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Hindi. He translated 'The Tempest' as'Jangal mein Mangal', 'As You Like It' as'Apni Apni Ruchi', 'Comedy of Errors' as'Bhoolbhulaiya', 'King Lear' as 'Raja Lear','Much Ado About Nothing' as'Manmohan', 'Macbeth', 'Hamlet' as'Denmark ka Rajkumar', 'Othello' as'Jhootha Sandeh' and 'Romeo and Juliet'as 'Prem ki Kasauti'. Premchand translatedGeorge Eliot's 'Silas Marner' as 'Sukhdas'published by Bambai Hindi Granthagar,and in Calcutta Ishwari Prasad Sharmatranslated 'Woman in White' titled'Shuklavasana Sundari'. Bernard Shaw's'Back to Methuselah' translated byPremchand under the title 'Shristi kaArambh' was published from Banaras.In 1950, Mahavir Prasad Poddartranslated Mrs. Beecher Stone's famousnovel 'Uncle Tom's Cabin'. Mahavir PrasadDwivedi had written its foreword. TheEnglish translation of Lara Ingalls Builder'snovel 'Little House in the Big Woods' waspublished in Allahabad in 1953- GangaPandey translated Pearl Buck's novel 'GoodEarth' titled 'Dharti Mata' (PrabhatPrakashan, Lucknow) in 1955 and heranother novel under the title 'Mrigtrishna'in 1956. Surya Narayan Singh Sharmatranslated Cameron Howell’s novel'Executive Suite' under the title AdhyakshaKaun Ho' in 1957 (Pearl Publications,Bombay). Malini Viz translated StephenCane's collection of short stories 'The BrideComes to Yellow Sky' under the title'Navavadhu ka Grampravesh' (PearlPublications, 1958). In 1959, GyanChandra translated Helen Mackins's 'Northfrom Rome' (Pearl Publications). In 1960,Devendra Kumar translated Pearl Buck's'My Several Worlds' (Rajpal and Sons) andin the same year Shree Shyam translatedher 'Nor Five Nor Three' under the title'Na Paanch Na Teen'(Pearl Publications).Umapati Rai Chandel translated MarkTwain's 'Roughing It' under the title'Yaadon ki Ghantiyan' (Rajpal and Sons,the page giving the year of publication wastorn). In 1967, Virendra Kumar Guptatranslated Jack London's 'The White Fang'and 'The Call of Woods' under the titles'Paltu Bhedia and 'Jungle ki Pukar'respectively. In 1968, the translation of F.Scott Fitzgerald's 'The Great Gatsby' waspublished by Rajpal and Sons. In 1970,Ramesh Bakshi rendered Herman Melville'sAmerican novel 'Moby Dick' into English(Radhakrishna Prakashan) titled 'SafedWhale Machhli'. In 1972 Mridula Gargtranslated 'Man Never Know' as 'TikonaDaira' (Akshar Prakashan) and in 1977Amrit Rai translated Howard Fast's bookas 'Samar Gatha' (Allahabad). In 1993Anand translated Alice Munroe's shortstory collection 'Something I Have BeenMeaning to Tell You' (Viplav Karyalaya,Lucknow) and in 1995 Deep ShikhaGhosh translated Henry Rider Haggard'snovel 'She' under the title'Mayavani'(Startrek Publishers). In 1998Gurucharan Das translated ErnestHemingway's 'Farewell to Arms' (VidyarthiPrakashan, Delhi). In 2003 the translationof Arrowsmith', a novel by the Americanwriter Sinclair Lewis was published. Thetranslator was Satya Prakash. Rajkamal andfgndi •April-June 2013 :: 145
Sons published it under its Tradition andHeritage of World Classic series.Lal Bahadur Sharma translated JackLondon's 'Iron Heel' in 2004 (Itihas BodhPrakashan, Allahabad). Around this time,Sanjiv Tanwar translated ErnestHemingway's 'The Old Man and Sea'under the title 'Boodha Sagrik', and also'The Reivers' by the Nobel Prize winnerWilliam Faulkner and Steinbeck's 'Travelswith Charlie' under the title 'Charlie kaSafarnama' (the publishers were BharatCyan Vigyan Prakashak, Delhi andRashtrabhasha Prakashan, Shahdara, Delhirespectively). Ashok Pandey translatedIrwin Stone's biography of the painter VanGogh in 2006 (Samvad Prakashan). In2006 itself, Indu Prakash Kanungotranslated Balzac's collection of short storiesunder the title 'Lal Sarai' (Surya PrakashMandir, Bikaner). In 2007 UdaykantPathak translated the short stories of ErnestHemingway under the title 'Adivasi Basti'(Nav Prabhat Sahitya, Delhi). In 2011Chandrabali Singh translated the poemsof Emily Dickinson for Vani Prakashan,Vardha. In the same decade Uma Pathaktranslated the stories of Grimms, HansAnderson and Kipling and also Naipauland Paulo Coelho.The Indian English writer R.K.Narayan's 'The English Teacher' ('JeevanMrityu') and 'Bachelor of Arts' weretranslated. In the same category thetranslation of almost all the novels ofVikram Seth, Naipaul, Amitav Ghosh andPaulo Coelho are available. In thecontemporary times the literature ofspiritual gurus like Osho, Dipal Chopraand Shiv Khera has been translated veryquickly.Between 1848 and 2012 a great dealof literature in English was translated intoHindi and is also being read with greatinterest. In the library of Sahitya Akademithere is a separate section for translatedfiction. One can guess from the worn-outcondition of books kept there that theyhave been read frequently. This is anencouraging fact for translators andpublishers.I had the opportunity of translatingthe English literature of two authors. Thefirst is Khalil Gibran, the philosopher, poet,short story writer and novelist of the 19thcentury, and Amitav Ghosh, a novelist ofmodern times. Translating my favouriteauthors was a labour of love for me. Itwas the reiteration of the pleasure ofreading them in the original that I wantedto share with the perceptive readers ofHindi. I had begun to read Khalil Gibranin my youth. His literature is available inboth Arabic and English. His famous worksin Arabic are 'The Spirits Rebellious', 'Tearand Smiles', 'Broken Wings', 'Thoughtsand Meditation' and 'The Voice of theMaster'. Khalil himself wrote in English'The Prophet', "Jesus Son of God','Wanderer' and 'Sand and Foam'. Whiletranslating him, there was always a doubtin my mind. Khalil himself translated intoEnglish some of his works written in Arabicwhile others translated some of his otherworks. Thus whenever the source text istranslated first in one target language and146 :: April-June 2013fgndi •
