'Volume 16 â The People's Choice' - The Woody Back to School Unit
'Volume 16 â The People's Choice' - The Woody Back to School Unit 'Volume 16 â The People's Choice' - The Woody Back to School Unit
Published 2010byWoodettes PublicationsHouston, Texas, USA© Woodettes Publications 2010R Humphries has asserted his right to be identified asthe author of this work with all rights reservedincluding the right of reproduction in whole or in partin any form.The Library of Congress has catalogued this edition asfollows Humphries, R [date]The People’s Choice : a novel by R Humphries[Application Pending]1st Ed.ISBN – [Application Pending]www.woodettes.wordpress.com
Author’s NoteThis is a work of fiction. Names, characters,places and incidents are either the product of theauthor's imagination or are used fictitiously. Anyresemblance to actual events or locales or persons,living or dead, is entirely coincidental.The stories based at the Woody Back to SchoolUnit are works of adult fiction based upon the real-lifefantasy games played by the author, R. Humphriesand his wife, the inimitable Jojo.It is the author’s intent to create the WoodyBack to School Unit as an imaginative world peopledwith a believable cast and set in familiar surroundingswithin which the readers will become comfortable.The vernacular used in the stories is acombination of the phraseology derived from writingsuch as the British penny comics from the nineteenthirties, current language, slang and idioms, and theinvented parlance known as Woody Jargon.As such references to ‘beating’, ‘thrashing’, and‘flogging’ have no context to the use or avocation ofphysical violence, with the exception of controlledcorporal punishment, against the characters of thestories.
- Page 1: Volume 16The People’s ChoiceR Hum
- Page 10 and 11: 1PatsyMr Humphries sat back in his
- Page 12 and 13: 3the inmates bewildered him. Victor
- Page 14 and 15: 2A Full Collar WalkthroughCathryn C
- Page 16: 7being manhandled and dragged away
- Page 19 and 20: The People’s ChoiceThe members of
- Page 21 and 22: The People’s ChoicePatsy flexed t
- Page 23 and 24: The People’s Choice“Mickey, dar
- Page 25 and 26: The People’s Choicevictims of the
- Page 27 and 28: The People’s Choicebeing reacquai
- Page 29 and 30: The People’s ChoiceDeborah beamed
- Page 31 and 32: The People’s Choice“Jesus, Sir,
- Page 33 and 34: The People’s Choice“And I decli
- Page 35 and 36: The People’s ChoiceSally took sev
- Page 37 and 38: The People’s Choicetell him the t
- Page 39 and 40: The People’s Choicerigged up a cl
- Page 41 and 42: The People’s Choicegymnasium who
- Page 43 and 44: The People’s ChoiceFor an amateur
- Page 45 and 46: The People’s Choicewith their gue
- Page 47 and 48: The People’s Choicewith a confide
- Page 49 and 50: The People’s Choiceshe was viewed
- Page 51 and 52: The People’s Choicedidn’t have
Author’s NoteThis is a work of fiction. Names, characters,places and incidents are either the product of theauthor's imagination or are used fictitiously. Anyresemblance <strong>to</strong> actual events or locales or persons,living or dead, is entirely coincidental.<strong>The</strong> s<strong>to</strong>ries based at the <strong>Woody</strong> <strong>Back</strong> <strong>to</strong> <strong>School</strong><strong>Unit</strong> are works of adult fiction based upon the real-lifefantasy games played by the author, R. Humphriesand his wife, the inimitable Jojo.It is the author’s intent <strong>to</strong> create the <strong>Woody</strong><strong>Back</strong> <strong>to</strong> <strong>School</strong> <strong>Unit</strong> as an imaginative world peopledwith a believable cast and set in familiar surroundingswithin which the readers will become comfortable.<strong>The</strong> vernacular used in the s<strong>to</strong>ries is acombination of the phraseology derived from writingsuch as the British penny comics from the nineteenthirties, current language, slang and idioms, and theinvented parlance known as <strong>Woody</strong> Jargon.As such references <strong>to</strong> ‘beating’, ‘thrashing’, and‘flogging’ have no context <strong>to</strong> the use or avocation ofphysical violence, with the exception of controlledcorporal punishment, against the characters of thes<strong>to</strong>ries.