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James Phillips Introduction For those of you not famil

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20From a psychiatric perspective, after we have left behind the arena <strong>of</strong> major psychoticdisorders, we move into the more murky territory <strong>of</strong> character pathology. Indeed, all <strong>of</strong> theevaluators, staying within the bounds <strong>of</strong> DSM-IV, included a diagnosis <strong>of</strong> paranoid personalitydisorder with antisocial features. They are certainly on the right trail, but if we don’t feelconfined by the nosologic strictures <strong>of</strong> DSM-IV, we may readily shift to the character pathologydescribed as malignant narcissism. Otto Kernberg first coined this term and has <strong>of</strong>fered the mostextensive descriptions <strong>of</strong> individuals with this personality style - or disorder- individuals who, inKernberg’s words, suffer from “...ego-syntonic grandiosity combined with cruelty or sadism andsevere paranoid personality traits...” (Kernberg 1984, 276). These individuals exhibit acombination <strong>of</strong> deep envy and hatred <strong>of</strong> others, combined with secret grandiosity that is at oddswith other feelings <strong>of</strong> inferiority, and finally a ruthless disregard for the rights <strong>of</strong> others togetherwith an incapacity for empathy.Such, psychiatrically speaking, is Ted Kaczynski. This leaves us with two questions:first, how do we put together the two Ted Kaczynskis, the prescient evaluator <strong>of</strong> moderntechnology and the malignant narcissist, and second, what does his case tell us about the largertheme <strong>of</strong> political extremism and psychopathology.DiscussionRegarding the first question, that <strong>of</strong> the two Kaczynskis, let us first recognize theambiguous moral valence <strong>of</strong> character pathology. This kind <strong>of</strong> psychiatric disturbance <strong>of</strong>ferssome mitigation <strong>of</strong> a person’s bad behavior, but <strong>not</strong> much. But while character pathology doesn’tlet an individual <strong>of</strong>f the moral hook, neither does it negate the validity <strong>of</strong> his accomplishments.Creative artists come to mind here. We long for our great artists to be nice people, but <strong>of</strong>ten theydon’t oblige us. Picasso wasn’t a very nice guy. But the work stands apart from the character that

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