The Metropolitan Museum of Art

Nadar. Maria Morris Hambourg, Françoise Heilbrun, and PhilippeNéagu. 288 pp., 211 ills. (99 in color).Orientalism: Visions of the East in Western Dress. Richard Martin andHarold Koda. 96 pp., 85 ills. (60 in color).Origins of Impressionism. Gary Tinterow and Henri Loyrette. 496 pp.,645 ills. (219 in color).Painting and Illumination in Early Renaissance Florence, 1300 – 1450.Laurence B. Kanter, Barbara Drake Boehm, Carl Brandon Strehlke,Gaudenz Freuler, Christa C. Mayer Thurman, and Pia Palladino.408 pp., 296 ills. (120 in color).The Photographs of Édouard Baldus. Malcolm Daniel, with an essay byBarry Bergdoll. 294 pp., 177 ills. (87 plates, 90 duotones).The Pietà in French Late Gothic Sculpture: Regional Variations. William H.Forsyth. 219 pp., 203 ills., 5 maps.Saints: A Book of Days. 120 pp. Full color throughout.What Makes a Goya a Goya? . . . a Cassatt a Cassatt?, a Picasso aPicasso?, a Leonardo a Leonardo? Richard Mühlberger. 4 books, 48 pp.each. Full color throughout.Metropolitan Museum JournalMetropolitan Museum Journal. Vol. 29 (1994). 184 pp., 277 ills.The Metropolitan Museum of Art BulletinThe Met and the New Millennium: A Chronicle of the Past and aBlueprint for the Future. Philippe de Montebello. Vol. 52, no. 1(summer 1994). 90 pp., 187 ills. (162 in color).Recent Acquisitions: A Selection, 1993 – 1994. Vol. 52, no. 2 (fall 1994).96 pp., 118 ills. (76 in color).Thomas Eakins and The Metropolitan Museum of Art. H. BarbaraWeinberg, with a contribution by Jeff L. Rosenheim. Vol. 52, no. 3(winter 1994 – 95). 52 pp., 46 ills. (30 in color).An Egyptian Bestiary. Dorothea Arnold. Vol. 52, no. 4 (spring 1995).64 pp., 104 ills. (65 in color).1995 /96 Ancient Art from the Shumei Family Collection. Entries by curators atThe Metropolitan Museum of Art and Los Angeles County Museumof Art and by other scholars. 224 pp., 184 ills. (141 in color).