fहndi - Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya
fहndi - Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya fहndi - Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya
"Kavita" was a record of the sense ofalienation that this generation felt in thecontemporary scheme of things. It expressesthe basic difference between two greatwriters without undermining theirreputations as two literary stalwarts of theBengali language.Ganga Prasad Vimal, born 1939, is a poet, novelist and an academician. He has taughtat a college in Delhi University and in J.N.U. He was director at Central Hindi Directorate,New Delhi. His latest novel Manushkhor from Kitabaghar has been well received. He livesin New Delhi.Shobha Narain is reader in English at Maitreyi College, University of Delhi. She writesshort stories in Hindi and translates from Hindi to English. She lives in New Delhi.fgndi •April-June 2013 :: 29
The Concerns of CriticismShambhunathPramila GargRam Vilas Sharma has said while talking about Ralph Fox, "ForFox human life, society and literature are inseparable. The enthusiasmwith which he worked to change human life, the same enthusiasmhe showed in writing about literature. He was not the type of criticwho dealt in unemotional analysis of facts and figures; rather whateverhe wrote about literature, it was from his heart and feelings."(Introduction to Novel and Society) Unquestionably this statementis true for Ramvilas Sharmaji himself. In Hindi literature there hadbeen a crowd of unemotional analysts who as critics had dealt withfacts and figures only. He was different from such critics. He raisedHindi criticism to a higher level as a Marxist critic. He had putHindi criticism to that height which was possible when a critichas got a lofty goal and he tries to raise himself above mechanicalanalysis and when he has a definite vision of changing the wholehuman life. Today the place of criticism has shrunk a lot. Thisis not criticism but blatant praise, image management. Now is theseason of brand ambassadors, either it is paid criticism or an issueof management. Sometimes it is intentional massacre of ideologiesor an effort to move ahead in competition by treading over others.Now there is dearth of thought in criticism that is why everywhere30 :: April-June 2013fgndi •
- Page 1 and 2: A Journal ofMahatma GandhiAntarrash
- Page 3 and 4: LANGUAGEArundhati Roy in Indian Lan
- Page 5 and 6: all is not well with the world. Ult
- Page 7 and 8: After tallying the anubhavas mentio
- Page 9 and 10: sustenance. If it fights shy of phi
- Page 11 and 12: progression from Shringararasabhasa
- Page 13 and 14: glamour and fame, I always looked a
- Page 15 and 16: grandmother. Scolded for stealing t
- Page 17 and 18: of his episodes and characters from
- Page 19 and 20: The short story Najum (astrology) b
- Page 21 and 22: India, Indianness and BuddhaDev Bos
- Page 23 and 24: Buddha Dev Bose's writings on Tagor
- Page 25 and 26: development of the idea of a worldl
- Page 27: defies the set patterns of known li
- Page 31 and 32: On the basis of feudal thinking the
- Page 33 and 34: etween the interests of different s
- Page 35 and 36: silent about Hazari Prasad Diwedi.
- Page 37 and 38: Imperialism. The imperialists had c
- Page 39 and 40: conventional reformers to evaluatet
- Page 41 and 42: expansion of knowledge emotions are
- Page 43 and 44: unprincipled propaganda takes place
- Page 45 and 46: drowning with shame or pride in it.
- Page 47 and 48: made criticism a pure literary subj
- Page 49 and 50: It is a great paradox that in an ag
- Page 51 and 52: how much they are mixing with it. M
- Page 53 and 54: peculiar way of protest against not
- Page 55 and 56: Radha Worship in Hindi LiteratureL.
- Page 57 and 58: valuable ornaments and clothes. His
- Page 59 and 60: literature in general and Hindi lit
- Page 61 and 62: Not only this the hunger which I go
- Page 63 and 64: 3. We the Janvadi PoetsWe are write
- Page 65 and 66: 5. A FarmerThis time paddy crophas
- Page 67 and 68: isolated, lonely and stained with p
- Page 69 and 70: 3. A COFFIN AND A BOTTLEIn this roo
- Page 71 and 72: The omnipresence of your super imag
- Page 73 and 74: As I look at the black and white pr
- Page 75 and 76: But when I touched the door of the
- Page 77 and 78: 7. LIFEThat day when I entereda mag
The Concerns of CriticismShambhunathPramila GargRam Vilas Sharma has said while talking about Ralph Fox, "ForFox human life, society and literature are inseparable. The enthusiasmwith which he worked to change human life, the same enthusiasmhe showed in writing about literature. He was not the type of criticwho dealt in unemotional analysis of facts and figures; rather whateverhe wrote about literature, it was from his heart and feelings."(Introduction to Novel and Society) Unquestionably this statementis true for Ramvilas Sharmaji himself. In <strong>Hindi</strong> literature there hadbeen a crowd of unemotional analysts who as critics had dealt withfacts and figures only. He was different from such critics. He raised<strong>Hindi</strong> criticism to a higher level as a Marxist critic. He had put<strong>Hindi</strong> criticism to that height which was possible when a critichas got a lofty goal and he tries to raise himself above mechanicalanalysis and when he has a definite vision of changing the wholehuman life. Today the place of criticism has shrunk a lot. Thisis not criticism but blatant praise, image management. Now is theseason of brand ambassadors, either it is paid criticism or an issueof management. Sometimes it is intentional massacre of ideologiesor an effort to move ahead in competition by treading over others.Now there is dearth of thought in criticism that is why everywhere30 :: April-June 2013fgndi •
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