section i. general provisions - American Guild of Musical Artists

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(c)In-Theatre Rehearsal/Performance weeks shall generally conform to one of thespecific scenarios set forth below:(i) In-Theater Rehearsal DaysRehearsal Day12-1:00 PM Company Class1:00-1:30 PM Break1:30-4:45 PM Rehearsal Time (includes appropriate break time)4:45-5:00 PM Undressing Time5:00-6:00 PM Dinner Break6:00-6:45 PM Optional Dancer warm-up7:00-7:30 PM ½ Half Hour7:30 -11:45 PM Rehearsal Time with appropriate breaks11:45-12:00 AM Undressing TimeDress Rehearsal Day12-1:00 PM Company Class1:00-1:30 PM Break1:30-4:30 PM Rehearsal Time (includes appropriate break time)4:30-4:45 PM Undressing Time4:45-6:00 PM Dinner Break6:00-6:45 PM Dancer optional warm-up7:00 PM Half Hour Call7:30- 11:45 PM Rehearsal Time with appropriate breaks11:45-12:00 AM Undressing Time(ii) In-Theater Performance DaysIn-Theater 7:30 PM Performance Day12-1:00 PM Company Class1:00-1:30 PM Break1:30-4:45 PM Rehearsal Time (includes appropriate break time)4:45-5:00 PM Undressing Time5:00-6:00 PM Dinner Break6:00-6:45 PM Optional Dancer warm-up7:00 PM Half Hour Call7:35-10:50 PM Performance Allowancefifteen minutes Undressing TimeIn-Theater 8:00 PM Performance Day12-1:00 PM Company Class1:00-1:30 PM Break1:30-4:45 PM Rehearsal Time (includes appropriate break time)4:45-5:00 PM Undressing Time5:00-6:30 PM Dinner Break6:30-7:15 PM Optional Dancer warm-up7:35 PM Half Hour Call8:05-11:20 PM Performance Allowancefifteen minutes Undressing Time36
Two (2) performance day (7:30 PM evening performance)12-12:45 PM Optional Dancer Warm-Up*1:00-1:30 PM Break/Half Hour Call1:35-4:50 PM Matinee Performance Allowance(fifteen minutes undressing time)5:05-6:00 PM Dinner Break6:00-6:45 PM Optional Dancer warm-up*7:00 PM Half Hour Call7:35-10:50 PM Performance Allowancefifteen minutes Undressing Time*ARTIST must attend one (1) of the two (2) warm-ups provided.Two (2) performance day (8:00 PM evening performance)12-12:45 PM Optional Dancer Warm-Up*1:00-1:30 PM Break1:35-4:50 PM Matinee Performance AllowanceFifteen Minutes Undressing Time5:05-6:30 PM Dinner Break6:30-7:15 PM OptionalDancer warm-up*7:30 PM Half Hour Call8:05-11:20 PM Performance Allowancefifteen minutes Undressing Time*ARTIST must attend one (1) of the two (2) warm-ups provided.Two (2) performance day (Student Matinee)9:00-9:45 AM Optional Dancer Warm-Up*10:00-10:30 AM Break/Half Hour Call10:30-1:45 PM Matinee Performance AllowanceFifteen minutes Undressing Time2:00-6:30 PM Break6:30-7:15 PM OPTIONAL Dancer warm-up*7:30 PM Half Hour Call8:05-11:20 PM Performance Allowancefifteen minutes Undressing Time*ARTIST must attend one (1) of the two (2) warm-ups provided.Two (2) Student Matinee day8:30 –9:15 AM Required Dancer Warm-Up9:30 AM Half Hour Call10:00 – 11:00 AM First (1 st ) Student Matinee Performance Allowance11:00 –11:30 AM Break11:30 AM – Half Hour Call12:00 PM-1:00 PM Second (2 nd ) Student Matinee Performance AllowanceFifteen minutes Undressing TimeThe will be no other Artist Activity scheduled on such days.One (1) Performance Day (Matinee Only)12-12:45 PM Required Dancer Warm-Up1:00-1:30 PM Break/Half Hour Call1:35-4:50 PM Matinee Performance Allowance37
Page 4: eason of an action of AGMA which is
Page 7 and 8: area of his or her evaluation he or
Page 9 and 10: The additional compensation to be p
Page 11 and 12: 4) Should any non-payment of salari
Page 13 and 14: SECTION II: EMPLOYMENT CONDITIONSA.
Page 15 and 16: E. PRO-RATA DAYSIf the ARTIST shall
Page 17 and 18: SECTION III.DEFINITIONSWhenever use
Page 19 and 20: L. DRESS REHEARSAL - shall be defin
Page 21 and 22: 1) All performing ARTISTs shall app
Page 23 and 24: SECTION IV. COMPENSATIONA. Minimum
Page 25 and 26: 2) Ballet Mistress/Master Feea) Any
Page 27 and 28: (g) 403(b)BSJ will make available t
Page 29 and 30: medical restrictions to the extent
Page 31 and 32: SECTION V: REHEARSAL/PERFORMANCE CO
Page 33 and 34: d) ARTIST will not be required to t
Page 35: 2) Rehearsals during Rehearsal Week
Page 39 and 40: f) Dressing Rooms - BSJ will arrang
Page 41 and 42: dance trunks, dance belts, t-shirts
Page 43 and 44: 1) Archival/Study Tapesa) TapingAll
Page 45 and 46: involved and shall carry the line:
Page 47 and 48: EXHIBIT "1"AGREEMENT between the __
Page 49 and 50: 10) No ARTIST shall be required to
Page 51 and 52: 10) Any steam produced to create th
Page 53 and 54: 4. No ARTIST who feels unsafe carry
Page 55 and 56: AMERICAN GUILD OF MUSICALARTISTS143
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section i. general provisions - American Guild of Musical Artists

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