fà¤¹ndi - Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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"Kavita" was a record of the sense ofalienation that this generation felt in thecontemporary scheme of things. It expressesthe basic difference between two greatwriters without undermining theirreputations as two literary stalwarts of theBengali language.Ganga Prasad Vimal, born 1939, is a poet, novelist and an academician. He has taughtat a college in Delhi University and in J.N.U. He was director at Central Hindi Directorate,New Delhi. His latest novel Manushkhor from Kitabaghar has been well received. He livesin New Delhi.Shobha Narain is reader in English at Maitreyi College, University of Delhi. She writesshort stories in Hindi and translates from Hindi to English. She lives in New Delhi.fgndi •April-June 2013 :: 29
The Concerns of CriticismShambhunathPramila GargRam Vilas Sharma has said while talking about Ralph Fox, "ForFox human life, society and literature are inseparable. The enthusiasmwith which he worked to change human life, the same enthusiasmhe showed in writing about literature. He was not the type of criticwho dealt in unemotional analysis of facts and figures; rather whateverhe wrote about literature, it was from his heart and feelings."(Introduction to Novel and Society) Unquestionably this statementis true for Ramvilas Sharmaji himself. In Hindi literature there hadbeen a crowd of unemotional analysts who as critics had dealt withfacts and figures only. He was different from such critics. He raisedHindi criticism to a higher level as a Marxist critic. He had putHindi criticism to that height which was possible when a critichas got a lofty goal and he tries to raise himself above mechanicalanalysis and when he has a definite vision of changing the wholehuman life. Today the place of criticism has shrunk a lot. Thisis not criticism but blatant praise, image management. Now is theseason of brand ambassadors, either it is paid criticism or an issueof management. Sometimes it is intentional massacre of ideologiesor an effort to move ahead in competition by treading over others.Now there is dearth of thought in criticism that is why everywhere30 :: April-June 2013fgndi •
Page 1 and 2: A Journal ofMahatma GandhiAntarrash
Page 3 and 4: LANGUAGEArundhati Roy in Indian Lan
Page 5 and 6: all is not well with the world. Ult
Page 7 and 8: After tallying the anubhavas mentio
Page 9 and 10: sustenance. If it fights shy of phi
Page 11 and 12: progression from Shringararasabhasa
Page 13 and 14: glamour and fame, I always looked a
Page 15 and 16: grandmother. Scolded for stealing t
Page 17 and 18: of his episodes and characters from
Page 19 and 20: The short story Najum (astrology) b
Page 21 and 22: India, Indianness and BuddhaDev Bos
Page 23 and 24: Buddha Dev Bose's writings on Tagor
Page 25 and 26: development of the idea of a worldl
Page 27: defies the set patterns of known li
Page 31 and 32: On the basis of feudal thinking the
Page 33 and 34: etween the interests of different s
Page 35 and 36: silent about Hazari Prasad Diwedi.
Page 37 and 38: Imperialism. The imperialists had c
Page 39 and 40: conventional reformers to evaluatet
Page 41 and 42: expansion of knowledge emotions are
Page 43 and 44: unprincipled propaganda takes place
Page 45 and 46: drowning with shame or pride in it.
Page 47 and 48: made criticism a pure literary subj
Page 49 and 50: It is a great paradox that in an ag
Page 51 and 52: how much they are mixing with it. M
Page 53 and 54: peculiar way of protest against not
Page 55 and 56: Radha Worship in Hindi LiteratureL.
Page 57 and 58: valuable ornaments and clothes. His
Page 59 and 60: literature in general and Hindi lit
Page 61 and 62: Not only this the hunger which I go
Page 63 and 64: 3. We the Janvadi PoetsWe are write
Page 65 and 66: 5. A FarmerThis time paddy crophas
Page 67 and 68: isolated, lonely and stained with p
Page 69 and 70: 3. A COFFIN AND A BOTTLEIn this roo
Page 71 and 72: The omnipresence of your super imag
Page 73 and 74: As I look at the black and white pr
Page 75 and 76: But when I touched the door of the
Page 77 and 78: 7. LIFEThat day when I entereda mag
Page 79 and 80:
2. TEA WITH DONNEGood Morning, dear
Page 81 and 82:
4. HI, KRISHNA!Hi, Krishna!What’r
Page 83 and 84:
Malbe Ka MalikMohan RakeshJai Ratan
Page 85 and 86:
'Everything else has changed but no
Page 87 and 88:
feet, on a brick path near the open
Page 89 and 90:
ightened up on seeing Rakkha Pahalw
Page 91 and 92:
'So what happened?''Nothing happene
Page 93 and 94:
Mad DelightMohan Rakesh was as much
Page 95 and 96:
In continuous rhythmic movements, h
Page 97 and 98:
is the silence within . . . silence
Page 99 and 100:
ehind. The man remains alone once a
Page 101 and 102:
stretching road ahead."And how much
Page 103 and 104:
the car."Tell me what do you want?"
Page 105 and 106:
"Was it necessary today itself ?" f
Page 107 and 108:
laughed father “not a morsel to e
Page 109 and 110:
Rites for The DepartedChandrakantaR
Page 111 and 112:
gazing at the swiveling waves of th
Page 113 and 114:
salutations to the Ganga : 'These p
Page 115 and 116:
He won his mukti in that instant of
Page 117 and 118:
a rush for a plank she suddenly see
Page 119 and 120:
The Voice Which was Progeny...Tarun
Page 121 and 122:
growl, blare and shouts had compell
Page 123 and 124:
Broken bamboos and thatches strewed
Page 125 and 126:
forest and open land. The man and w
Page 127 and 128:
"But I have already taken the money
Page 129 and 130:
Ramrath and Bhagirathi's fate gave
Page 131 and 132:
than their son.That boy knew this m
Page 133 and 134:
of power of the original to be tran
Page 135 and 136:
the time. "That raises a question i
Page 137 and 138:
The novelist was translating her ow
Page 139 and 140:
13th paragraph, Arundhati used the
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Referencesi. 'Arundhati Roy, transl
Page 143 and 144:
translation of literature in Englis
Page 145 and 146:
Sons published it under its Traditi
Page 147 and 148:
here that he forgot to smile.'"Afte
Page 149 and 150:
are the opulence of royalty, strugg
Page 151 and 152:
wide web (www) which has created ap
Page 153 and 154:
in it move beyond Cultural Studies
Page 155 and 156:
Prize. Wasn't it in the early years
Page 157 and 158:
deep insight into the life and work
Page 159:
25. Ms. Kanan Jhingan, 48, Swastik
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fà¤¹ndi - Mahatma Gandhi Antarrashtriya Hindi Vishwavidyalaya

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