BOOKS IN REVIEWDIFFERENT WORLDSA Fair Shake: Autobiographical Essays byMcGill Women, ed. by Margaret Gillett &Kay Sibbald. Eden Press, $16.95.THIS IS A PUZZLING BOOK, havingvisible raison d'être or claim to academicseriousness. It is designed to commemoratethe admission <strong>of</strong> the first womenstudents in 1884; the inevitable comparisonwith M. C. Bradbrook's That InfidelPlace (1969), which celebrated the centenary<strong>of</strong> Girton College, Cambridge,does not favour this volume. Most <strong>of</strong> thecontributors are graduates <strong>of</strong> McGill, therest present or former members <strong>of</strong> itsfaculty. Inevitably, the writers live inUpper or Lower Canada and tend, exceptperhaps for the academics, to beprominent only there. The list includessome obvious choices, such as JessieBoyd-Scriver, one <strong>of</strong> the first four womenadmitted to Medicine. Nevertheless, thereader searches the prefatory material invain for a statement <strong>of</strong> the principle <strong>of</strong>selection that might explain some surprisingomissions or, for that matter, the inclusion<strong>of</strong> two former directors <strong>of</strong>Women's Athletics. Instead <strong>of</strong> any explanation,however, one finds in the introductionsuch material as the followingeffusion on the contributors :Amid the diversity, we discovered muchcommonality. Our authors shared characteristicssuch as love <strong>of</strong> reading, love <strong>of</strong>learning, and even — unfashionable thoughit may be — love <strong>of</strong> formal schooling. Most<strong>of</strong> them like travel, most appreciate thegreat outdoors, some are keen on sports,more than two-thirds are married and almostall <strong>of</strong> these have children, some havebeen divorced. Some careers overlappedpredictably — Gladys Bean took over fromIveagh Munro as Director <strong>of</strong> Physical Educationand Athletics for Women: othersemerged unexpectedly — Isabel Dobell didnot really plan to follow Alice Johannsenin the McGord Museum; still others intersectedin strange places — both MargaretGillett and Melek Akben spent some timenoat the Haile Selassie I <strong>University</strong> in AddisAbaba, Ethiopia, before coming to McGill;and there is at least one case <strong>of</strong> curiouscoincidence — Kay Sibbald and ElizabethRowlinson were born on the same street inEngland and both became Associate Deans<strong>of</strong> Students at McGill.The defect <strong>of</strong> this book, in comparisonwith That Infidel Place, is that it is not<strong>of</strong> interest to the general reader. A few <strong>of</strong>the essays are genuinely informative andinteresting, especially those <strong>of</strong> Dr. Boyd-Scriver and Dr. Swales, the EmeritusCurator <strong>of</strong> the Herbarium, for they grewup almost in a different world (bearingin mind Virginia Woolf s assertion thathuman nature changed at the end <strong>of</strong>1910). In the essays <strong>of</strong> the younger women,the 1950's graduate will find somebits <strong>of</strong> information about changes in theuniversity. However, most <strong>of</strong> the essaysare frankly self-indulgent, so that if theirauthors do not have household names,the readers wonder impatiently why thewriter thought anyone would care.Admittedly, self-indulgence is an inherentliability in the autobiographicalessay. As the editors themselves observe,a writer "is not quite comfortable abouthow much to say, how modest to be, howfrank." That is generally true <strong>of</strong> anyautobiographical essay. Usually, however,the occasion provides direction andboundaries; the publication <strong>of</strong> one'sbook, an appearance on stage, a milestonein one's career will give point to anaccompanying autobiography and dictatewhat it contains. So here, Dr. Scriverknows that readers are interested in whatit was like to be born in 1894, to enterthe university in 1911, to lean, a "partialB.Sc." student, against the door <strong>of</strong> theFaculty <strong>of</strong> Medicine until it opened toadmit four women into the second year<strong>of</strong> the M.D. programme. Other contributorslack that certainty about what willinterest the reader.When one goes to a photographer, oneknows the purpose, one has in mind the175
