Introduction to Free Software - SELF | Sharing Knowledge about ...
Introduction to Free Software - SELF | Sharing Knowledge about ...
Introduction to Free Software - SELF | Sharing Knowledge about ...
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© FUOC • P07/M2101/02709 37 <strong>Free</strong> <strong>Software</strong><br />
tional) and Morfeo (in Spain). In both cases, a group of companies has agreed<br />
<strong>to</strong> develop a set of free systems that are of interest <strong>to</strong> them, and decided <strong>to</strong><br />
distribute it as free software.<br />
In other cases, companies have actively sought <strong>to</strong> collaborate in free pro-<br />
jects promoted by volunteers, or tried <strong>to</strong> make volunteers collaborate with<br />
their own free projects. The GNOME Foundation or the already-mentioned<br />
Ubuntu in respect of Debian are examples of this first scenario. Sun and<br />
OpenOffice.org and OpenSolaris, or Red Hat with Fedora Core, are examples<br />
of the second.<br />
Expanding <strong>to</strong> other spheres<br />
<strong>Free</strong> software has proven that in the field of producing programs there is anot-<br />
her way of doing things. In practice, we have seen how granting the freedom<br />
<strong>to</strong> distribute, modify and use can achieve sustainability, either through volun-<br />
teer work, or through business generation that allows companies <strong>to</strong> survive.<br />
As time passes, this same idea is being transferred <strong>to</strong> other spheres of intellec-<br />
tual work. The Creative Commons licences have made it possible <strong>to</strong> free sp-<br />
heres such as literature, music, or video. Wikipedia is proving that a field as<br />
particular as the production of encyclopaedias can travel a very interesting<br />
path. And there are more and more literary authors, music bands and even<br />
film producers interested in models of free production and distribution.<br />
In all these domains there is still a long way <strong>to</strong> go, and in almost all of them<br />
practice has not yet fully proven that sustainable creation is possible with free<br />
models. But we cannot deny that experimentation with it is reaching a boiling<br />
point.<br />
<strong>Free</strong> software as a subject of study<br />
Although some works, such as the renowned "The cathedral and the bazaar"<br />
cleared the way for the study of free software as such, it was not until 2001<br />
and subsequent years that the academic community started <strong>to</strong> consider free<br />
software as something worthy of study. Over time, the massive availability of<br />
data (almost everything in the world of free software is public and available<br />
from public information archives) and the innovations that free software has<br />
provided have drawn the attention of many groups. Midway through the de-<br />
cade of 2000 there are already several international conferences centred speci-<br />
fically on free software, <strong>to</strong>p-ranking magazines frequently produce articles on<br />
it, and research-funding agencies are opening lines aimed specifically <strong>to</strong>wards<br />
it.