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Ocean!Did I knowTo be near youMeans to be water?This indicates the poets' hope as manyIndian people do throughout their livesto be burned to ashes upon their deathand scattered over River Ganges wherebythey will naturally join the holy water inappreciation of their deep faith inHinduism. As touched so far, Ramesh'spoetry is a crystallization of essences ofhuman life and sense of destiny, which areunresistable against the space and time thatsurround him.I hope that my personal remarks onRamesh's poetry along with my translationof them into Korean will be of some helpfor the readers to understand him. Inparticular, it is significant to have thecontemporary Indian poetry published firstin Korea in a single book. Thanks to theinterest and advice, this occasion wouldprovide for an opportunity to broaden ourmutual understanding of both culturesbetween India and Korea.In conclusion, I wish to extend mysincere gratitude to Professor Divik Rameshfor his friendly co-operation and permissionto have his poetry translated and published.In addition, I deeply appreciate those whohave assisted in accomplishing my work,especially Miss Lee, Hye-Jin and Mr. Kim,Chang-Yong.Kim, Yang Shik, is the first and only Korean recipent of Padam Shri Award (2002). Shewas born on 4th January, 1931. In 1954 she did her B.A. (English) from Ehwa Women'sUniversity, Seoul and M.A. (Indian Philosophy) from Donguku University, Seoul. She isfounder and President of Tagore Society of Korea since 1981. Her poems are available inHindi too (Refer to l.Koriyayi Kavita Yatra, edited by Divik Ramesh and published by SahityaAkademi in 1999, 2. The Day Breaks O! India Among her 24 books of poems, she haspublished two anthologies of her poems related to her experience in India. She herself hastranslated Indian literary works (specially of Tagore) into Korean language. Her translationworks include 'Bird's Wedding' poetry by Divik Ramesh (1997). Her first poetry collection'Chongup-Fusa' was published in 1971. She has edited several books and among them are1st, 2nd and 3rd book of Indian Folklore in Korean. She edits and publishes an annualjournal 'Korean-Indian Culture'. She is a great friend and wellwisher of India.fgndi •April-June 2013 :: 55
Radha Worship in Hindi LiteratureL. Thillai SelviIntroductionLord Rama, and Krishna emerged as incarnations of Vishnu in earlyreligious and secular literature. Almost simultaneously we find Radhaalso mentioned, along with Krishna, as an embodiment of beauty,love and art, in fact as the repository of the most cherished femininevirtues and graces. How and when did it happen? It would beinteresting to trace the concept of Radha worship in Indian Literatureand see how it came to dominate, at least for a time, all literaryeffort in Hindi and in most other Indian languages and literatures.When exactly Krishna Bhakti came to include worship of Radhaas an integral part of it, is not known for certain. There is nomention of Radha in Vishnu Purana or the Bhagavata Purana. Allthat the Bhagavata states is that among the gopis with whom Krishnais said to have wandered in the forest, there was one favourite gopinamed Radha. Out of this shadowy figure arose Radha who inlater literature became the symbol of the most passionate love whichthe human heart is capable of.Though veiled references to Radha are found in Panchatantra(5th century) and in some Satsais, particularly in Geeta Saptashati(4th century), yet she does not emerge as an object of worshipor a part of divinity. For the first time we find the concept ofthe worship of Radha in the philosophical system of Nimbarka(12th century) and his teachings based on that system. Next inchronological order came Jayadeva's Geetagovinda, Chandidas's lyricsand Vidyapati's Padavali which not only lent support to that ideabut made it attractive as also an inseparable part of Krishna-bhakti.56 :: April-June 2013fgndi •
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A Journal ofMahatma GandhiAntarrash
Page 3 and 4: LANGUAGEArundhati Roy in Indian Lan
Page 5 and 6: all is not well with the world. Ult
Page 7 and 8: After tallying the anubhavas mentio
Page 9 and 10: sustenance. If it fights shy of phi
Page 11 and 12: progression from Shringararasabhasa
Page 13 and 14: glamour and fame, I always looked a
Page 15 and 16: grandmother. Scolded for stealing t
Page 17 and 18: of his episodes and characters from
Page 19 and 20: The short story Najum (astrology) b
Page 21 and 22: India, Indianness and BuddhaDev Bos
Page 23 and 24: Buddha Dev Bose's writings on Tagor
Page 25 and 26: development of the idea of a worldl
Page 27 and 28: defies the set patterns of known li
Page 29 and 30: The Concerns of CriticismShambhunat
Page 31 and 32: On the basis of feudal thinking the
Page 33 and 34: etween the interests of different s
Page 35 and 36: silent about Hazari Prasad Diwedi.
Page 37 and 38: Imperialism. The imperialists had c
Page 39 and 40: conventional reformers to evaluatet
Page 41 and 42: expansion of knowledge emotions are
Page 43 and 44: unprincipled propaganda takes place
Page 45 and 46: drowning with shame or pride in it.
Page 47 and 48: made criticism a pure literary subj
Page 49 and 50: It is a great paradox that in an ag
Page 51 and 52: how much they are mixing with it. M
Page 53: peculiar way of protest against not
Page 57 and 58: valuable ornaments and clothes. His
Page 59 and 60: literature in general and Hindi lit
Page 61 and 62: Not only this the hunger which I go
Page 63 and 64: 3. We the Janvadi PoetsWe are write
Page 65 and 66: 5. A FarmerThis time paddy crophas
Page 67 and 68: isolated, lonely and stained with p
Page 69 and 70: 3. A COFFIN AND A BOTTLEIn this roo
Page 71 and 72: The omnipresence of your super imag
Page 73 and 74: As I look at the black and white pr
Page 75 and 76: But when I touched the door of the
Page 77 and 78: 7. LIFEThat day when I entereda mag
Page 79 and 80: 2. TEA WITH DONNEGood Morning, dear
Page 81 and 82: 4. HI, KRISHNA!Hi, Krishna!What’r
Page 83 and 84: Malbe Ka MalikMohan RakeshJai Ratan
Page 85 and 86: 'Everything else has changed but no
Page 87 and 88: feet, on a brick path near the open
Page 89 and 90: ightened up on seeing Rakkha Pahalw
Page 91 and 92: 'So what happened?''Nothing happene
Page 93 and 94: Mad DelightMohan Rakesh was as much
Page 95 and 96: In continuous rhythmic movements, h
Page 97 and 98: is the silence within . . . silence
Page 99 and 100: ehind. The man remains alone once a
Page 101 and 102: stretching road ahead."And how much
Page 103 and 104: the car."Tell me what do you want?"
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"Was it necessary today itself ?" f
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laughed father “not a morsel to e
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Rites for The DepartedChandrakantaR
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gazing at the swiveling waves of th
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salutations to the Ganga : 'These p
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He won his mukti in that instant of
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a rush for a plank she suddenly see
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The Voice Which was Progeny...Tarun
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growl, blare and shouts had compell
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Broken bamboos and thatches strewed
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forest and open land. The man and w
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"But I have already taken the money
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Ramrath and Bhagirathi's fate gave
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than their son.That boy knew this m
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of power of the original to be tran
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the time. "That raises a question i
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The novelist was translating her ow
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13th paragraph, Arundhati used the
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Referencesi. 'Arundhati Roy, transl
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translation of literature in Englis
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Sons published it under its Traditi
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here that he forgot to smile.'"Afte
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are the opulence of royalty, strugg
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wide web (www) which has created ap
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in it move beyond Cultural Studies
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Prize. Wasn't it in the early years
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deep insight into the life and work
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25. Ms. Kanan Jhingan, 48, Swastik
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