section i. general provisions - American Guild of Musical Artists

8) The use of sharp weapons, swords, and or other props used as weapons, shall not ordinarilybe considered Extraordinary Risk, if the agreed upon conditions of the Health and SafetyRegulation Addendum regarding this matter are met by BSJ.9) BSJ agrees to assure ARTIST shall not be required to perform or rehearse in a space, whichis below sixty-eight (68) degrees Fahrenheit or above ninety (90) degrees Fahrenheit. It isunderstood by the ARTIST that there are circumstances out of BSJ’s control construed asacts of God, and may require exception. In such exceptions BSJ will compensate ARTISTtwenty dollars ($20.00). In the case of outdoor performances where the potential exists forcanceling a performance, temperature and conditions will be assessed by the Stage Manager,or designee. If the temperature is beyond the stated parameters then BSJ will make the finaldecision as to whether or not to proceed or not with the schedule rehearsal and performanceat the penalty rate stated above.P. FREE DAY – shall be defined as a period of twenty-four (24) consecutive hours during whichthe ARTIST may not be required to travel, rehearse, perform, or execute any service orobligation whatsoever for BSJ. The Free Day shall not be interrupted by photo calls, costumefittings, or any other Artist Activity, nor shall any individual volunteer such service without priorwritten consent from AGMA. During performance weeks the twenty-four (24) hour consecutivetime period shall be counted from twelve (12) hours after the close of the last precedingperformance. Each performance week shall have one (1) Free Day in each Monday throughSunday week. Each rehearsal week shall have two (2) Free Days within each Monday-through-Sunday week. During a five (5)-day rehearsal week the consecutive Free Days shall commenceat midnight and end at 9:30 AM in the morning of the third (3rd) following day.Q. GUEST ARTIST – shall be defined as a dancer who has been engaged for less than theguaranteed number of weeks referred to in Section II A 1, to perform a specific body of work(s)due to his/her unique and extraordinary artistic ability.R. IN-THEATER REHEARSAL/PERFORMANCE WEEK – shall be defined as any week ormajor part thereof, from one Monday through the following Sunday, in which a paid publicperformance is scheduled. The free day during said week shall be Monday.S. ON-STAGE TECHNICAL REHEARSAL – shall be defined as an appearance which includesthe following elements:1) scenery, lighting, props, costumes and hair requirements may be utilized;2) may include invited, non-paying audience;3) no printed program or announcement stating casts or program credits or promotion as aperformer;4) one five (5) minute break given during each hour of rehearsal following a fifty-five (55)minute rehearsal period; or ten (10) minutes within ninety (90) minutes.T. OVERTIME – an hourly rate of pay as set forth in Section IV B 2, of this Basic Agreement, inaddition to any other compensation due.T. PERFORMANCE – shall be defined as an appearance which counts as three hours and fifteenminutes (3-¼) and includes all of the following elements:20