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Mehri Paydar works on her design at - McCormick School of ...

Mehri Paydar works on her design at - McCormick School of ...

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<strong>McCormick</strong> / spring 201125Top left: Jeff Gellis gluestoget<strong>her</strong> a model <strong>of</strong> anamphithe<strong>at</strong>er.Lower left: M<strong>at</strong>t Shaxtedpresents to the jury in theS<strong>on</strong>y Center.Left: Helmut Jahn discussesthe <strong>design</strong> challenge withNorthwestern students.Photos by Gord<strong>on</strong> Welters.and building some <strong>of</strong> the best structures <strong>of</strong> thepast 30 years.“I hope you had a good time this far,” Jahnsaid, smiling. “I hope you survived this.”Selling your <strong>design</strong>Wh<strong>at</strong> happened next was more than a <strong>design</strong>critique: it turned into a wide-ranging c<strong>on</strong>vers<strong>at</strong>i<strong>on</strong><strong>on</strong> <strong>design</strong>, business, communic<strong>at</strong>i<strong>on</strong>, and thedifference between art and science.When Shaxted presented his turbine idea,Sobek told him it would require a building muchlarger than the S<strong>on</strong>y Center.“Sometimes you get <strong>at</strong>tached to an idea,” Boothtold Shaxted. “We all do. You get so caught up.”Jahn pointed out th<strong>at</strong> Shaxted <strong>on</strong>ly had <strong>on</strong>edrawing to show the jury, a sketch <strong>of</strong> the turbineand the m<strong>at</strong>hem<strong>at</strong>ical equ<strong>at</strong>i<strong>on</strong>s he thoughtwould show it worked. “If you’re trying to sellsomething to a client, he never takes the firstthing you show him,” Jahn said. “The process isvery important. If you come with <strong>on</strong>e drawing,the client will think you didn’t take it seriously.”“You always must be aware th<strong>at</strong> t<strong>her</strong>e mightbe a specialist in the jury who is not shocked bythe m<strong>at</strong>h,” Sobek said, pointing to Shaxted’s equ<strong>at</strong>i<strong>on</strong>s.He added th<strong>at</strong> architects should always beable to clearly articul<strong>at</strong>e their ideas. “You shouldtrain yourself to close your eyes, pick up a virtualph<strong>on</strong>e, tell somebody how it <str<strong>on</strong>g>works</str<strong>on</strong>g>, and sell it tothem. So<strong>on</strong>er or l<strong>at</strong>er you’ll realize th<strong>at</strong> you needthe right key words or story.”When Lizzie DuBay (civil engineering ’11)presented <strong>her</strong> fashi<strong>on</strong> show idea, Jahn asked whyshe drew <strong>her</strong> <strong>design</strong>s by hand.“It gives it more pers<strong>on</strong>ality,” she said.“So you can throw your computer awaywhen you get back!” said Jahn, who is known for<strong>design</strong>ing buildings using freehand drawings.“The computer is the worst equalizer. It makes itpossible for people who are not very good to dowell. It’s like putting fancy clothes <strong>on</strong>.”Sobek added: “On a flight from Frankfurt toChicago I drew all <strong>of</strong> the special structure for theS<strong>on</strong>y Center. On <strong>on</strong>e nine-hour flight. By hand.T<strong>her</strong>e was no computer.”Ultim<strong>at</strong>ely, the jury <strong>of</strong>fered praise and adviceto each student—both <strong>of</strong> which, the studentsagreed, young architects and engineers need tobecome better <strong>design</strong>ers. “Even when I got a lot<strong>of</strong> heavy criticism, it was really c<strong>on</strong>structive,”Bertelsen said. “They really got to the core <strong>of</strong> theissues. I think I can use th<strong>at</strong> to jump-start futureprojects.”Ot<strong>her</strong>s were more pragm<strong>at</strong>ic: “I can finallysleep,” Gellis said.Architecture is about communic<strong>at</strong>i<strong>on</strong>Jahn said it was fun working with the studentsand hoped they learned something al<strong>on</strong>g the way.“I agreed to do this,” he said, “because they areinvolved in this rel<strong>at</strong>i<strong>on</strong>ship between architectureand engineering and how the integr<strong>at</strong>i<strong>on</strong> <strong>of</strong>those disciplines can make better architects andengineers—and ultim<strong>at</strong>ely, better buildings. Wearchitects who are somewh<strong>at</strong> established havea resp<strong>on</strong>sibility to young people, and we tried toteach them th<strong>at</strong> architecture is a business w<strong>her</strong>eyou’ve got to sell something. The more successfulyou are <strong>at</strong> <strong>design</strong>ing a good building, the easier itis to sell it.”The trip was judged so successful th<strong>at</strong> <strong>McCormick</strong>plans to <strong>of</strong>fer a similar trip next year. For thestudents, who headed back to Evanst<strong>on</strong> to finishtheir studies and prepare for careers in engineeringand architecture, the trip provided a new point<strong>of</strong> view <strong>on</strong> architecture.“Architecture really is about communic<strong>at</strong>i<strong>on</strong>,”Bertelsen said. “If you have a brilliant <strong>design</strong>but you can’t talk about it or draw a picture <strong>of</strong> it,nobody is going to build it. You need to be able totell a story. Th<strong>at</strong>’s probably the most useful thingI learned. And you need to have as many crazyideas as possible, and then use architecture andengineering to make those ideas c<strong>on</strong>crete.”P<strong>at</strong>rick Rice (civil engineering ’11) believes thetrip will give him a leg up when he applies for civilengineering jobs after gradu<strong>at</strong>i<strong>on</strong>. “Having experiencein an architecture studio will definitely help,”he said. “Employers can see I have a commitmentto <strong>design</strong> as well as this technical background.”Booth said he was “blown away” by howworthwhile the trip was for students. “It reallyhas become, in my mind, an integral part <strong>of</strong> theprogram.” M Emily Ayshford

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