withwords. Readings include five genresof life writing: diary and journal,letters, autobiography, biography,and the personal essay.Unheard Voices603-LFC-MS (3-0-3) 2 creditsThis course introduces a number oftexts (short stories, essays, poems,and two novels) in which the narratoror speaker’s point of view profoundly
Creative Arts, Literature and Languages: Englishaffects the reader’s response to theliterary work. In these texts, authorsuse the literary techniques ofcharacter, point of view and voice toenhance and develop major themessuch as perception, misunderstanding,alienation, and deceit.Cinema and the Novel603-LFD-MS (3-0-3) 2 creditsThis course explores the challengesinherent in adapting novels in general,and the novels considered in class, inparticular, for the feature film. Thehistory of the relationship betweenthe novel and the feature film isconsidered, as are the similaritiesand differences of these two media.Bare Survival603-LFG-MS (3-0-3) 2 creditsStudents will explore the theme of“bare survival” in Canadian literature,or what one critic calls literature “notabout those who made it, but thosewho made it back.” We will analyzeperceived differences betweenCanadian, American and Britishculture before identifying ways inwhich Canadian literature differsfrom its cultural influences. Wewill then examine bare survival subthemessuch as nature as enemy,animal as victim, the “noble savage”and other solitudes. We will alsoapply renowned critical approachesto selected texts.Journalism603-LFH-MS (3-0-3) 2 creditsThis course is an introduction to theworld of the journalist and its specialrequirements. Part of understandingthis world includes an intelligentevaluation of journalistic practicesand their effects upon society. Thecontent ranges from the straight newsstory formula and editorial writing tofeature writing and interviewingstrategies. Montreal journalists willbe invited to the class to share theirexperiences as sports writers,editorialists, and photo-journalists.Creative Non-Fiction603-LFJ-MS (3-0-3) 2 creditsThis course is designed for studentsto develop their skills in writingcreative non-fiction. Focus is placedon exercises that encourage thecreative process, beginning withshort, directed assignments andculminating in longer, original pieces.In addition, students are introduced tothe use of specific literary techniquesand devices that can be incorporatedinto their own work. Through theprocess of group writing seminars,feedback from the instructor,revision, and class critique, studentslearn to edit their own work. All ofthese elements help students find anddevelop their own literary voice.Creative Writing603-LFJ-MS (3-0-3) 2 creditsThis course is designed for universityboundcollege students, allowingthem to develop their skills throughwriting short fiction. Through a combinationof writing exercises and aconsideration of texts, students willbe introduced to the use and effects ofspecific literary techniques, including:point of view, tense, significant detail,style, etc. Through writing seminars,feedback and revision, students willbe expected to develop an editorial“ear.” Beginning with exercises thataccess student’s creative process, theshort, directed assignments focus onspecific skills and conclude with acompleted short story.Screenwriting603-LFJ-MS (3-0-3) 2 creditsThis course is an introduction to thescreenwriting process, from generatingideas, to the components of filmnarrative, to the elements of visualcomposition. After studying guidesto story structure – the three-act plotstructure and Joseph Campbell’s TheHero with a Thousand Faces – theseparadigms are applied to the students’own short screenplays throughexercises in story structure, genre,characterization and dialogue. Inlearning the nine stages of screenplaydevelopment, from Character reviewthrough to the Final draft the studentsbecome familiar with Final Draft,screenwriting software and standardscreenplay formatting.Writing(s) about Food603-LFB-MS (3-0-3) 2 creditsThis course examines the culturalrelevance of food and itsconsumption. We begin by readingnon-fiction texts from a variety offields—including psychology,anthropology, history and naturalscience—in order to explore culturaland social differences in thepreparation and consumption of food.We then analyse films, novels, shortstories, poems, and narrative essaysthat use food as both and image andsymbol to establish mood, illuminatecharacter, make social commentaries,and examine the question of what itmeans to be human.Shakespeare’s Communities603-LFL-MS (3-0-3) 2 creditsCommunity argued James Baldwin,‘simply means our endless connectionwith, and responsibility for, eachother.’ This course develops students’ability to apply a critical approachto the theme of community withinseveral of Shakespeare’s plays. Theplays all tend to affirm that, forbetter or for worse, it is throughsocial engagement with others thatindividual identities are most fullyand meaningfully asserted.81
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VISIONMarianopolis College, drawing
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GENERAL INFORMATION: Introduction t
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AdmissionsOUT-OF-PROVINCEAPPLICANTS
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Financial Information• Birks Fami
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Financial InformationConfirmation F
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Academic Information• Failure (EC
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Academic InformationThose who are a
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Rules and Regulationsand whether su
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EDUCATIONAL RESOURCES & SERVICESAss
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Educational Resources and ServicesS
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CHOOSING A PROGRAMDiploma Programs
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CertificatesSpecial InterestCertifi
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Programs: General Education and Spe
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General EducationGENERAL EDUCATION
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General Education: Englishidentifyi
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- Page 56 and 57: Science: Biology - ChemistryBiology
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- Page 60 and 61: 56-2/3 to 58 CreditsSOCIAL SCIENCE
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- Page 66 and 67: Social Science: Law, Society and Ju
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- Page 96 and 97: 59-1/3 CreditsARTS AND SCIENCES (70
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