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A Journal ofMahatma GandhiAntarrash
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LANGUAGEArundhati Roy in Indian Lan
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all is not well with the world. Ult
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After tallying the anubhavas mentio
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sustenance. If it fights shy of phi
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progression from Shringararasabhasa
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glamour and fame, I always looked a
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grandmother. Scolded for stealing t
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of his episodes and characters from
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The short story Najum (astrology) b
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India, Indianness and BuddhaDev Bos
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Buddha Dev Bose's writings on Tagor
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development of the idea of a worldl
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defies the set patterns of known li
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The Concerns of CriticismShambhunat
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On the basis of feudal thinking the
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etween the interests of different s
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silent about Hazari Prasad Diwedi.
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Imperialism. The imperialists had c
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conventional reformers to evaluatet
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expansion of knowledge emotions are
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unprincipled propaganda takes place
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drowning with shame or pride in it.
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made criticism a pure literary subj
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It is a great paradox that in an ag
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how much they are mixing with it. M
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peculiar way of protest against not
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Radha Worship in Hindi LiteratureL.
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valuable ornaments and clothes. His
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literature in general and Hindi lit
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Not only this the hunger which I go
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3. We the Janvadi PoetsWe are write
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5. A FarmerThis time paddy crophas
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isolated, lonely and stained with p
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3. A COFFIN AND A BOTTLEIn this roo
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The omnipresence of your super imag
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As I look at the black and white pr
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But when I touched the door of the
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7. LIFEThat day when I entereda mag
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2. TEA WITH DONNEGood Morning, dear
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4. HI, KRISHNA!Hi, Krishna!What’r
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Malbe Ka MalikMohan RakeshJai Ratan
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'Everything else has changed but no
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feet, on a brick path near the open
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ightened up on seeing Rakkha Pahalw
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'So what happened?''Nothing happene
Page 93 and 94: Mad DelightMohan Rakesh was as much
Page 95 and 96: In continuous rhythmic movements, h
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Page 99 and 100: ehind. The man remains alone once a
Page 101 and 102: stretching road ahead."And how much
Page 103 and 104: the car."Tell me what do you want?"
Page 105 and 106: "Was it necessary today itself ?" f
Page 107 and 108: laughed father “not a morsel to e
Page 109 and 110: Rites for The DepartedChandrakantaR
Page 111 and 112: gazing at the swiveling waves of th
Page 113 and 114: salutations to the Ganga : 'These p
Page 115 and 116: He won his mukti in that instant of
Page 117 and 118: a rush for a plank she suddenly see
Page 119 and 120: The Voice Which was Progeny...Tarun
Page 121 and 122: growl, blare and shouts had compell
Page 123 and 124: Broken bamboos and thatches strewed
Page 125 and 126: forest and open land. The man and w
Page 127 and 128: "But I have already taken the money
Page 129 and 130: Ramrath and Bhagirathi's fate gave
Page 131 and 132: than their son.That boy knew this m
Page 133 and 134: of power of the original to be tran
Page 135 and 136: the time. "That raises a question i
Page 137 and 138: The novelist was translating her ow
Page 139 and 140: 13th paragraph, Arundhati used the
Page 141 and 142: Referencesi. 'Arundhati Roy, transl
Page 143: translation of literature in Englis
Page 147 and 148: here that he forgot to smile.'"Afte
Page 149 and 150: are the opulence of royalty, strugg
Page 151 and 152: wide web (www) which has created ap
Page 153 and 154: in it move beyond Cultural Studies
Page 155 and 156: Prize. Wasn't it in the early years
Page 157 and 158: deep insight into the life and work
Page 159: 25. Ms. Kanan Jhingan, 48, Swastik
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