“Architecture is a mixture of NOSTALGIA and ... - Arhitekton

32 september/october/november 2011/architecture 33Type: LogementState: Phase 1 studyYear: 2011City: PARISClient: PrivateArea: 450m²Budget: 290 000€Team: Alice Barrois, AnaAlexandra Sa, Tristan SpellaStéphane Malka ArchitecteTip: StambeniStatus: Faza 1 studijeGodina: 2011Grad: ParizKlijent: Privatna investicijaOblast: 450m²Budzet: 290 000€Tim: Alice Barrois, AnaAlexandra Sa, Tristan SpellaStéphane Malka ArhitekteCredits: MALKA ARCHITECTURE 2011Photographer: Laurent ClementImages: Tristan SpellaIn reality, ecologicalstrategies often generatean over-production ofmaterials, becoming energyvoresand clients of factories,the polluters of the world.The real ecologicalcombat is within thereappropriation of materialsand experimentations withready-made objects, far fromthe so-called benevolence ofsubsidized agencies.The student housing onrue Amelot is a project thatinserts itself into an urbaninterstice: the thickness of ablind wall.It’s within the thickness ofthese walls that this thinbuilding is constructed.The urban form is anextension of the blind walls,which houses using theexisting.U realnosti, ekološkestrategije često dovodedo prekomerne proizvodnjematerijala, postajući takoveliki potrošači električneenergije i klijenti fabrika kojesu najveći svetski zagađivači.Prava ekološka borba je krozponovnu upotrebu materijalai eksperimentisanja saizvedenim objektima, dalekood takozvanog dobročinstvaagencija koje bi pružilenovčanu pomoć.Stambeni objekti za smeštajstudenata u Ulici Amelot uParizu je projekat koji seuvlači u urbani međuprostor:debljina šupljeg zida. Ovajuzani objekat je projektovanunutar debljine ovih šupljihzidova.Urbana forma je produžetakošupljenih zidova većpostojećih objekata.

40 september/october/november 2011/architecture 41The cultural meeting point joining the house owners aspect of volumes very much committed to the landand the architects was based on their common where they are built. These long roofs make theinterest: an undoubtedly contemporary architecture, butone whose nature and final expression would also be theoutcome of a research of the paradigms figuring in thetraditional architecture of the region, the Alentejo.The implantation terrain of this small house, located inhouses cosy during the extremely hot summersand yet sober in the winter. The presenceof these houses on the Alentejo plains,allied to the whiteness of their limepainting bringing out an almostthe village of Possanco, sets the transition area between abstract figure, composethe new urban strip and the protected agriculture zone. portraits of a singular andPossanco, Alcácer do SalAn extensive northbound plain ends far away at the surprising beauty.Portugalsplendid Arrabida mountain ridge. Sparse water spots of The first relevantthe river Sado spreading, and the Atlantic Ocean defining constraint isthe horizon complete this scenario of a bold pictorial the triangularProject/Projekat 2006 - 07expression.shape of theConstruction / IzfgradnjaThe owners wanted a small vacation house that allowed small lot2008 – 09a casual and relaxed enjoyment of their weekend when which,escaping the urban everyday stress.Architecture / AutoriPLANTA DE COBERTURAOur minds were for so long populated by images of theARX PORTUGAL, Arquitectos Lda.0 1 2 5mso-called popular architecture, produced before thetechnological era. They are small houses with sometimesJosé Mateus, Nuno MateusWith Stefano Rivaasymmetric roofs, with one of the two garrets longer,almost disproportionate, reinforcing the compactProject Team / Projektantski tim:Stefano Riva, Paulo RochaPhotography / FotografijeFG+SG – Fotografia de ArquitecturaARX Portugal ArquitectosGross Construction Surface/Bruto izgrađenost250 m2PLANTA COBERTURA.pdf 1 21.9.2011 13:27:38HOUSE INPOSECCOslikoviti scenarijo.Kulturno sastajalište koje spaja vlasnike kuća iarhitekte zasnovano je