section i. general provisions - American Guild of Musical Artists

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ARTISTs should keep themselves aware of any flying scenery, curtains, spilled water, other dancer’sclothing on the floor, or electrical equipment when in the area of the stage. ARTISTs shall not touch,move or handle any technical equipment, props, or scenery unless authorized by Management for eachARTIST’s safety and the integrity and condition of said items. Additionally, ARTISTs shall always enterany theater Ballet San Jose performs in, at the designated Theater Stage Door.6. Artist Injuries. Any ARTIST who suffers an injury due to working in the Ballet San Jose building or inany theater occupied by Ballet San Jose, ARTIST must report the accident or injury to the staff or directorin charge of artist activity. To help prevent injuries caused by ARTIST executing choreography,ARTISTs are required to properly warm up their bodies prior to dancing as long as conditions are inaccordance with Sections A. 16. & 19. of the Healthy and Safety Addendum and any other applicableprovision of the cba. ARTISTs should also wear appropriate clothing and footwear at all times, asnecessitated by the current artist activity. Additionally, no ARTIST or Staff member shall engage inhorseplay, running up or down stairs, or jumping over handrails.7. Rehearsal Items. All rehearsal costumes and props are property of Ballet San Jose and should be treatedwith respect. All rehearsal costumes should be returned to where they were found (hung back onappropriate racks, in baskets, checked back in if they were checked out, etc.) and rehearsal props shouldbe returned to where they were found (prop tables, baskets, etc.). In many instances, rehearsal props areactual show props. Since this may not always be known by the ARTIST during use, all props should betreated as if they were actual show properties. If, during use, a prop or rehearsal costume becomesdamaged or hazardous to the ARTIST, ARTIST must inform the Stage Manger, the Costume Director ortheir Assistants to get the situation corrected quickly (Health and Safety Regulation Addendum, 2 ndparagraph).8. Restricted Entry. As stated in IV.E.7, Ballet San Jose will provide ARTISTs and Staff with CompanyID Badges. These badges permit Ballet San Jose to protect ARTISTs, Staff and production property, byonly allowing those with Company ID Badges backstage in theaters where Ballet San Jose performs, andin some cases, at the Ballet San Jose building. ARTISTs and staff will present their Company ID whenrequested by stage door guard or building security. Any guest that an ARTIST wishes to bring to thetheater must receive a similar ID badge, which can be obtained through Stage Management. However,this badge does not allow guests of the ARTIST to be present on the dressing room level or backstage inany theater Ballet San Jose performs in, during the half hour call, during the actual performance, or in thefifteen (15) minutes immediately following the final curtain. In the studios, if an ARTIST wishes to bringa guest to take Company Class, it must be approved by the Artistic Director, each time such guest wishesto take class. The request must be made in writing or verbally to the Stage Manager, who will take therequest to the Artistic Director and report back to the ARTIST.If the above is in accordance with your understanding, please sign one copy and return it to me.For AGMA:For BSJDateDate56
AMERICAN GUILD OF MUSICALARTISTS1430 Broadway (between 39 th and 40 th Streets), New York, NY 10018212-265-3687 – Fax: 212-262-9088Affiliated with the AFL-CIO, Branch of Associated Actors and Artistes ofAmericaThis letter will serve as Addendum 3 to the 2010 Ballet San Jose/AGA collective bargainingNotwithstanding Section IV. E. 1. d., which states as follows;“BSJ will provide to all ARTIST who are engaged for fifteen (15) weeks or more, Health Insurance forno less than twelve (12) months from first day of coverage per contract year, that will not fall below thelevel of coverage and range of providers of the Health Insurance BSJ currently provides ARTIST. Suchinsurance shall begin on the first day of the month after the first day of each ARTIST’s contract.”For any ARTIST who does not accept a contract offer to return for BSJ’s 2011-12 contract year, BSJshall only be obligated to continue to provide Health Insurance as set forth in Section E. 1. a. of thisAgreement for one additional month following the last date of such ARTIST’s 2010-11 individualemployment contract in addition to the month in which such individual contract ends.In addition, for the 2010-11 contract year only, Section IV. B. 4 shall read as follows:“Severance and Exit PayWhen an ARTIST who has been employed on a guaranteed employment basis by BSJ for at least three(3) years leaves the ARTIST shall receive one hundred per cent (100%) week’s MinimumCompensation, per year of employment for service of up to fifteen (15) years. If there is a break inservice of not more than one (1) year, ARTIST shall not lose credit for past years of employment.”If the above is in accordance with your understanding, please sign one copy and return it to me.For AGMA:For BSJDateDate57
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eason of an action of AGMA which is
Page 7 and 8: area of his or her evaluation he or
Page 9 and 10: The additional compensation to be p
Page 11 and 12: 4) Should any non-payment of salari
Page 13 and 14: SECTION II: EMPLOYMENT CONDITIONSA.
Page 15 and 16: E. PRO-RATA DAYSIf the ARTIST shall
Page 17 and 18: SECTION III.DEFINITIONSWhenever use
Page 19 and 20: L. DRESS REHEARSAL - shall be defin
Page 21 and 22: 1) All performing ARTISTs shall app
Page 23 and 24: SECTION IV. COMPENSATIONA. Minimum
Page 25 and 26: 2) Ballet Mistress/Master Feea) Any
Page 27 and 28: (g) 403(b)BSJ will make available t
Page 29 and 30: medical restrictions to the extent
Page 31 and 32: SECTION V: REHEARSAL/PERFORMANCE CO
Page 33 and 34: d) ARTIST will not be required to t
Page 35 and 36: 2) Rehearsals during Rehearsal Week
Page 37 and 38: Two (2) performance day (7:30 PM ev
Page 39 and 40: f) Dressing Rooms - BSJ will arrang
Page 41 and 42: dance trunks, dance belts, t-shirts
Page 43 and 44: 1) Archival/Study Tapesa) TapingAll
Page 45 and 46: involved and shall carry the line:
Page 47 and 48: EXHIBIT "1"AGREEMENT between the __
Page 49 and 50: 10) No ARTIST shall be required to
Page 51 and 52: 10) Any steam produced to create th
Page 53 and 54: 4. No ARTIST who feels unsafe carry
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section i. general provisions - American Guild of Musical Artists

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