General Education: Humanitiespractices differ according to aperson’s social or economic position.By examining conceptions of thebody, the students come to a greaterunderstanding of how a world viewshapes our daily experiences and oursense of self.Listen to the MusicThis course addresses the question,“What does music teach us about theworld views of those who create,disseminate, and consume it?”Through the study of major worksof music dating from the 18th, 19th,and 20th centuries, students gaininsight into various historical andcurrent world views, and the extent towhich these perspectives can, and cannot, be expressed through or reflectedin music. Topics include: Musicand the Age of Science; Musicand the Age of Absolutism; Musicand the Enlightenment; Music andRomanticism; Music and Modernism;Music and America. Although muchof the focus is on the Europeanclassical tradition, examples are alsotaken from the jazz, popular, and“world” repertoires.Architecture—A World ViewThis course incorporates ideasdrawn from a variety of disciplinesto present architecture as a form ofcultural expression. The ideas heldby patrons, architects and buildersabout what buildings should do,how they should look, and howpeople should behave within themare conditioned by their world views.By comparing these world viewswith actual buildings, studentsrecognize how, in different timesand places, the ways people organizespace and impose different orders onthe natural world reflect specificnotions of human existence in thelarger scheme of things.Men and MasculinityThis course investigates how the livesof men are shaped by the varyingdemands of masculinity. It is seenthat masculinity is primarily a socialconstruction and that men fashiontheir gender identities in response tocontrasting social prescriptions. Inthis vein, particular attention is givento homophobia and heterosexism.Students also explore the extent towhich dominant masculinity functionsas a powerful ideology affecting theoutlooks of both women and men.Thinking about SexualityThis course is designed to allowstudents to apply critical thoughtprocesses to a variety of viewsconcerning human sexuality. Studentsbegin by examining some of the mostinfluential perspectives concerningthe roots of human sexuality: is anindividual's sexuality a product of herbiology, a psychological phenomenonspringing from her interactions withher parents and other key figures inher life, or the effect of the socialnorms that permeate her culture?Different views concerning the natureof sex and sexual perversion areexplored. Finally, several perspectivesconcerning the morality of certainsexual or sex-related practices areconsidered. Students are encouragedto develop their own responses toeach of these questions by firstconsidering opposing viewpointson the topics at hand.Beyond BollywoodIndia, the second most populouscountry and a leading emergingeconomy in the world is also a landof contrasts – living folk traditionsside-by-side with the latest inanimation and simulation, some of theworld’s wealthiest people and farmerswho commit suicide because ofindebtedness. This course focuses ondeveloping an understanding of Indiaand her people through an explorationof some of her major ideas andvalues, as well as the stresses andtensions that are a result of the rapidchanges taking place.Women, Art and SocietyFew female artists have receivedmuch attention or acclaim. In thiscourse students are presented with anoverview of the role of female artistsover the past five centuries. Focus isgiven to the art works of individualwomen in the context of their owntime. Discussion covers not only thetechniques and principles of aparticular female artist’s work,but also the social conditions andexpectations that fostered or inhibitedher artistic production.Art and ActivismThis course aims to offer students abroad look at the history and currentstate of creative activism. Movingthrough different time periods andexploring movements in diverse areasof the world we examine the activisttradition in high art forms includingliterature, poetry, visual art andperformance; but also considerthe power of media stunts, onlineactivism and culture-jamming. Howhave art forms been used to supportactivist causes? What strategies havebeen used in different times andplaces? What is the differencebetween art and propaganda?Through case studies, readings andclassroom discussions students areinvited to answer these questions andmore.42