na njihovom zajedničkominteresu: nesumnjivo moderna arhitektura , ali onačija bi priroda i konačni izraz takođe bili proizvodistraživanja primera tradicionalne arhitekture regionaAlentežu.Teren za postavljanje ove male kuće u selu Posankopredstavlja prelaznu oblast između novog urbanogpojasa i zaštićene poljoprivredne zone. Prostranaseverna ravnica završava se daleko u raskošnimArabida planinama. Razbacane vodene niti reke Sadoi Atlanski okean definišu horizont, kompletirajući ovajVlasnici su želeli maluvikendicu koja će im pružitiopušteno uživanje vikendom,nakon bekstva iz stresnogživota u gradu. Naši umovi su dugobili okupirani slikama takozvanognarodnog graditeljstva nastalog pretehnološke ere, koje karakterišu malekuće sa ponekad asimetričnim krovovima,sa jednom od dve krovne ravni koja jeduža u odnosu na drugu, tako da kuća izgledadisproporcionalno. Ovi dugački krovovi povećavajuudobnost tokom leta ali i tokom umereno hladnihzima. Prisustvo ovakvog tipa kuća u ravniciAlenteža sa fasadama okrečenim u beloističu gotovo apstraktni oblik, stvarajućiportret jedinstvene i izuzetne lepote.Prvo relevantno ograničenje jetrouglasti oblik male parcelekoji, kada se primenezakonske regulative,gotovo ne dozvoljavanikakve formalnea l t e r n a t i v e .Razumevanjegradnje ovih kuća opet nailazi na paradoks:najinteresantniji pogled je okrenut ka severu umestoka jugu gde bi trebali da budu smešteni prozorizbog boljeg prodora dnevne svetlosti. Na južnojstrani su ulica, saobraćaj i prolaznici čije poglede kakući su vlasnici želeli da izbegnu. Ova dva aspektačinila su ključne karakteristike projekta, a u rešenjeje uključen još jedan element iz tradicionalnearhitekture- atrijum.U projektu je veličina određena regulacionimudaljenostima. Sa bočne strane, maksimalnadozvoljena visina je dostignuta zadnjim zidom (dvasprata), a prednji zid, okrenut ulici, ima minimalnumoguću visinu (jedan sprat). Prolazniku, kuća je

The Tehnozone design studio has the great potential of the constructionmarket and the moment of opti-8180 september/october/november 2011/architects begun its work back in 1989, whenthe architect Robert Somek founded mism at the end of the last decade,a small studio called Techno with the luckily, most of the commissionedgoal to turn his indestructible energyof shaping the space into reality ings NetCity (plasticity of the simpleprojects were realized: office build-without delay.glass volume is achieved by usingSince then, we have designed all color), IT3 (achieved geometry of thesorts of project: shops, cafes, housesfor friends, often as a set design, complex urban requirements), Manibuilding’s intersection is a result ofand a lot of these built interiors have II (on the edge of non-regulatedsurvived until today.part of the town the building representsthe point of basic urbanity),The development was inevitable.Projects were realized and people IT5 in Buzin (monochromatic frontwith similar preferences and diversecharacters, but with compat-volumes), the residential and officeis formed with two stamped, knittedible intentions got together over the building VODATEL (correlation betweenresidential and office part ofyears.the building is realized through differentstructures of front and volume),the luxury residential buildingin Zvijezda (interpolation is achievedthrough choice of colors, materials,format of windows and volume ratioin the protected area of the city), theresidential building in Borovje – all inZagreb, the logistics and distributioncenter M SAN in Rugvica, the residentialbuilding Testudio in Zadar..tehnozone.Photo/Foto: Robert Lešarchitecture.Počeci rada projektnog biroaTehnozone dosežu u 1989.godinu kad je arhitekta RobertSomek osnovao mali studioTechno, da bi svoju nezaustavljivuenergiju oblikovanja prostora,pretvorio u realnost.Tada kao i sada-, projektovalose šta se moglo – prodavnice,kafići, kuće za poznanike, čestoscenografski, ali dosta je