The Metropolitan Museum of Art

Our New Clothes: Acquisitions of the 1990s. Richard Martin. 80 pp.,113 color ills.PThe Painterly Print: Monotypes from the Seventeenth to the TwentiethCentury. 276 pp., 170 ills. (26 in color).Painters in Paris, 1895 – 1950. William S. Lieberman. 128 pp., 105 ills.(104 in color).The Painter’s Light. John Walsh Jr. 13 pp., 9 ills.Painters of Reality: The Legacy of Leonardo and Caravaggio in Lombardy.Ed. by Andrea Bayer, with contributions by Andrea Bayer, MinaGregori, Martin Kemp, Linda Wolk-Simon, Enrico de Pascale, GiulioBora, Mario Marubbi, Keith Christiansen, Laura Lanzeni, Robert S.Miller, and Andaleeb Badiee Banta. 272 pp., 219 ills. (136 in color).Painting and Illumination in Early Renaissance Florence, 1300 – 1450.Laurence B. Kanter, Barbara Drake Boehm, Carl Brandon Strehlke,Gaudenz Freuler, Christa C. Mayer Thurman, and Pia Palladino.408 pp., 296 ills. (120 in color).Painting in Renaissance Siena, 1420 – 1500. Keith Christiansen, Laurence B.Kanter, and Carl Brandon Strehlke. 386 pp., 315 ills. (100 in color).Le Papyrus d’Imouthès, fils de Psintaes, au Metropolitan Museum of Artde New-York (Papyrus MMA 35.9.21). Jean-Claude Goyon. 129 pp.,44 photographic plates, 43 line-art plates.The Paths Dreams Take: Japanese Art from the Collections of Mary GriggsBurke and The Metropolitan Museum of Art. (CD-ROM). ElizabethHammer and Teresa Russo, producers.Paul Klee: The Berggruen Klee Collection in The Metropolitan Museumof Art. Sabine Rewald. 320 pp., 339 ills. (103 in color).Paul Strand circa 1916. Maria Morris Hambourg. 192 pp., 93 ills.(58 tritones, 35 duotones).Peach Blossom Spring: Gardens and Flowers in Chinese Painting.Richard M. Barnhart. 144 pp., 80 ills. (65 in color, including foldout).Perceptions of Byzantium and Its Neighbors (843 – 1261). Ed. by Olenka Z.Pevny. 208 pp., 125 ills.Perennial Pleasures: Reflections on Flowers and Gardens. 80 pp. Full colorthroughout.Perfect Documents: Walker Evans and African Art, 1935. Virginia-LeeWebb. 112 pp., 89 ills.