General Education: HumanitiesEthics345-LPH-MS (3-0-3) 2 credits- 3 hours of class- 3 hours of homeworkThese humanities courses examinesocial and ethical questions.Ethics in Antiquity: Right andWrong in the Ancient WorldFrom slavery to infanticide, sociallyacceptable practices in the ancientGreek world are repugnant to mostWesterners today. Yet, at the sametime, this civilization developed complexand very modern ideas about therole and importance of the individual,the state, responsible leadership,health and the best way to lead one'slife. In this course, students will usetranslations of different ancient texts,including comedies, legal codes, roadsigns, tombstones, medical andphilosophical treatises, and epicpoetry to examine the fundamentalquestions: why are we here? what areour obligations to others? how shouldwe best live our lives?Virtuous BodiesThe course considers how religionsuse the body to translate experienceand knowledge, both for the individualand the collective. Students examinethe role the body plays in a number ofreligious contexts, consider varioustaboos and restrictions (such as thosesurrounding menstruation and childbirth),the various markings on thebody used to identify the person withreligion (through clothing and physicalmarks), and the controversial andvery challenging concept of hurting oreven sacrificing the body for an ideal.These concepts are analyzed in anethical frame-work. This coursewill narrow its focus by lookingexclusively at eastern traditions.Parallels to western traditions willnaturally emerge, but the focus willremain on Hinduism and Buddhism asthey are practiced in various countries.The Da Vinci Code: Fact andFiction in Popular CultureUsing the Da Vinci Codephenomenon as a test case, thiscourse guides students towardsbecoming critical consumers ofpopular culture, learning to recognizeand appreciate the often blurry linebetween fact and fiction. Dan Brown'sclaims of art historical and religious'facts' in his novel are exploredthrough a detailed study of Leonardoand specific theological issues. Theethical questions raised by the author'sclaims and the marketing of his bookare also discussed, as well as thereaction of the media which oftenembraced Brown's assertions, sometimespromoting sensationalism at theexpense of verifiable research.Individual Ethics, GrandConspiracies and Half TruthsMaking ethical decisions is a processthat depends on having complete andaccurate information about the issuesat hand. When information iswithheld, altered, or fabricated, theprocess becomes much more difficult.We are left in a position where ethicaldecisions are impossible to make. Weare forced to seek more information.The challenge lies in determiningwhat, from among available information,is accurate and relevant. Thiscourse considers the problem ofmaking personal ethical decisionsin the face of the flood of (oftencontradictory) information providedby governments on one hand and bythe critics on the other. The coursecovers a range of events that providematerial for spin-doctors andconspiracy theorists alike, with an eyealways on the ways the informationavailable from both sides impacts onindividuals. We will ask whether ourpersonal responses to life’s issues areinfluenced more by those who claimto have our best interests at heart orthose who claim to offer the truth.Gender in a Globalized WorldThis course is about changing aspectsof gender today. Students areintroduced to gender basics and anhistorically contextualizedunderstanding of globalization. Theyread, discuss and debate ethical issuesrelated to topics such as outsourcingand its impact on local communities,sex work, beauty ideals, warsostensibly to spread democracy andwomen’s equality, secularism andfundamentalism, how the genderednature of work is being transformed,sexual orientation and identity,trafficking and surrogate motherhood.Facing the FutureThis course explores the ethicalimplications of a selection oftechnological advances promisedfor the future. In particular, studentsexamine how innovations in genetics,virtual reality entertainment, artificialintelligence, robotics and bioengineeringmay prompt us to rethinkour traditional understandings ofreality, the mind, and the body. Theseinnovations may even announce a“post-human” era in which ourpresent ethical intuitions concerninghuman nature are challenged.National Identity and Ethical Issuesin North American HistoryThis course examines ethical issuesthat arose in the United States ofAmerica and Canada, from the 17thcentury to the present, generated by43
- Page 2 and 3: VISIONMarianopolis College, drawing
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- Page 22 and 23: CHOOSING A PROGRAMDiploma Programs
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- Page 56 and 57: Science: Biology - ChemistryBiology
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- Page 60 and 61: 56-2/3 to 58 CreditsSOCIAL SCIENCE
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MusicEar Training and Theory IV551-
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59-1/3 CreditsARTS AND SCIENCES (70
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Arts and Sciences: English - Humani
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Arts and Sciences: Art History - Ar
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Arts and Sciences: Mathematics - Mu
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Arts and Sciences: Multidisciplinar
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56-2/3 to 58 CreditsLIBERAL ARTS (7
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Liberal Artsof evolution; the first
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Liberal ArtsOptionalIn addition to
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Teaching FacultyFLEISCHER, George T
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Teaching FacultyTRILLER, Bernice Sh
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INDEX II: Programs and CoursesGener