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Specimens of English literature from the 'Ploughmans crede' to the ...

Specimens of English literature from the 'Ploughmans crede' to the ...

Specimens of English literature from the 'Ploughmans crede' to the ...

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:XXVII.JOHN LYLY.A.D. 1579.John Lyly, a native <strong>of</strong> <strong>the</strong> Weald <strong>of</strong> Kent, was born probablyin 1553, and died in 1606. He studied at Magdalen College,Oxford, where he <strong>to</strong>ok his degree <strong>of</strong> B.A. in 1573. His nineplays, published between 1584 and 1601, are named 'Alexanderand Gampaspe,' Sappho * and Phao,' ' Endimion,' ' Gala<strong>the</strong>a,''Midas,' Mo<strong>the</strong>r ' Bombie,' The ' Woman in <strong>the</strong> Moon,' The'Maid's Metamorphosis,' and Love's Metamorphosis.' But he ' isbest remembered by his two works named respectively Euphues*<strong>the</strong> Ana<strong>to</strong>my <strong>of</strong> Wit,' first printed in <strong>the</strong> spring <strong>of</strong> 1579, and'Euphues and his England,' 1580. He seems also <strong>to</strong> have been<strong>the</strong> author <strong>of</strong> <strong>the</strong> anonymous tract called Pap with 'a Hatchet,'written during <strong>the</strong> ' Martin Mar-prelate' controversy. The works<strong>of</strong> Lyly gave rise <strong>to</strong> <strong>the</strong> name <strong>of</strong> ' Euphuism,' a term applied <strong>to</strong>a <strong>the</strong>n fashionable pedantic style, and over-strained method <strong>of</strong>expression, <strong>of</strong> which many examples are <strong>to</strong> be found in Euphues.''On this account, Lyly's works have been frequently decried andridiculed, but it deserves <strong>to</strong> be remarked that he sometimes exhibitsstrong conunon sense ; and Charles Kingsley, in his ' WestwardHo,' is right in calling Euphues, 'in spite <strong>of</strong> occasional tediousncssand pedantry, as brave, righteous, and pious a book asmanneed look in<strong>to</strong>.' I believe it will be difficult for any one <strong>to</strong> read<strong>the</strong> following extract without feeling <strong>the</strong> better for it ; which is

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