04 CHRISTOPHER NM.pdf - Khazar University

78 Nkechi M. ChristopheDolby, N. (1999). Youth and the global popular: The politics and practices of race in SouthAfrica. European journal of cultural studies, 2, 291–309.Gregson, K. S. (2006). Youth culture. Encyclopedia of Children, Adolescents, and theMedia. Accessed 10 October 2009 from SAGE Publications website:.Langman, L. (2003a). Philip Rieff's mission: Character, culture and morality. Journal ofclassical sociology, 3; 279 – 295.Langman. L. (2003b). Culture, identity and hegemony: The body in a global age. Currentsociology, 51, 223–247.Luvaas, B. (2006). Re-producing pop: The aesthetics of ambivalence in a contemporarydance music. International journal of cultural studies, 9(2), 167–187.McFarland, P. & Kimmons, L. B. (2008). Rap: The movement. Encyclopedia of Race,Ethnicity, and Society. Accessed 10 October 2009 from SAGE Publications website:.Niebur, L. (2003). Music. American masculinities: A historical encyclopedia. Accessed 8October 2009 from SAGE Publications website: .Nwannne, C. (2009, July 5). Naija pop: Balls and bums for the boys... sense & depth for thegirls. The Guardian, p. 41.Slater, M. D., Henry, K. L., swaim, R. C. & Anderson, L. L. (2003). Violent Media Contentand Aggressiveness in Adolescents A Downward Spiral Model. CommunicationResearch, 30: 713–736Strinati, D. (2004). An introduction to theories of popular culture. New York: Routledge.Winton, A. (2004), Urban violence: A guide to the literature. Environment and urbanization, 16, 165 –184.SummaryAn assessment of Nigeria urban youth musicNkechi M. ChristopherUniversity of Ibadan, NigeriaMusic embodies culture, expressing relevant features of a people’s life. Music is an integralaspect of African culture, occupying a special place in the celebration of birth and deathand other events in-between. Indeed it is difficult to imagine life without music intraditional Nigerian society where all strata and age groups have their own music; arichness of life that urban communities failed to totally replicate, being that they arecomposites of ethno-linguistic fragments. Thus, the evolving youth popular music culture issignificant in many respects, especially as it cuts across ethnic divides and providesentertainment for a group in heretofore largely ignored in Nigerian urban society. Its