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Specimens of English literature from the 'Ploughmans crede' to the ...

Specimens of English literature from the 'Ploughmans crede' to the ...

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XIII. GAWIN DOUGLAS. 415<strong>the</strong> s<strong>of</strong>t season, <strong>the</strong> serene fiiTnament, <strong>the</strong> still [illumined] air, and <strong>the</strong>pleasant frith. The silver-scaled fishes, on <strong>the</strong> gravel, ghding hastily, asit were, <strong>from</strong> <strong>the</strong> heat or sun, through clear streams, with fins shiningbrown as cinnabar, and chisel-tails, dartled here and <strong>the</strong>re. The newlustre enlightening all <strong>the</strong> land, (60) <strong>the</strong> beryl-like strands shone over againstthose gravelly-beds-<strong>of</strong>-streams, till <strong>the</strong> reflection <strong>of</strong> <strong>the</strong> beams [<strong>of</strong> day]filled <strong>the</strong> pleasant banks ivith variegated gleams ; and [sweet] Flora threwforth her blooms under <strong>the</strong> feet <strong>of</strong> <strong>the</strong> sun's brilliant steed. The bladedsoil was embroidered with various hues. Both wood and forest weredarkened with boughs, whose pretty bratiches were depicted on <strong>the</strong> ground<strong>the</strong> red roclts appeared distinct, with clearly-marked shadows. Towers,turrets, battlements, and high pinnacles, (70) <strong>of</strong> churches, castles, andevery fair city s<strong>to</strong>od depicted, every finial (?) vane arid s<strong>to</strong>ry npon <strong>the</strong>plain country, by <strong>the</strong>ir own shadoiv. The glebe, fearless <strong>of</strong> <strong>the</strong> nor<strong>the</strong>rnblasts <strong>of</strong> [Eolus], spread out her broad bosom [in order <strong>to</strong> receive lowdown in her lap <strong>the</strong> comforting inspiration <strong>of</strong> Zephyrus.] The corn<strong>to</strong>psand <strong>the</strong> new-spning barley reclo<strong>the</strong> <strong>the</strong> earth with a gladsomegarment. [So thick <strong>the</strong> plants sprang in every plot, (80) that <strong>the</strong> fieldswonder at <strong>the</strong>ir fertile covering. Busy dame Ceres, and proudPriapus, rejoice in <strong>the</strong> fertile plains, replenished so pleasantly andmost fittingly, nourished wondrously nobly by nature, stretching abroad,under <strong>the</strong> round circle, upon <strong>the</strong> fertile skirt-laps <strong>of</strong> <strong>the</strong> ground]. Thevariegated vesture <strong>of</strong> <strong>the</strong> [beauteous] valley covers <strong>the</strong> ttirfy furrow,and every sod was diversified with leaves <strong>of</strong> very various shapes.(90) Eachspray was sprinkled dispersedly loith springing shoots ; because <strong>of</strong> <strong>the</strong> freshmoisture <strong>of</strong> <strong>the</strong> dewy night, res<strong>to</strong>ring [partially] its former height <strong>to</strong> <strong>the</strong>herbage, as far as <strong>the</strong> cattle [in <strong>the</strong> long summer's day], had [eaten and]cropped [it away in <strong>the</strong>ir pasture.] The [pretty] blossoms in <strong>the</strong> blowinggarden tnist <strong>the</strong>ir heads <strong>to</strong> <strong>the</strong> protection <strong>of</strong> <strong>the</strong> young sun. Rankivy-leaves overspread <strong>the</strong> wall <strong>of</strong> <strong>the</strong> rampart. The blooming hawthornclo<strong>the</strong>d all his thorns in flowers.'The latter part <strong>of</strong> War<strong>to</strong>n's paraphrase is so sketchy, and, in manyplaces, so hopelessly incorrect, that <strong>the</strong> reader could only glean ageneral idea <strong>of</strong> <strong>the</strong> sense <strong>from</strong> it, and it is hardly worth consulting.Some <strong>of</strong> his errors are extraordinary, and serve as instances <strong>of</strong> <strong>the</strong> factthat many a scholar who can translate Latin and Greek with ease ishelplessly at sea as <strong>to</strong> <strong>the</strong> meaning <strong>of</strong> many words in Old <strong>English</strong>.<strong>the</strong> part which I have already quoted, <strong>the</strong> tenses are sometimes confused.It must be observed, however, that <strong>the</strong> grammar in <strong>the</strong> original also shewssigns <strong>of</strong> confusion.This was owing <strong>to</strong> <strong>the</strong> great influence <strong>of</strong> Chaucer^ swritings. His Scotch imita<strong>to</strong>rs sometimes go so far as <strong>to</strong> imitate hisgrammar. Thus <strong>the</strong> true Scottish pres. participle ends in -and, as inIn

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