tihenterijera preživelo i do danas.Razvoj je bio neminovan, iz godineu godinu realizovali su seprojekti i okupljala se ekipa ljudisličnih sklonosti i različitih karaktera,ali usklađenih namera.Saradnja sa Hypo-Alpe-Adriabankom rezultovala je nizomposlovnica širom Hrvatske,zgradom Hypo Alpe Adria Centrau Zadru i najvećom poslovnomzgradom u Hrvatskoj– zgradom Hypo Alpe AdriaCentra u Slavonskoj aveniji uZagrebu, na temelju idejnogprojekta Thoma Mayna i uzsaradnju sa austrijskom firmomMoser Arhitekten na izvođačkojdokumentaciji. To je bilo ogromnoiskustvo, ispekao se zanat,shvatilo se kako promišljatikuće velikog formata.2004. godine Tehnozone ostajebez Roberta Someka, kojiCooperation with the Hypo-Alpe-Adria Bank resulted in a series ofbrunch offices through out Croatia:the building of Hypo Alpe Adria Centrein Zadar and the largest officebuilding in Croatia - the building ofHypo Alpe Adria in Slavonska avenijain Zagreb, built on the basis ofthe preliminary design of Thom Maynand in cooperation, on the technicalstructuraldocumentation, with theAustrian company Moser Arhitekten.That was a great experience, welearned our trade well.Robert Somek died at the time of hisgreatest engagement and successin 2004, leaving his office as a pledgeto the future.The step out into the domain of architectureof office buildings, oftenas projects for an unknown investor,on the basis of newly gained experiencethrough the project of a largemultifunctional complex of the Hypo-Bank, has opened business opportunities- a series of new projects.On the wave of economic prosperity,je preminuo u vreme svog najvećegangažmana i uspeha, ostavljajućisvoj biro u zalog budućem vremenu.Iskorak u prostor arhitekture poslovnihobjekata, najčešće zanepoznatog korisnika, a na osnovinovostečenog iskustva kroz projekatvelikog multifunkcionalnogkompleksa za Hypo- Banku, otvaraposlovne mogućnosti u nizu novihprojekata. Na talasu ekonomskogprosperiteta, velikog potencijalagrađevinskog tržišta i trenutka optimizmasa kraja prošle decenije,većina narudžbina na sreću bivarealizovana: poslovne zgrade NetCity(plastičnost jednostavnog staklenogvolumena postignuta upotrebomBecause desires and expectationsof the investors (financial), urbanrequirements (protection of the surrounding),prior state of location(unregulated areas), and ideas andexpectations of architects (aesthetic,functional) are usually conflicting,in all our projects, we are trying toreconcile these seemingly opposedrequirements by using all our energyand creativity and, in that way,we are creating architecture whichwill satisfy investors, meet customerexpectations for quality residentialand business space, but without denyingour own artistic and professionalambitions.boja), IT3 (realizovana geometrijapreseka kao posledica složenihurbanističkih zahtjeva) , Mani II (narubu neuređenog dela grada objekatkao tačka osnovnog urbaniteta), IT5u Buzinu (monohromatsko pročeljesa dva utisnuta, ispletena volumena),stambeno poslovna zgrada Vodatel(međuodnos stambenog i poslovnogrealizovan kroz različitu struktuiranostpročelja i volumena), luksuznastambena zgrada na Zvijezdi(interpolacija odabirom boja, materijala,formatom prozora i odnosomvolumena u zaštićenom gradskomjezgru), stambena zgrada „socijalnogstanovanja“ na Borovju - sve u Zagrebu,logističko-distributivni centarM SAN u Rugvici, stambeni objekatTestudo u Zadru.U svim izvedenim građevinama,iako su želje i očekivanja investitora(finansijska), urbanistički zahtevi(zaštita prostora), zatečeno stanjeprostora (neuređenost), i ideje iočekivanja arhitekata (estetska, funkcionalna)najčešće na suprotnimpozicijama, ulaganjem velike projektantskeenergije pokušavamouskladiti naoko suprotne zahteve,odnosno stvarati arhitekturu kojaće zadovoljiti investitora, ispunitiočekivanja korisnika za kvalitetnimstambenim, poslovnim prostorom, alida se pritom ne odreknemo vlastitihumetničkih i profesionalnih ambicija.