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all this and again all that is against this...The man feels the mushroom flyingaway from his hands. He starts strugglingto hold it back.Sound of a child giggling, as if tryingto loosen the tight grip on his arm andrun away from a parent.A similar struggle between the man andrhe mushroom.The giggling becomes more and moreplayful.The man successfully subdues themushroom.The giggling turns into sulking andprotest.The man slaps the mushroom.The child starts crying.The man, feeling helpless, startsfondling the mushroom like a child.The man is happy for a while; thengets startled as if bitten by the mushroom.Sound of circus music.The man now tries to get rid of themushroom but cannot. The whole thingis like the clown act in a circus. After ahard struggle he succeeds in throwing themushroom up and is happy to see it fallwith a thud.Snarling of a tiger.The man looks at the mushroomapprehensively; then pounces on it. A fiercefight between the two ensues.The snarling becomes more and morefierce. The man is exhausted and defeated.He lies on the ground, the mushroomoverriding him.VOICE. In spite of the duality ofperception and inception in all humandesigns, the intra-mural processes of one'sinner consciousness, that is to say the intramuralprocesses of one's innerconsciousness as explained and understood,go to determine what can be called . . .what can be described as ... described as... mauvai honte ... of... of... of you knowwhat. This you know-what is constantlypressurised by the forces at the back, forcesin front, forces to the right, forces to theleft, forces below, forces above and forces. . .forces . . . forces . . . A number ofmen and women cross the stage and makefor the bunch of mushrooms. The manlooks dazed.Dance music strikes up as the crowdstarts plucking the mushrooms.All mushrooms are plucked instantly.People dance about with their mushrooms.The man staggers up on his feet holdinghis own mushroom which he is all the timecomparing with those of the others. Theircolours somehow seem more fascinating.He offers to exchange his mushroom withmany of them, but is refused each time.Dance music is suddenly cut short by airraid sirens.People hide here and there huggingtheir mushrooms.Blasts of an air raid.The man, hugging his mushroom,desperately looks for a corner to hide, butdoes not find one.A big blast.The man springs up and falls as if theblast were just under his feet.VOICE.' The main thing, therefore,fgndi •April-June 2013 :: 97
is the silence within . . . silence that initiatesthe idea of peace and harmony, helps tobring the pieces together and . . . and itis already time for the National Broadcastby the man who is the supreme Head ofState, the Commander-in-Chief of all theforces, the spearhead of all technicaldiscoveries, the symbol of all supererogatoryvalues and the trusted fountainhead ofvirtue in a land of dehydrated souls. Pleasestand by for the broadcast.All people strike postures of listening.Only the man is unable to find acomfortable posture.VOICE. Please stand by for animportant broadcast.The man keeps adjusting his posture.VOICE. You are requested again tostand by for an important broadcast.The man finds the right posture.VOICE. You are once again requestedto stand by for an important broadcast.People start becoming restless,VOICE. You are yet again ... no no... you are no longer requested to standby. The broadcast;People are attentive again.The Broadcast lasts for about oneminute. Only sounds emanating from afast-winding tape-recorder.Everyone except the man listensattentively. The man is puzzled as he seemsto be the only one not following.Sounds now come to their naturalmotion. The broadcast continues: . . . canand cannot be achieved. We do not askfor any treaties; because all treaties canalways be violated. What we ask for isweapons and only weapons, to bechannelized to us directly or indirectly.Preferably indirectly as the indirect channelis the channel of non-violation which isour equivalent of non-violence. The mainpoint where non-violation scores over nonviolenceis its greater effectivity both inpeace and war : its viability in diplomatichinterlands and its flexibility in terms ofthe U.N. Charter . . . etc.'People start moving about casually,quite indifferent to the address, grumblingnow and then in unison.The broadcast continues, getting moreand more jumbled and confused. The manwants to listen attentively, but his listeningis interfered with by the people's increasinggrumbling.The man shouts a protest. Nobodycares.He protests more vehemently.His protest is mockingly brushed aside.(Here an argument could be introducedrunning parallel to the broadcast. At intervals,in the tense silences during the argument,the broadcast could be clearly heard.)His arguing, pleading and cajolinghaving become exhausted, the man, nowfacing a shout-down, hits a person violentlywith his mushroom.The broadcast now turns into thechanting of Hare Rama Hare Krishna.Violence spreads all over the stage.People hit each other with mushroomsindiscriminately.The chanting gains momentum,Fighting also gains momentum. Bothare synchronised.98 :: April-June 2013fgndi •
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A Journal ofMahatma GandhiAntarrash
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LANGUAGEArundhati Roy in Indian Lan
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all is not well with the world. Ult
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After tallying the anubhavas mentio
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sustenance. If it fights shy of phi
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progression from Shringararasabhasa
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glamour and fame, I always looked a
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grandmother. Scolded for stealing t
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of his episodes and characters from
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The short story Najum (astrology) b
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India, Indianness and BuddhaDev Bos
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Buddha Dev Bose's writings on Tagor
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development of the idea of a worldl
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defies the set patterns of known li
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The Concerns of CriticismShambhunat
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On the basis of feudal thinking the
Page 33 and 34:
etween the interests of different s
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silent about Hazari Prasad Diwedi.