BOOKS IN REVIEWrecipients <strong>of</strong> one's portrait. If, however,one is asked to sit because one's face hascharacter, one may well simper selfconsciously.This has been the fate <strong>of</strong>several contributors. Instructed to setdown something that would allow "individualvoices <strong>of</strong> this century [to] be heardin the next," they are reduced tosimpering.Presumably, the purpose <strong>of</strong> this bookis to add to the material available tostudents in women's studies, to expandthe amount <strong>of</strong> female utterance in print.If quantity alone is desired, it may beunfair to cavil at the triviality <strong>of</strong> thisaddition to its editors' curricula vitae.However, teachers and researchers <strong>of</strong>tencomplain that their publications in women'sstudies are undervalued. Unfortunately,women's studies will not gainrecognition as a serious academic subjectas long as anything in the field can findits way into print.RUBY NEMSERAFFECTIONATE LIFECLARA THOMAS and JOHN LENNOX, WilliamArthur Deacon: A Literary Life. Univ. <strong>of</strong>Toronto Press, $24.95.WHEN WILLIAM ARTHUR DEACON recalledhis 1922 move from Dauphin, Manitoba,where he had practised law, to Toronto,where he became literary editor <strong>of</strong> SaturdayNight, he did so with a pleased consciousnessthat he had made Canadianliterary history by becoming the nation's"first full-time, pr<strong>of</strong>essional book reviewer."Pr<strong>of</strong>essors Thomas and Lennoxnote that from the beginning <strong>of</strong> this newcareer he thought <strong>of</strong> his literary life asmaterial for the memoirs in which hewould sum up his distinctive place, andthat by his retirement he had amassedmore than 18,000 pieces <strong>of</strong> correspondence,clippings, records <strong>of</strong> literary societies,and manuscripts to serve as both176mnemonic aid and documentation. Failinghealth and the sheer volume <strong>of</strong> thematerial prevented his realizing this finalproject; now Clara Thomas and JohnLennox have undertaken a more scholarlyand biographical version <strong>of</strong> what heenvisoned.The Deacon <strong>of</strong> this "Life" is followedthrough his career as book reviewer andliterary editor at Saturday Night (to1928), as syndicated book review columnist,as literary editor <strong>of</strong> the Mail andEmpire (1928-1936) and <strong>of</strong> the newGlobe and Mail where he stayed until hisretirement in 1960. His biographers quoteat length from his reviews and correspondencewith writers. They also supplementthe account <strong>of</strong> the newspapercareer with a series <strong>of</strong> chapters titled "ACommunity <strong>of</strong> Letters" about friendshipswith writers and his encouragement <strong>of</strong>them, a chapter on his work for TheCanadian Authors' Association, andchapters on his essays for Canadian andAmerican literary journals and on hisbooks.The strength <strong>of</strong> this biography is itscareful and extensive presentation <strong>of</strong> informationculled from its subject's papers.Deacon emerges from behind all thisdetail as a man <strong>of</strong> strong enthusiasmsand strong prejudices, both informed bya prophetic and didactic strain whichgained strength as he aged, both madeacceptable to his readers by a lively witwhich unfortunately lost much <strong>of</strong> itsflexibility as he aged. The enthusiasmswere for the economic, political, andliterary independence <strong>of</strong> Canada. Nearlyeverything he wrote, every organizationhe supported, aimed at gaining Canadianreaders for Canadian books: he sought,and gave personal and public support to,Canadian writers; he found publishersfor them; he encouraged readers to readand teachers to teach them. The prejudiceswere against imitation <strong>of</strong> non-Canadian cultural or economic models,
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- Page 52 and 53: BOOKS IN REVIEWchildren in hard hat
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- Page 64 and 65: OPINIONS & NOTESindeed, rife with "
- Page 66 and 67: OPINIONS & NOTESThe work of Claude
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