fà¤¹ndi - Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

More documents

Recommendations

Info

hair which were like snakes have nowbecome like the dry branches of a banyantree... Her eyes were like the petals of lotus.But now, the beauty of the eyes issqueezed... Her back was like the plantainleaf. But, now it is opposite (hard). Krishnahas robbed all her wealth and bestowedupon her only troubles."A companion of Radha explains, "Shedraws lines with her finger nails upon herhands, cheeks, shoulders and thighs. Shebroods upon something, sits in meditationto chant the name of Krishna", Radha isalmost mad and she has no knowledge ofthe world around her. She has lost herselfin separation.She has lost hopes of a happy Future.She has her own doubts whether the pastwill be revived. Radha asks her friends, —"When Krishna would come and take herinto his arms? When would he display hispostures to the maids? When would heplace his flute upon his lips and call usby taking our names, one after another?When would he send the go-between tothe thickets to fetch us? When would hepress our shoulders with love and passion?When would he fall upon our feet andextinguish our anger?"Sur's Radha is the most affected ladyin the separation of Krishna; many dayshave passed since Krishna left for Mathura.All his promises of early return have nowproved to be false and untrue.Radha in SwadheenapatikaSwadheenapatika is such a heroine whosehusband or lover is under her perfectcontrol. Her husband is very muchenamoured by her beauty and virtue, anddoes not like to be separated from her fora moment. As Nurmuhammad says, sheis flown in the river of love, day and night.Jo: Swa:dhinaphatika:rahi:din: aura:ti pri:ti ma:bahi:Surdas presented Radha In theSwadheena patika condition. Krishna lovesher immensely. In fact, he is made afterher. Whether he sits or stands, he neverforgets to sing about the beauty of Radha.The yellow colour reminds him of Radha'sbodice and her jewels. He has not left anygrove, in searching of Radha. He sketchesthe picture of Radha on the ground. Thepictures drawn out by him are the sourcesof solace for the anxious lover. It appearsthat he would die in the absence of Radha.A milkmaid reports, - "Oh Radha !you are very much liked by Krishna. He— while sitting, while standing, whilewalking and while tending the cattle, —sings about your qualities. By looking atthe yellow colours, he thinks about theyellow bodice and the gold ornaments onyour body. He searches for you in everybush of the forest and cries, Where arethou? My Radha. He draws your pictures,looks at them and thereby destroys thefeelings of separation", you are the life ofKrishna. He can't live without you.Conclusion : In Hindi Literature theconcept of Radha, whatever one may thinkof its philosophical background or religiousraison d etre, has made a valuablecontribution to the growth of Indianfgndi •April-June 2013 :: 59
literature in general and Hindi literaturein particular. The basis of Krishna-Radharelationship is easily understandable. Theelement of love, as a basic factor in humanlife makes it possible, if not easy, for oneto appreciate the divine love betweenKrishna and Radha. As the Sufis thought,the sentiment of love serves as a linkbetween man and God as much as betweena devotee and Krishna. It is only practicalcommon - sense that the need of theworship of Radha should be stressed as ameans of propitiating and worshippingKrishna. Therefore, the idea gained manyadherents and resulted in much literary andaesthetic output.References1. Hanumandas, "Hindi Sahithya me VirahPrasang" - 1974, Navayuga Ganthakar,Bombay.2. Parasuram Chaturvedi, "Hindi Kavyadhara mePrem Pravah" - 1966, Kitabmahal, Allahabad.3. Ramkumar Varma, "Hindi Sahithya KaAlochanatmak Itihas" - 1997, Rajpal & Sons,New Delhi.4. Ramkumar Varma, "Anurag Bansuri" - 1969,Hindi Sahithya Sammelan Prayag, New Delhi.5. Ramachandra Shukla, "Hindi Sahitya Ka Itihas"- 1975, Navayuga Granthakar, Bombay.Dr. L. Thillai Selvi, is assistant professor in the department of Hindi at Annamalai University.She lives in Annamalainagar, Tamil Nadu.60 :: April-June 2013fgndi •
Page 1 and 2:
