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Specimens of English literature from the 'Ploughmans crede' to the ...

Specimens of English literature from the 'Ploughmans crede' to the ...

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VII.CHEVY CHASE.397<strong>the</strong> ground that myne does not mean many, and pie is not a fold. Thecontext would lead us <strong>to</strong> suppose that it is some part <strong>of</strong> a man's bodyamiour,and we may reasonably guess it <strong>to</strong> be a corruption <strong>of</strong> rnanople,a French term for a large gauntlet protecting <strong>the</strong> hand and <strong>the</strong> wholefore-arm. Roquefort's Glossaire gives—' Manoples, Gantelets, armespr^servatrices des mains et de I'avant-bras ;Many sterne, &c. ;65. Myllan, Milan steel.de mantialis, manipulus.'many stern ones <strong>the</strong>y struck down straight.66. Wor<strong>the</strong> frechys, for worthi frehes, worthy men.67. Sprente, spurted. Heal or ran, hail or rain.68. I/eth, in faith.74. Wane, <strong>the</strong> Nor<strong>the</strong>rn form <strong>of</strong> O. Eng. wone, a quantity, multitudeit means a single arrow out <strong>of</strong> a vast quantity.'^neas,' says Addison,'was wounded after <strong>the</strong> same manner by an unknown hand in <strong>the</strong> midst<strong>of</strong> a parley" Has inter uoces, media inter talia uerba,Ecce uiro stridens alis allapsa sagitta est,Incertum qua pulsa manu." ' ^n. xii. 318.78. ' Merry men, in <strong>the</strong> language <strong>of</strong> those times, is no more than acheerful word for companions and fellow-soldiers. A passage in <strong>the</strong>eleventh book <strong>of</strong> Virgil's ^neids is very much <strong>to</strong> be admired, whereCamilla, in her last agonies, instead <strong>of</strong> weeping over <strong>the</strong> wound she hadreceived, as one might have expected <strong>from</strong> a warrior <strong>of</strong> her sex, considersonly (like <strong>the</strong> hero <strong>of</strong> whom we are now speaking) how <strong>the</strong> battleshould be continued after her death" Turn sic expirans, &c." [-^n. xi. 820].'—Addison.80. ' Earl Piercy's lamentation over his enemy is generous, beautiful,and passionate ; I must only caution <strong>the</strong> reader not <strong>to</strong> let <strong>the</strong> simplicity<strong>of</strong> <strong>the</strong> style, which one may well pardon in so old a poet, prejudice himagainst <strong>the</strong> greatness <strong>of</strong> <strong>the</strong> thought. That beautiful line, taking <strong>the</strong>dead man by <strong>the</strong> hand, will put <strong>the</strong> reader in mind <strong>of</strong> iEneas's behaviour<strong>to</strong>wards Lausus, whom he himself had slain as he came <strong>to</strong>his aged fa<strong>the</strong>r*' At uero ut uultum uidit morientis, et ora,Ora modis Anchisiades pallentia miris :Ingemuit miserans grauiter, dextramque tetendit. "<strong>the</strong> rescue <strong>of</strong>\_Mn. X. 821.].'—Addison.83. Mongo'ruberry ; in <strong>the</strong> later version, Mountgomerye.84. A trusti tre, <strong>of</strong> trusty wood. The. second a in this line probablymeans <strong>of</strong>; cf. note <strong>to</strong> 1. 51, and see 1. 92.89. A<strong>the</strong> <strong>to</strong><strong>the</strong>r, on <strong>the</strong> o<strong>the</strong>r ; a is a short form both oion and <strong>of</strong> ; thusalive is for on lyue, on or in life, whilst adown is for <strong>of</strong> dune, <strong>of</strong>f a hill.

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