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Imperialism. The imperialists had c
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conventional reformers to evaluatet
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expansion of knowledge emotions are
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unprincipled propaganda takes place
Page 45 and 46: drowning with shame or pride in it.
Page 47 and 48: made criticism a pure literary subj
Page 49 and 50: It is a great paradox that in an ag
Page 51 and 52: how much they are mixing with it. M
Page 53 and 54: peculiar way of protest against not
Page 55 and 56: Radha Worship in Hindi LiteratureL.
Page 57 and 58: valuable ornaments and clothes. His
Page 59 and 60: literature in general and Hindi lit
Page 61 and 62: Not only this the hunger which I go
Page 63 and 64: 3. We the Janvadi PoetsWe are write
Page 65 and 66: 5. A FarmerThis time paddy crophas
Page 67 and 68: isolated, lonely and stained with p
Page 69 and 70: 3. A COFFIN AND A BOTTLEIn this roo
Page 71 and 72: The omnipresence of your super imag
Page 73 and 74: As I look at the black and white pr
Page 75 and 76: But when I touched the door of the
Page 77 and 78: 7. LIFEThat day when I entereda mag
Page 79 and 80: 2. TEA WITH DONNEGood Morning, dear
Page 81 and 82: 4. HI, KRISHNA!Hi, Krishna!What’r
Page 83 and 84: Malbe Ka MalikMohan RakeshJai Ratan
Page 85 and 86: 'Everything else has changed but no
Page 87 and 88: feet, on a brick path near the open
Page 89 and 90: ightened up on seeing Rakkha Pahalw
Page 91 and 92: 'So what happened?''Nothing happene
Page 93 and 94: Mad DelightMohan Rakesh was as much
Page 95: In continuous rhythmic movements, h
Page 99 and 100: ehind. The man remains alone once a
Page 101 and 102: stretching road ahead."And how much
Page 103 and 104: the car."Tell me what do you want?"
Page 105 and 106: "Was it necessary today itself ?" f
Page 107 and 108: laughed father “not a morsel to e
Page 109 and 110: Rites for The DepartedChandrakantaR
Page 111 and 112: gazing at the swiveling waves of th
Page 113 and 114: salutations to the Ganga : 'These p
Page 115 and 116: He won his mukti in that instant of
Page 117 and 118: a rush for a plank she suddenly see
Page 119 and 120: The Voice Which was Progeny...Tarun
Page 121 and 122: growl, blare and shouts had compell
Page 123 and 124: Broken bamboos and thatches strewed
Page 125 and 126: forest and open land. The man and w
Page 127 and 128: "But I have already taken the money
Page 129 and 130: Ramrath and Bhagirathi's fate gave
Page 131 and 132: than their son.That boy knew this m
Page 133 and 134: of power of the original to be tran
Page 135 and 136: the time. "That raises a question i
Page 137 and 138: The novelist was translating her ow
Page 139 and 140: 13th paragraph, Arundhati used the
Page 141 and 142: Referencesi. 'Arundhati Roy, transl
Page 143 and 144: translation of literature in Englis
Page 145 and 146: Sons published it under its Traditi
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here that he forgot to smile.'"Afte
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are the opulence of royalty, strugg
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wide web (www) which has created ap
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in it move beyond Cultural Studies
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Prize. Wasn't it in the early years
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deep insight into the life and work
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25. Ms. Kanan Jhingan, 48, Swastik
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