A Journal ofMahatma GandhiAntarrash
Page 3 and 4:
LANGUAGEArundhati Roy in Indian Lan
Page 5 and 6:
all is not well with the world. Ult
Page 7 and 8: After tallying the anubhavas mentio
Page 9 and 10: sustenance. If it fights shy of phi
Page 11 and 12: progression from Shringararasabhasa
Page 13 and 14: glamour and fame, I always looked a
Page 15 and 16: grandmother. Scolded for stealing t
Page 17 and 18: of his episodes and characters from
Page 19 and 20: The short story Najum (astrology) b
Page 21 and 22: India, Indianness and BuddhaDev Bos
Page 23 and 24: Buddha Dev Bose's writings on Tagor
Page 25 and 26: development of the idea of a worldl
Page 27 and 28: defies the set patterns of known li
Page 29 and 30: The Concerns of CriticismShambhunat
Page 31 and 32: On the basis of feudal thinking the
Page 33 and 34: etween the interests of different s
Page 35 and 36: silent about Hazari Prasad Diwedi.
Page 37 and 38: Imperialism. The imperialists had c
Page 39 and 40: conventional reformers to evaluatet
Page 41 and 42: expansion of knowledge emotions are
Page 43 and 44: unprincipled propaganda takes place
Page 45 and 46: drowning with shame or pride in it.
Page 47 and 48: made criticism a pure literary subj
Page 49 and 50: It is a great paradox that in an ag
Page 51 and 52: how much they are mixing with it. M
Page 53 and 54: peculiar way of protest against not
Page 55 and 56: Radha Worship in Hindi LiteratureL.
Page 57: valuable ornaments and clothes. His
Page 61 and 62: Not only this the hunger which I go
Page 63 and 64: 3. We the Janvadi PoetsWe are write
Page 65 and 66: 5. A FarmerThis time paddy crophas
Page 67 and 68: isolated, lonely and stained with p
Page 69 and 70: 3. A COFFIN AND A BOTTLEIn this roo
Page 71 and 72: The omnipresence of your super imag
Page 73 and 74: As I look at the black and white pr
Page 75 and 76: But when I touched the door of the
Page 77 and 78: 7. LIFEThat day when I entereda mag
Page 79 and 80: 2. TEA WITH DONNEGood Morning, dear
Page 81 and 82: 4. HI, KRISHNA!Hi, Krishna!What’r
Page 83 and 84: Malbe Ka MalikMohan RakeshJai Ratan
Page 85 and 86: 'Everything else has changed but no
Page 87 and 88: feet, on a brick path near the open
Page 89 and 90: ightened up on seeing Rakkha Pahalw
Page 91 and 92: 'So what happened?''Nothing happene
Page 93 and 94: Mad DelightMohan Rakesh was as much
Page 95 and 96: In continuous rhythmic movements, h
Page 97 and 98: is the silence within . . . silence
Page 99 and 100: ehind. The man remains alone once a
Page 101 and 102: stretching road ahead."And how much
Page 103 and 104: the car."Tell me what do you want?"
Page 105 and 106: "Was it necessary today itself ?" f
Page 107 and 108: laughed father “not a morsel to e
Page 109 and 110:
Rites for The DepartedChandrakantaR
Page 111 and 112:
gazing at the swiveling waves of th
Page 113 and 114:
salutations to the Ganga : 'These p
Page 115 and 116:
He won his mukti in that instant of
Page 117 and 118:
a rush for a plank she suddenly see
Page 119 and 120:
The Voice Which was Progeny...Tarun
Page 121 and 122:
growl, blare and shouts had compell
Page 123 and 124:
Broken bamboos and thatches strewed
Page 125 and 126:
forest and open land. The man and w
Page 127 and 128:
"But I have already taken the money
Page 129 and 130:
Ramrath and Bhagirathi's fate gave
Page 131 and 132:
than their son.That boy knew this m
Page 133 and 134:
of power of the original to be tran
Page 135 and 136:
the time. "That raises a question i
Page 137 and 138:
The novelist was translating her ow
Page 139 and 140:
13th paragraph, Arundhati used the
Page 141 and 142:
Referencesi. 'Arundhati Roy, transl
Page 143 and 144:
translation of literature in Englis
Page 145 and 146:
Sons published it under its Traditi
Page 147 and 148:
here that he forgot to smile.'"Afte
Page 149 and 150:
are the opulence of royalty, strugg
Page 151 and 152:
wide web (www) which has created ap
Page 153 and 154:
in it move beyond Cultural Studies
Page 155 and 156:
Prize. Wasn't it in the early years
Page 157 and 158:
deep insight into the life and work
Page 159:
25. Ms. Kanan Jhingan, 48, Swastik
show all

fà¤¹ndi - Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?