<strong>Notes</strong> <strong>from</strong> <strong>the</strong> <strong>Underground</strong>have a cowardly impudence. You boast of consciousness, butyou are not sure of your ground, for though your mind works,yet your heart is darkened and corrupt, and you cannot havea full, genuine consciousness without a pure heart. And howintrusive you are, how you insist and grimace! Lies, lies, lies!”Of course I have myself made up all <strong>the</strong> things you say.That, too, is <strong>from</strong> underground. I have been for forty yearslistening to you through a crack under <strong>the</strong> floor. I have invented<strong>the</strong>m myself, <strong>the</strong>re was nothing else I could invent. Itis no wonder that I have learned it by heart and it has takena literary form ….But can you really be so credulous as to think that I willprint all this and give it to you to read too? And ano<strong>the</strong>r problem:why do I call you “gentlemen,” why do I address you asthough you really were my readers? Such confessions as I intendto make are never printed nor given to o<strong>the</strong>r people toread. Anyway, I am not strong-minded enough for that, and Idon’t see why I should be. But you see a fancy has occurred tome and I want to realize it at all costs. Let me explain.Every man has reminiscences which he would not tell toeveryone, but only to his friends. He has o<strong>the</strong>r matters in hisDostoyevskymind which he would not reveal even to his friends, butonly to himself, and that in secret. But <strong>the</strong>re are o<strong>the</strong>r thingswhich a man is afraid to tell even to himself, and every decentman has a number of such things stored away in hismind. The more decent he is, <strong>the</strong> greater <strong>the</strong> number of suchthings in his mind. Anyway, I have only lately determined toremember some of my early adventures. Till now I have alwaysavoided <strong>the</strong>m, even with a certain uneasiness. Now,when I am not only recalling <strong>the</strong>m, but have actually decidedto write an account of <strong>the</strong>m, I want to try<strong>the</strong> experiment whe<strong>the</strong>r one can, even with oneself, be perfectlyopen and not take fright at <strong>the</strong> whole truth. I willobserve, in paren<strong>the</strong>sis, that Heine says that a true autobiographyis almost an impossibility, and that man is bound tolie about himself. He considers that Rousseau certainly toldlies about himself in his confessions, and even intentionallylied, out of vanity. I am convinced that Heine is right; I quiteunderstand how sometimes one may, out of sheer vanity,attribute regular crimes to oneself, and indeed I can verywell conceive that kind of vanity. But Heine judged of peoplewho made <strong>the</strong>ir confessions to <strong>the</strong> public. I write only for34
<strong>Notes</strong> <strong>from</strong> <strong>the</strong> <strong>Underground</strong>myself, and I wish to declare once and for all that if I write asthough I were addressing readers, that is simply because it iseasier for me to write in that form. It is a form, an emptyform—I shall never have readers. I have made this plain already… I don’t wish to be hampered by any restrictions in<strong>the</strong> compilation of my notes. I shall not attempt any systemor method. I will jot things down as I remember <strong>the</strong>m.But here, perhaps, someone will catch at <strong>the</strong> word and askme: if you really don’t reckon on readers, why do you makesuch compacts with yourself—and on paper too—that is,that you won’t attempt any system or method, that you jotthings down as you remember <strong>the</strong>m, and so on, and so on?Why are you explaining? Why do you apologise?“Well, <strong>the</strong>re it is,” I answer.There is a whole psychology in all this, though. Perhaps itis simply that I am a coward. And perhaps that I purposelyimagine an audience before me in order that I may be moredignified while I write. There are perhaps thousands of reasons.Again, what is my object precisely in writing? If it isnot for <strong>the</strong> benefit of <strong>the</strong> public why should I not simplyrecall <strong>the</strong>se incidents in my own mind without putting <strong>the</strong>mDostoyevskyon paper?Quite so; but yet it is more imposing on paper. There issomething more impressive in it; I shall be better able tocriticize myself and improve my style. Besides, I shall perhapsobtain actual relief <strong>from</strong> writing. Today, for instance, Iam particularly oppressed by one memory of a distant past.It came back vividly to my mind a few days ago, and hasremained haunting me like an annoying tune that one cannotget rid of. And yet I must get rid of it somehow. I havehundreds of such reminiscences; but at times some one standsout <strong>from</strong> <strong>the</strong> hundred and oppresses me. For some reason Ibelieve that if I write it down I should get rid of it. Why nottry?Besides, I am bored, and I never have anything to do. Writingwill be a sort of work. They say work makes man kindheartedand honest. Well, here is a chance for me, anyway.Snow is falling today, yellow and dingy. It fell yesterday,too, and a few days ago. I fancy it is <strong>the</strong> wet snow that hasreminded me of that incident which I cannot shake off now.And so let it be a story a propos of <strong>the</strong> falling snow.35
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