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\s mYevtew KALEIDOSCOPE - University of British Columbia

\s mYevtew KALEIDOSCOPE - University of British Columbia

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BOOKS IN REVIEWrecipients <strong>of</strong> one's portrait. If, however,one is asked to sit because one's face hascharacter, one may well simper selfconsciously.This has been the fate <strong>of</strong>several contributors. Instructed to setdown something that would allow "individualvoices <strong>of</strong> this century [to] be heardin the next," they are reduced tosimpering.Presumably, the purpose <strong>of</strong> this bookis to add to the material available tostudents in women's studies, to expandthe amount <strong>of</strong> female utterance in print.If quantity alone is desired, it may beunfair to cavil at the triviality <strong>of</strong> thisaddition to its editors' curricula vitae.However, teachers and researchers <strong>of</strong>tencomplain that their publications in women'sstudies are undervalued. Unfortunately,women's studies will not gainrecognition as a serious academic subjectas long as anything in the field can findits way into print.RUBY NEMSERAFFECTIONATE LIFECLARA THOMAS and JOHN LENNOX, WilliamArthur Deacon: A Literary Life. Univ. <strong>of</strong>Toronto Press, $24.95.WHEN WILLIAM ARTHUR DEACON recalledhis 1922 move from Dauphin, Manitoba,where he had practised law, to Toronto,where he became literary editor <strong>of</strong> SaturdayNight, he did so with a pleased consciousnessthat he had made Canadianliterary history by becoming the nation's"first full-time, pr<strong>of</strong>essional book reviewer."Pr<strong>of</strong>essors Thomas and Lennoxnote that from the beginning <strong>of</strong> this newcareer he thought <strong>of</strong> his literary life asmaterial for the memoirs in which hewould sum up his distinctive place, andthat by his retirement he had amassedmore than 18,000 pieces <strong>of</strong> correspondence,clippings, records <strong>of</strong> literary societies,and manuscripts to serve as both176mnemonic aid and documentation. Failinghealth and the sheer volume <strong>of</strong> thematerial prevented his realizing this finalproject; now Clara Thomas and JohnLennox have undertaken a more scholarlyand biographical version <strong>of</strong> what heenvisoned.The Deacon <strong>of</strong> this "Life" is followedthrough his career as book reviewer andliterary editor at Saturday Night (to1928), as syndicated book review columnist,as literary editor <strong>of</strong> the Mail andEmpire (1928-1936) and <strong>of</strong> the newGlobe and Mail where he stayed until hisretirement in 1960. His biographers quoteat length from his reviews and correspondencewith writers. They also supplementthe account <strong>of</strong> the newspapercareer with a series <strong>of</strong> chapters titled "ACommunity <strong>of</strong> Letters" about friendshipswith writers and his encouragement <strong>of</strong>them, a chapter on his work for TheCanadian Authors' Association, andchapters on his essays for Canadian andAmerican literary journals and on hisbooks.The strength <strong>of</strong> this biography is itscareful and extensive presentation <strong>of</strong> informationculled from its subject's papers.Deacon emerges from behind all thisdetail as a man <strong>of</strong> strong enthusiasmsand strong prejudices, both informed bya prophetic and didactic strain whichgained strength as he aged, both madeacceptable to his readers by a lively witwhich unfortunately lost much <strong>of</strong> itsflexibility as he aged. The enthusiasmswere for the economic, political, andliterary independence <strong>of</strong> Canada. Nearlyeverything he wrote, every organizationhe supported, aimed at gaining Canadianreaders for Canadian books: he sought,and gave personal and public support to,Canadian writers; he found publishersfor them; he encouraged readers to readand teachers to teach them. The prejudiceswere against imitation <strong>of</strong> non-Canadian cultural or economic models,

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